Practical Magic

"My hair's not that bad," Kylie says once they're in the Honda. "I don't see what's so horrible about what we did." She's sitting alone in the backseat and she feels so weird. There's no space for her legs at all, and in order to fit she has to fold herself up. She almost feels as if she could leap out of the car and walk away. She could start a new life and never look back again.

"Maybe if you think about it, you will," Sally tells her. "You have more sense than your aunt, so you have a better chance of understanding your mistake. Think it over."

That's what Kylie does, and what it all adds up to is spite. Nobody wants her to be happy, except for Gillian. Nobody gives a damn.

They drive home in silence, but after they've pulled into the driveway and are walking toward the front door, Antonia can no longer hold her tongue. "You look so tacky," she whispers to Kylie. "And you know what the worst part is?" She draws this out, as though she were about to utter a curse. "You look like her."

Kylie's eyes sting, but she's not afraid to talk back to her sister. Why should she be? Antonia looks oddly pale tonight, and her hair has turned dry, a bundle of blood-colored straw caught up in barrettes. She's not so pretty. She's not as superior as she's always pretended.

"Well, good," Kylie says. Her voice is honey, so easy and sweet. "If I'm like Aunt Gillian I'm glad."

Sally hears something dangerous in her daughter's voice, but of course thirteen is a dangerous age. It's the time when a girl can snap, when good can turn to bad for no apparent reason, and you can lose your own child if you're not careful.

"We'll go to the drugstore in the morning," Sally says. "Once we get hold of a package of brown dye you'll look perfectly fine."

"I think that's my decision." Kylie is surprised at herself, but that doesn't mean she's about to give in.

"Well, I disagree," Sally says. There's a lump in her throat. She would like to do something other than stand here—smack Kylie, perhaps, or hug her, but she knows neither of these things is possible.

"Well, that's too bad," Kylie says right back. "Because it's my hair."

Watching all this, Antonia has a big grin on her face.

"Is this any of your business?" Sally says to her. She waits for Antonia to go inside before turning to Kylie. "We'll discuss this tomorrow. Get in the house."

The sky is dark and deep. The stars have begun to come out. Kylie shakes her head no. "I won't."

"Fine," Sally says. There's a catch in her voice, but her posture is straight and unrelenting. For weeks she's been afraid that she might lose her daughter, that Kylie would favor Gillian's careless ways, that she'd grow up too soon. Sally had pla

After Sally goes inside, the door closes with a little hissing sound, then slams as it shuts. Kylie has been alive beneath this sky for thirteen years, and only tonight does she really look at all those stars above her. She slips off her shoes, leaves them on the front stoop, then goes around to the backyard. The lilacs have never before been in flower on her birthday, and she takes it as a sign of luck. The bushes are so lush and overgrown, she has to stoop to get by them. For her whole life she has been measuring herself against her sister, and she's not going to do that anymore. That is the gift Gillian has given her tonight, and for that she will always be grateful.

Anything can happen. Kylie sees that now. All across the lawn there are fireflies and heat waves. Kylie stretches out one hand and fireflies collect in her palm. As she shakes them off, and they rise into the air, she wonders if she has something other people don't. Intuition or hope—she wouldn't know what to call it. Perhaps what she has is the simple ability to know that something has changed and is changing still, under this dark and starry sky.

Kylie has always been able to read people, even those who close themselves up tight. But now that she's turned thirteen, her meager talent has intensified. All evening she has been seeing colors around people, as though they were illuminated from within, just like fireflies. The green edge of her sister's jealousy, the black aura of fear when her mother saw that she looked like a woman, not a little girl. These bands of color seem so real to Kylie that she has tried to reach out her hand and touch them, but the colors bleed into the air and disappear. And now, as she stands in her own backyard, she sees that the lilacs, those beautiful things, have an aura all their own, and it's surprisingly dark. It's purple, but it seems like a bloodstained relic, and it drifts upward like smoke.

All of a sudden, Kylie doesn't feel quite so grown-up. She has the desire to be in her own bed, she even finds herself wishing that time could go backward, at least for a bit. But that never happens. Things can't be undone. It's ridiculous, but Kylie could swear there was a stranger out here in the yard. She backs up to the door and turns the handle, and just before she goes inside, she looks across the lawn and sees him. Kylie blinks, but sure enough he's still there, under the arch of the lilacs, and he looks like the sort of man no one in her right mind would want to run into on a night as dark as this. He has a lot of nerve to be on private property, to treat this yard as his own. But, clearly, he doesn't give a damn about such things as decorum and good behavior. He's sitting there waiting, and whether Kylie or anyone else approves or disapproves doesn't much matter. He's there all right, admiring the night through his gorgeous cold eyes, ready to make somebody pay.

Clairvoyance

If a woman is trouble, she should always wear blue for protection. Blue shoes or a blue dress. A sweater the color of a robin's egg or a scarf the shade of heaven. A thin satin ribbon, carefully threaded through the white lace hem of a slip. Any of these will do. But if a candle burns blue, that is something else entirely, that's no luck at all, for it means there's a spirit in your house. And if the flame should flicker, then grow stronger each time the candle is lit, the spirit is settling in. Its essence is wrapping around the furniture and the floorboards, it's claiming the cabinets and the closets and will soon be rattling windows and doors.

Sometimes it takes a good while before anyone in a house realizes what has happened. People want to ignore what they can't understand. They're looking for logic at any cost. A woman can easily think she's silly enough to misplace her earrings every single night. She can convince herself that a stray wooden spoon is the reason the dishwasher is constantly jamming, and that the toilet keeps flooding because of faulty pipes. When people snipe at each other, when they slam doors in each other's faces and call each other names, when they can't sleep at night because of guilt and bad dreams, and the very act of falling in love makes them sick to their stomach instead of giddy and joyful, then it's best to consider every possible cause for so much bad fortune.

If Sally and Gillian had been on speaking terms, instead of avoiding each other in the hall and at the supper table, where one would not even ask the other to pass the butter or the rolls or the peas, they would have discovered as July wore on, with white heat and silence, that they were equally unlucky. The sisters could turn on a lamp, leave the room for a second, and return to complete darkness. They could start their cars, drive half a block, and discover they'd run out of gas, even if there'd been nearly a full tank just hours before. When either sister stepped into the shower, the warm water turned to ice, as though someone had played with the faucet. Milk would curdle as it was poured from the container. Toast burned. Letters the postman had carefully delivered were torn in half and their edges turned black, like an old withered rose.