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Jonathan Carroll

A Child across the Sky

All of the characters in this book are fictitious, and any resemblance to actual persons, living or dead, is purely coincidental.

For Beverly – My life across the sky

"They are coming to teach us good ma

one

The people one loves

should take all their things

with them when they die.

1

An hour before he shot himself, my best friend Philip Strayhorn called to talk about thumbs.

"Ever noticed when you wash your hands how you don't really do your thumbs?"

"What do you mean?"

"It's your most important finger, but because it sticks out, away from the rest, you don't really wash it. A little dip and rub, maybe, but not nearly enough attention for all the work it does. It's probably the finger that gets dirtiest, too."

"That's what you called to tell me, Phil?"

"It's very symbolic. Think about it. . . . What are you reading these days?"

"Plays. I'm still trying to find the right ones."

"I have to tell you I bumped into Lee Onax the other day. Said he'll still give you half a million if you direct for him."

"I don't want to direct films anymore, Phil. You know how I feel."

"Sure, but five hundred thousand dollars would help your theater a lot."

"Five dollars would help a lot. But if I went back and did a film now, it'd be fun and seductive and I'd probably want to direct movies again."

"Remember in the Aeneid the hundred and forty thousand different kinds of pain? I wonder what number yours would be? 'I don't want to be a famous Hollywood director anymore because it'd make me confused.' Pain number 1387."

"Where are you calling from, Phil?"

"LA. We're still cutting the film."

"What's the title?"

"Midnight Kills."



I gri

The telephone line hissed over the three thousand miles.

"Are you still there, Phil?"

"Yeah. The most horrible thing is what I didn't do."

"You were making a movie, man. Bad things happen sometimes."

"Uh-huh. How are you doing, Weber?"

"Good. One of my main actors is really sick, but you've got to expect that when you're working here." I looked at the small Xeroxed poster tacked to the board above my desk. THE NEW YORK CANCER PLAYERS PRESENT FRIEDRICH DЬRRENMATT'S "THE VISIT." "Our Opening night is in a month. We're all getting nervous."

"Theater's so different, isn't it? With movies, opening night means everything is finished: nothing you can do but sit back and watch. In the theater, though, it's all begi

There was a worn-out echo in his voice that I took for exhaustion. I was wrong.

Sasha Makrianes called to tell me he was dead. She'd gone over to cook lunch and found him sitting on the patio in his favorite high-backed armchair. From behind, it looked like he'd fallen asleep while reading. A copy of Rilke's poetry was on the ground next to him, as well as an unopened can of Dr. Pepper. She called his name, then saw the book was covered with blood. Going over, she saw him slumped forward, what was left of his head spewed in a wide splintered arc over everything.

Ru

Hearing he'd killed the dog too was almost as shocking as the news of Phil's death. Sasha often joked through gritted teeth that he loved Flea as much as her.

The first thing that came to my mind was our thumb discussion. Was he thinking about that an hour later as he loaded the gun and put it in his mouth? Why had he chosen that as the topic of our last conversation?

A few years before, we'd been through an earthquake together. As the ground rumbled, Phil kept saying over and over, "This isn't a movie! This is not a movie!"

We'd been creating or adapting scripts so long that all part of me could think of was setting and the last words this character, Philip Strayhorn, would have chosen. I was ashamed my mind worked like that, but if Phil had known he would have laughed. In the process of spending almost twenty years trying to get our names onto the silver screen, we'd lost parts of our objectivity toward life. When someone you love dies, you should weep – not think of camera angles or last lines.

After the phone call, I went out for a walk. There was a travel agent down the street; I'd book a flight to California the next day. But a few steps out the door, I realized what I really wanted to do was visit Cullen James.

Cullen and her husband, Da

In the last few years, Cullen had become famous in a peculiar sort of way. When we first met, she was going through what could best be described as an "otherworldly experience." Every night for a number of months she dreamt of a land called Rondua where she traveled on a bizarre quest after something called the "bones of the moon." I fell in love with her then, which was very bad because she was happily married to a nice man and nursing their first child. I am not a wife stealer, but Cullen James made me crazy and I went after her as if she were the gold ring on my personal carousel. If I'd been a sailor, I'd have had her name tattooed on my arm.

In the end I didn't win her, but during that confused and passionate time I began dreaming of Rondua too. Those dreams changed my life. Those dreams and the earthquake.

When I got to the Jameses' building I was cold inside and out. The death of a loved one robs you of some kind of vital i

"Hello?"

"Cullen? It's Weber. I'm downstairs. Do you mind a visitor?"

"Oh, Christ, Weber, we just heard about Phil. Of course, come up."

There was a giant holiday wreath on their door. The Jameses loved Christmas. For them, it started in November and went on well into January. They used their daughter, Mae, as an excuse for the festivity, but it was clear they liked it more than the kid. There were always oranges stuck with ci

Cullen opened the door and smiled. There are perfect faces. I've known and slept with some, but they were meant to remain placid and untouched, not shaken or distorted by the push and pull of great emotion or a long and full night in bed. They're tuxedos – you wear them only on special occasions and then hang them up carefully in the closet afterward; a stain or wrinkle on them ruins everything. Cullen's is not a perfect face. She smiles too much, and many times it's obviously false: her safe and easy defense against a curious and persistent world. But she is beautiful and . . . whole. When I first met her she was full of love and confusion. Even then I wanted it all but knew I'd never have any. Without trying, she handcuffed herself to my heart.