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Here she pauses. All is quiet. Still, she must keep moving. She enters the back patio and then Maggie’s kitchen, closing the door softly behind her and leaving the lights off.
One AM: Maggie wouldn’t be back from work yet. She examines her side, bleeding profusely, and is relieved to find the round only grazed her skin.
Quickly she moves through the dark, silent apartment to the front door. Then—carefully, very carefully—she cracks it and peers out. East End Avenue is quiet, a few cars passing by beneath the soft streetlights. She darts out, closes the door behind her, and scurries northward, sca
And then it happens. Just like all the times before: the screeching of brakes, the slam of a door, the clatter of ru
“Halt!” comes the harsh cry. “Hände hoch!”
Another man is ru
With a muffled cry of frustration and despair, she ducks into the closest open doorway: an all-night delicatessen. Even at this late hour it’s full of people, standing at the order counter and helping themselves to the self-serve salad bar. She flies through, knocking down stacks of ca
She looks around wildly. Still no cabs. It will be only a matter of minutes, maybe seconds, until the Nazi reemerges. Sweeping the scene, her eye catches something in the greenery of Carl Schurz Park on the far side of the avenue: a brick wall, with a closed gate beside it, and—beyond—the yellow bulk of a large, Federal-style building.
Gracie Mansion.
Sprinting across the avenue, she clambers up the crosspieces of the gate and reaches the top of the brick wall. She knows the current mayor doesn’t live here, disdaining the mansion for his own ultra-luxurious apartment—but it will still be well guarded.
Glancing over her shoulder, she sees the second Nazi emerge from the delicatessen. He catches sight of her, breaks into a run.
Cursing her slowness, she slides down the far side of the wall and makes for the mansion. It is dark inside, with floodlights bathing the exterior. She runs toward a uniformed cop standing at one corner of the building.
“Hey, Officer,” she says, trying to control her breathing, shifting her backpack to cover the bloody patch under her arm, “Can you tell me how to get to Times Square?”
The cop stares at her like she’s a madwoman.
She positions herself between the mansion and the policeman. “I got lost and I’m trying to find my way back to my hotel. Can you help me?”
Behind the cop, she sees the second Nazi, peering over the brick wall, staring at them.
The officer frowns at her. “Miss, do you have any idea where you are?”
“Umm… Central Park?”
The officer now looks convinced she’s high on drugs. “This is a restricted area. And you’re trespassing. I’m afraid you’ll have to come with me.”
“Okay, Officer.”
She walks alongside the cop as he leads the way toward the front of the house. Glancing back, she sees that the Nazi has disappeared. Still, she now has to get away from the cop—she can’t risk having her name entered into the official record. She waits until they are near the mansion’s east front. The cop opens the gate with his key, escorting her toward his squad car. She drifts back, lagging. And then, abruptly, she breaks for the line of trees standing along the edge of the park.
“Hey!” the cop shouts. “Come back here!”
But she doesn’t come back. She runs, and runs, through the trees, the deserted streets, the dark avenues, runs until she thinks her heart will explode…
Corrie awoke with a muffled cry. For a moment she was confused, disoriented, with no recollection of where she was. Then she saw the scuffed walls around her, saw the closed door directly in front of her, smelled the odor of old shit, and her memory came flooding back. She had fallen asleep in a stall in the ladies’ room of Pe
She shook her head, trying to dispel the fog of fear. Two weeks had gone by. Nothing had happened. Surely she was safe.
She stood up. Her knees protested the movement. Her butt was asleep from sitting on a toilet seat for six hours. At least the bullet graze had healed and her side was no longer sore. Exiting the stall, she washed her face and hands, brushed her teeth and combed her hair with the toiletries she’d purchased in a Duane Reade. She examined herself in the mirror. Two weeks on the street, and a bit of art, had turned her into a filthy, homeless drug addict, for sure.
It was six PM, and Pe
Maybe she was overly paranoid, but it seemed likely they would go to any lengths to find and kill her.
She could have gone to the police. But that would have required an explanation of her B&E: a felony that would have ended her career in law enforcement before it even began. And they might not believe her, or the Nazis might have split. Who would believe that Nazis were operating out of a house in twenty-first-century Manhattan?
She had tried to reach Pendergast several times, with no luck. The mansion on Riverside was shut up tight. As she readjusted the now-familiar weight of the knapsack on her shoulder, she reminded herself how important it was to get in touch with him. The papers were important, she felt sure, although having no German of her own she could not be certain.
She’d kept discreet watch on her own apartment building several times and seen no signs of suspicious activity. She was confident they hadn’t found out who she was.
But it wasn’t over. One way or another, she had to get these papers into Pendergast’s hands, tell him about the house. The Dakota apartment would be her next stop.
She made her way down to the Eighth Avenue subway. The station was packed, and a train was just arriving. She hung back, at the far end of the platform, waiting for the train to disgorge its passengers and take on the hordes. She waited longer still, until the train had left the station and the exiting riders had departed, for the surface or for the commuter trains to Long Island and New Jersey. For a few moments, the station was empty. Glancing around one final time, she sat down on the edge of the platform, lowered herself carefully onto the track bed, and then—walking in the path of the quickly dwindling train—vanished into the darkness of the tu