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"I can remember it. Shoot."
"Okay. Call Rhonda-654-8996. Sexed-out voice, Duane, really fine."
Rice said, "Yeah" and hung up, then dialed Rhonda's number. After six rings, the hooking stockbroker's sleepy voice came on the line. "Yes?"
"It's Duane Rice. What have you got for me?"
"Brace yourself, Duane."
"Tell me!"
Rhonda let out a long breath, then said, "I found out that A
Rice said, "Real slow now and you're a K richer. Name, address and phone number. Real slow."
"Can you pay me Monday or Tuesday? I'm going to the Springs for the weekend, and my car payment's due."
Rice screamed, "Tell me, goddammit, you fucking whore!"
Rhonda screamed back, "Stan Klein, Mount Olympus Estates, Number 14! You're a bigger whore than I am and I want my money!"
Klein the dope dealer who probably ratted him off on his G.T.A. bust-
Klein the lounge lizard who he always figured had the hots for Vandy and-
The hotel room reeled; adrenaline juiced through Rice like the shot of dope that had cost him three years of his life. The phone dropped to the floor, and through a long red tu
You can't kill him.
You can't kill him because he's a known associate.
You can't kill him because Vandy's a known associate, and the cops will sweat her at Sybil Brand and the dykes will eat her up.
You can't kill him because then you and Vandy can't make the rock scene in the Big Apple and you'll never have the place in Co
It was enough ice-water fuel. Rice ran for the Trans Am, leaving the.45 under the pillow as added insurance. Rhonda's pleas were still coming out of the phone: "I'm sorry, goddammit, but I need money! You promised! You promised!"
Mount Olympus was an upscale tract of two-story Mediterranean villas situated off Fairfax in the lower part of the Hollywood Hills. Rice cruised the access road, looking for Stan Klein's red Porsche with the personalized plate "Stan Man." When all he saw were Benzes, Caddys and Audis, mostly colorcoordinated to the houses, he pulled into the empty driveway of Number 14 and got out, grabbing a ski
The windows were too high to reach, but the door looked flimsy. Rice rang the bell, waited twenty seconds, then rang again. Hearing no sounds of movement inside, he inserted the screwdriver into the door ru
He stepped inside and closed the door, making a mental note not to leave prints. The entrance foyer was dark, but off to his left he could see a big, high-ceilinged living room.
Rice walked in and gasped. Every inch of floor and wall space was covered with stereo and video equipment. V.C.R.s and Betamaxes were stacked along one wall floor to ceiling; home computer terminals, TV sets and giant cardboard boxes piled with Sony Walkmans were lined up on the floor. Three Pac-Man machines were propped by the doorway, and the rest of the room was taken up by mounds of small cardboard boxes. Threading his way into the maze, Rice grabbed a box at random. Rhonda the Fox and a naked man were on the cover, beneath the legend, 'Help me, Rhonda'-the Beach Boys. Private collector's item-available only thru Stan Man Enterprises, Box 8316, L.A., Calif. 90036."
It all went red.
Rice tore through every box in the room; read every cover. Shitloads of naked woman and oldies but goodies, but no Vandy. His frost was returning when he saw a phone and phone machine atop a color TV.
He punched the "Play Message" button and got: "Hi, this is Stan Klein on the line for Stan Man Enterprises. A
Rice pushed "Incoming." There was a tape hiss, followed by a beep and a male voice. "Stanley baby, it's Chick. Listen, A
The rest of the messages went unheard; a hideous wailing was drowning them out. Rice wondered where the sound was coming from. When his eyes started to burn, he knew he was weeping for the first time since the sixth grade in Hawaiian Garbage.
11
Lloyd was asleep in his Parker Center cubicle when the phone rang. Snapping awake, he pulled his legs off the desk and checked his watch: 2:40. Afternoon doze-offs: another sign of encroaching middle age. He grabbed the receiver and said, "Robbery/Homicide. Hopkins."
"Peter Kapek. We've got another one. I've got the manager; he's agreed to talk with no attorney. West L.A. Federal Building, fourth-floor interview rooms. Forty-five minutes?"
"Thirty and rolling," Lloyd said, and hung up.
He made the trip in thirty-five, lead-footing it Code Three all the way, then ru
Lloyd stepped across the hall to the booth where a headset-wearing stenographer was transcribing the interrogation. He said, "L.A.P.D." and the woman nodded and tore off the long roll of paper flowing out of her machine. "It's complete," she said. "You didn't miss that much."
Lloyd took the paper and pulled it taut, squinting to read the computer type:
14:45 hrs; 12/9/84, W.L.A. Fed. Crim. Div. Present: SA Peter Kapek, John Brownell Eggers, W.M., D.O.B. 6/28/39, no wants; no warrants; no criminal record.
Re: Robbery at Security Pacific Bank, 7981 Lankershim Blvd., Van Nuys.
Subject waived attorney.
P.K.: Mr. Eggers, I want you to forget what you already told the L.A.P.D. officers at the station on the ride over. I want a chronological reconstruction of today's events. Take your time, and be as detailed as you like.
J.E.: Of course. I went to the bank early this morning-about 8:30- because I had some papers to go over. As I was about to unlock the door-
P.K.: Excuse me, Mr. Eggers. Was there anyone else there at the bank?
J.E.: No, there wasn't. The staff doesn't arrive until 9:15. P.K.: Thank you. Please continue.
J.E.: A man approached me as I was about to unlock the doors. He was a white man, about thirty, about six feet, one-seventy or so, medium brown hair, neatly trimmed mustache and beard. He was wearing a cheap tan three-piece suit and carrying a briefcase, and I didn't see him get in or out of a car. (Long pause)
The man showed me a gun in a shoulder holster and told me that he was the one who had broken into my home two nights before. I had already reported that to the police. He made me unlock the door, then he walked me to my desk. He told me that he wanted vault money, as much as I could carry outside on my person once the time lock went off at opening time. Then… (Pause)