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Gibson glanced at Klein. "It can't be any picnic for criminals in this town."

Klein was also looking at the armored police cruiser. "They don't make a bad living, believe me."

Law enforcement wasn't confined merely to street level. Black helicopters buzzed overhead bearing what had to be police insignia, slowly circling, constantly observing the streets and rooftops below. They were bulky, slow-moving machines with round Plexiglas cabins like something out of the Korean War.

Klein offered a token explanation. "They're cop-crazy here."

"So you guys should fit right in."

Klein ignored him. "They have four separate police departments in this city alone, plus assorted unofficial thug squads."

Gibson continued to watch the police car as it pulled ahead. "You really brought me to a dandy vacation spot."

An architect had once told Gibson that when a city lost its pride, it covered itself in billboards. If the size and quantity of the ones in Luxor were anything to go by, the town had no pride left at all. Every piece of available space seemed to be given over to advertising. Billboards were everywhere, some of them a full block long. The techniques of selling in the United Kamerian Republics were by no means a fine art. Giant, scantily clad, garish women with big breasts and electric smiles held up various cans, bottles, and packages or else sprawled across cars, cookers, and TV sets without too much real relationship to whatever particular product they might be pitching. It appeared that in Luxor they believed that just about anything could be sold by sex. Gibson had never seen such expanses of blue skin in his life, and he wasn't sure how he felt about it. He was a little confused about having erotic responses to blue women. There was, however, one consolation. A good percentage of the blue bikini babes were offering packs of cigarettes.

"So they still smoke here in Luxor?"

Klein nodded. "Sure they do. Most of the natives have one going all the time. By pure dumb luck, they stumbled across a cure for cancer back in what, in your world, would have been the nineteen-thirties."

One of the main exceptions to the parade of blue bimbos was a set of billboards that featured huge black-and-white portraits of a good-looking man in his forties with brush-cut hair and a wi

After they'd passed five of the signs, Gibson pointed the next one out to Klein. "Who's that?"

"That's Lancer."

"Who's Lancer?"

"He's the president, Jaim Benson Lancer, the thirty-second President of the UKR."

"So why all the billboards? Is it election year?"

Klein shook his head. "They don't have real elections here anymore."

"So what's with all the advertising? The president's out selling beer in this dimension?"

"It's just an inspiration message to the people reminding them that JBL loves them and they love him."

"If they love him so much, what does he need all these cops for?"

"That's the weird thing about the United Republics. Lancer's been in power for ten years, and during that time, things have gone from bad to worse, but the more he screws things up, the more the population seems to adore and idolize him. Somehow, he's managed to completely detach himself from his disastrous administration."

They crossed a big intersection where a massive gilded statue of an idealized naked man with fountains dancing round his feet threatened to hurl a golden thunderbolt straight up the avenue and into one of the more affluent areas of the city that Gibson had so far seen. After five blocks however, the affluence dwindled to a neighborhood of genteel decay. The cab turned into a street of tall, reasonably well-kept apartment buildings and pulled up in front of one about halfway down the block.

Gibson glanced at Klein. "Is this it? Are we there?"

Klein nodded. "This is it."

They stepped out of the cab and Gibson looked up at the front of his new temporary home. It really wasn't all that different from his place on Central Park West, maybe a little down-market but basically the same kind of structure. A similar blue-and-white awning led up to the front door, and as he walked into the paneled lobby it was easy to picture Ramone, his New York doorman, standing there.

The streamheat apartment was on the fifteenth floor, and that was where the resemblance to his New York home ended. The place was small, dark, and dingy, with tiny cramped rooms and narrow slit windows, most of which looked out on a blank air-shaft. It was also crowded with heavy, fifties-style furniture. Most of the space in the living room was taken up by a massive three-piece suite, upholstered in green leather that showed the marks of wear and even the scars of cigarette burns. Klein turned on a light, but it did nothing to improve the place's appearance. The walls were a dirty parchment yellow and the carpet an all-purpose excremental brown. Neither seemed to have been properly cleaned in the last decade.

"It's hardly the Plaza."

"It'll do for the moment."





Gibson sniffed. "You don't have to live here." Then he realized that he was only assuming this. "You won't be living here with me, will you?"

Klein shook his head. "No, I won't be living here. You'll be here on your own until other arrangements can be made."

Gibson raised an eyebrow. "Aren't you afraid that I might take a powder?"

The idea of Gibson walking out didn't seem to bother Klein at all. "Where would you go?"

Gibson nodded. "You have a point there."

They moved into the single bedroom. The double bed and a wardrobe like an upright coffin built for two hardly left enough floor space for the two men to stand in comfort.

"This is the kind of apartment where junkies come to die."

"It'll have to serve."

"Maybe if we got rid of some of the furniture?"

"I wouldn't bother thinking about redecorating. I doubt you'll be here long enough."

Gibson looked around. The place still seemed to be inhabited. There was certainly someone else's stuff strewn all around. "Who used to stay here?"

"Another agent. He was just transferred out."

There was a quality to Klein's voice that made Gibson suspect he was hiding something, but he decided that it was probably pointless to call him on it, and they returned to the living room. If Gibson had learned one thing during his acquaintance with the streamheat, it was that they were masters of keeping their mouths shut. He noticed a large TV set in the corner in a solid mahogany cabinet. Now what the hell was TV like in Luxor?

"So what happens now?"

"I have to return to the base and make my report."

"What about me?"

"This is your apartment for the moment. Relax, make yourself at home. I think you'll find there's everything you'll need."

This was all going a little swiftly for Gibson. "Wait a minute. You're just going to leave me here?"

"I don't have any orders to stay here and baby-sit you, if that's what you mean."

"What do I do about food and stuff?"

Klein shrugged. "The place is well stocked. I guess more will be sent in when you need it."

"Don't I get some kind of emergency number? Some way I can contact you people if there's a problem?"

"If there's a problem, we'll know about it."

Gibson remembered the bank of postcard-size monitor screens in the streamheat base. "You'll be watching me?"

Klein's face was blank. "I don't know what exact arrangements have been made for your security."

"So I just wait here and amuse myself?"

"You'll be contacted." Klein was at the door and on his way out. "I wouldn't recommend roaming the streets or anything, but otherwise you're free to do what you like. I believe alcohol has been provided."