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The usual process of transition from bronze to iron swords, in a prehistoric European age, is traced by Mr. Ridgeway at Hallstatt, "in the heart of the Austrian Alps," where a thousand old graves have been explored. The swords pass from bronze to iron with bronze hilts, and, finally, are wholly of iron. Weapons of bronze are fitted with iron edges. Axes of iron were much more common than axes of bronze. {Footnote: Early Age of Greece, i. 413-416.} The axes were fashioned in the old shapes of the age of bronze, were not of the bipe
At Hallstatt there was the normalevolution from bronze swords and axes to iron swords and axes. Why, then, had Homer's men in his time not made this step, seeing that they were familiar with the use of iron? Why do they use bronze for swords and spears, iron for tools? The obvious answer is that they could temper bronze for military purposes much better than they could temper iron. Now Mr. Ridgeway quotes Polybius (ii. 30; ii. 33) for the truly execrable quality of the iron of the Celtic invaders of Italy as late as 225 B.C. Their swords were as bad as, or worse than, British bayonets; they always"doubled up." "Their long iron swords were easily bent, and could only give one downward stroke with any effect; but after this the edges got so turned and the blades so bent that, unless they had time to straighten them with the foot against the ground, they could not deliver a second blow." {Footnote: Early Age of Greece, vol. i. 408.} If the heroes in Homer's time possessed iron as badly tempered as that of the Celts of 225 B.C., they had every reason to prefer, as they did, excellent bronze for all their military weapons, while reserving iron for pacific purposes. A woodcutter's axe might have any amount of weight and thickness of iron behind the edge; not so a sword blade or a spear point. {Footnote: Monsieur Salomon Reinach suggests to me that the story of Polybius may be a myth. Swords and spear-heads in graves are often found doubled up; possibly they are thus made dead, like the owner, and their spirits are thus set free to be of use to his spirit. Finding doubled up iron swords in Celtic graves, the Romans, M. Beinach suggests, may have explained their useless condition by the theory that they doubled up in battle, leaving their owners easy victims, and this myth was accepted as fact by Polybius. But he was not addicted to myth, nor very remote from the events which he chronicles. Again, though bronze grave-weapons in our Museum are often doubled up, the myth is not told of the warriors of the age of bronze. We later give examples of the doubling up, in battle, of Scandinavian iron swords as late as 1000 A.D.}
In the Iliadwe hear of swords breaking at the hilt in dealing a stroke at shield or helmet, a thing most incident to bronze swords, especially of the early type, with a thin bronze tang inserted in a hilt of wood, ivory, or amber, or with a slight shelf of the bronze hilt riveted with three nails on to the bronze blade.
Lycaon struck Peneleos on the socket of his helmet crest, "and his sword brake at the hilt." {Footnote: Iliad, XVI. 339.} The sword of Menelaus broke into three or four pieces when he smote the helmet ridge of Paris. {Footnote: Iliad, III. 349, 380.} Iron of the Celtic sort described by Polybius would have bent, not broken. There is no doubt on that head: if Polybius is not romancing, the Celtic sword of 225 B.C. doubled up at every stroke, like a piece of hoop iron. But Mr. Leaf tells us that, "by primitive modes of smelting," iron is made "hard and brittle, like cast iron." If so, it would be even less trustworthy for a sword than bronze. {Footnote: Iliad(1900), Book VI, line 48, Note.} Perhaps the Celts of 225 B.C. did not smelt iron by primitive methods, but discovered some process for making it not hard and brittle, but flabby.
The swords of the Mycenaean graves, we know, were all of bronze, and, in three intaglios on rings from the graves, the point, not the edge, is used, {Footnote: Tsountas and Manatt, p. 199.} once against a lion, once over the rim of a shield which covers the whole body of an enemy, and once at too close quarters to permit the use of the edge. It does not follow from these three cases (as critics argue) that no bronze sword could be used for a swashing blow, and there are just half as many thrusts as strokes with the bronze sword in the Iliad. {Footnote: Twenty-four cuts to eleven lunges, in the Iliad.} As the poet constantly dwells on the "long edge" of the bronzeswords and makes heroes use both point and edge, how can we argue that Homeric swords were of iron and ill fitted to give point? The Highlanders at Clifton (1746) were obliged, contrary to their common practice, to use the point against Cumberland's dragoons. They, like the Achaeans, had heavy cut and thrust swords, but theirs were of steel.
If the Achaeans had thoroughly excellent bronze, and had iron as bad as that of the Celts a thousand years later, their preference for bronze over iron for weapons is explained. In Homer the fighters do not very often come to sword strokes; they fight mainly with the spear, except in pursuit, now and then. But when they do strike, they cleave heads and cut off arms. They could not do this with bronze rapiers, such as those with which men give point over the rim of the shield on two Mycenaean gems. But Mr. Myres writes, "From the shaft graves (of Mycenae) onwards there are two types of swords in the Mycenaean world—one an exaggerated dagger riveted into the front end of the hilt, the other with a flat flanged tang ru
The uniform evidence of the Homeric poems can only be explained on the supposition that men had plenty of iron; but, while they used it for implements, did not yet, with a natural conservatism, trust life and victory to iron spears and swords. Unluckily, we ca