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But it didn’t.

But it didn’t matter. The movie was such a hit that I was asked to do a whole series. I called it “Wonder Weapons,” seven films on our military’s cutting-edge technology, none of which made any strategic difference, but all of which were psychological war wi

Isn’t that. . .

A lie? It’s okay. You can say it. Yes, they were lies and sometimes that’s not a bad thing. Lies are neither bad nor good. Like a fire they can either keep you warm or burn you to death, depending on how they’re used. The lies our government told us before the war, the ones that were supposed to keep us happy and blind, those were the ones that burned, because they prevented us from doing what had to be done. However, by the time I made Avalon, everyone was already doing everything they could possibly do to survive. The lies of the past were long gone and now the truth was everywhere, shambling down their streets, crashing through their doors, clawing at their throats. The truth was that no matter what we did, chances were most of us, if not all of us, were never going to see the future. The truth was that we were standing at what might be the twilight of our species and that truth was freezing a hundred people to death every night. They needed some-thing to keep them warm. And so I lied, and so did the president, and every doctor and priest, every platoon leader and every parent. “We’re going to be okay.” That was our message. That was the message of every other filmmaker during the war. Did you ever hear of The Hero City?

Of course.

Great film, right? Marty made it over the course of the Siege. Just him, shooting on whatever medium he could get his hands on. What a masterpiece: the courage, the determination, the strength, dignity, kindness, and honor. It really makes you believe in the human race. It’s better than anything I’ve ever done. You should see it.

I have.

Which version?

I’m sorry?

Which version did you see?

I wasn’t aware …

That there were two? You need to do some homework, young man. Marty made both a wartime and postwar version of The Hero City. The version you saw, it was ninety minutes?

I think.

Did it show the dark side of the heroes in The Hero City? Did it show the violence and the betrayal, the cruelty, the depravity, the bottomless evil in some of those “heroes’ “ hearts? No, of course not. Why would it? That was our reality and its what drove so many people to get snuggled in bed, blowout their candles, and take their last breath. Marty chose, instead, to show the other side, the one that gets people out of bed the next morning, makes them scratch and scrape and fight for their lives because someone is telling them that they’re going to be okay. There’s a word for that kind of lie. Hope.

Parnell Air National Guard Base, Te

[Gavin Blaire escorts me to the office of his squadron commander. Colonel Christina Eliopolis. As much a legend for her temper as for her outstanding war record, it is difficult to see how so much intensity can be compacted into her diminutive, almost childlike frame. Her long black bangs and delicate facial features only reinforce the picture of eternal youth. Then she removes her sunglasses, and I see the fire behind her eyes.]

I was a Raptor driver, the FA-22. It was, hands down, the best air superiority platform ever built. It could outfly and outfight God and all his angels. It was a monument to American technical prowess… and in this war, that prowess counted for shit.

That must have been frustrating.





Frustrating? Do you know what it feels like to suddenly be told that the one goal you’ve worked toward your whole life, that you’ve sacrificed and suffered for, that’s pushed you beyond limits you never knew you had is now considered “strategically invalid”?

Would you say this was a common feeling?

Let me put it this way; the Russian army wasn’t the only service to be decimated by their own government. The Armed Forces Reconstruction Act basically neutered the air force. Some DeStRes “experts” had determined that our resource-to-kill ratio, our RKR, was the most lopsided of all the branches.

Could you give me some example?

How about the JSOW, the Joint Standoff Weapon? It was a gravity bomb, guided by GPS and Inertial Nav, that could be released from as far as forty miles away. The baseline version carried one hundred and forty BLU-97B submunitions, and each bomblet carried a shaped charge against armored targets, a fragmented case against infantry, and a zirconium ring to set the entire kill zone ablaze. It had been considered a triumph, until Yonkers. Now we were told that the price of one JSOW kit-the materials, manpower, time, and energy, not to mention the fuel and ground maintenance needed for the delivery aircraft-could pay for a platoon of infantry pukes who could smoke a thousand times as many Gs. Not enough bang for our buck, like so many of our former crown jewels. They went through us like an industrial laser. The B-2 Spirits, gone; the B-l Lancers, gone; even the old BUFFs, the B-52 Big Ugly Fat Fellows, gone. Throw in the Eagles, the Falcons, the Tomcats, Hornets, JSFs, and Raptors, and you have more combat aircraft lost to the stroke of a pen than to all the SAMs, Flak, and enemy fighters in history. At least the assets weren’t scrapped, thank God, just mothballed in warehouses or that big desert graveyard at AMARC. “Long-term investment,” they called it. That’s the one thing you can always depend on; as we’re fighting one war, we’re always preparing for the next one. Our airlift capacity, at least the organization, was almost left intact.

Almost?

The Globemasters had to go, so did anything else powered by a “gas guzzling” jet. That left us with prop-powered aircraft. I went from flying the closest thing to an X-Wing fighter, to the next best thing to a U-Haul.

Was that the main mission of the air force?

Airborne resupply was our primary objective, the only one that really counted anymore.

[She points to a yellowed map on the wall.]

The base commander let me keep it, after what happened to me.

[The map is of the wartime continental United States. All land west of the Rockies is shadowed a light gray. Amongst this gray are a variety of colored circles.]

Islands in the Sea of Zack. Green denotes active military facilities. Some of them had been converted into refugee centers. Some were still contributing to the war effort. Some were well defended but had no strategic impact.

The Red Zones were labeled “Offensively Viable”: factories, mines, power plants. The army’d left custodial teams during the big pullback. Their job was to guard and maintain these facilities for a time when, if, we could add them to the overall war effort. The Blue Zones were civilian areas where people had managed to make a stand, carve out a little piece of real estate, and figure some way to live within its boundaries. All these zones were in need of resupply and that’s what the “Continental Airlift” was all about.

It was a massive operation, not just in terms of aircraft and fuel, but organization as well. Remaining in contact with all these islands, processing their demands, coordinating with DeStRes, then trying to procure and prioritize all the materiel for each drop made it the statistically largest undertaking in air force history.

We tried to stay away from consumables, things like food and medicine that required regular deliveries. These were classified as DDs, dependency drops, and they got a backseat to SSDs, self-sustaining drops, like tools, spare parts, and tools to make spare parts. “They don’t need fish,” Sinclair used to say, “they need fishing poles.” Still, every autumn, we dropped a lot of fish, and wheat, and salt, and dried vegetables and baby formula… Winters were hard. Remember how long they used to be? Helping people to help themselves is great in theory, but you still gotta keep ’em alive.