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"What's the matter?" he asked her.
"Nothing, maitre."
"Don't cry. This time you will be able to keep your baby, it won't matter now to Eugenia."
"If that is so, maitre, why not bring back my son?"
"That would be very troublesome."
"Tell me if he is alive…"
"Of course he's alive, woman! Your duty is to take care of Maurice. Do not mention that boy to me again, and be happy that I will allow you to bring up the one you are carrying."
Zarite
Gambo preferred cutting cane to the humiliating work in the kitchen. "If my father saw me he would rise up from the dead to spit on my feet and abhor me, his eldest son, for doing women's work. My father died fighting against men who attacked our village, the natural way for men to die." That is what he told me. The slave hunters were from another tribe, they came from far away, from the west, with horses and muskets like the ones the overseer has. Other villages had burned to the ground, the young had been taken away; they killed the elders and children, but his father believed that they were safe, protected by distance and the jungle. The hunters sold their captives to beings who had crocodile claws and teeth like hyenas and fed on human flesh. No one ever returned. Gambo was the only one of his family they caught alive, good fortune for me and disaster for him. He struggled through the first part of the journey, which lasted two complete cycles of the moon, keeping on his feet, tied to the others with rope and with a wood yoke around his neck, herded with poles, with almost no food or water. When he could not take one step more the sea rose up before his eyes, something no one in the long line of captives knew, and also an imposing castle on the sand. They had no time to marvel at the expanse and color of the water, which they confused with the sky on the horizon, because they were immediately locked in. Then Gambo saw whites for the first time and thought they were demons; later he learned they were people, but he never believed that they were humans like us. They were dressed in sweaty rags, with metal breastplates and leather boots, yelling and flogging their captives for no reason. No fangs or claws, but they had hair on their faces, weapons and whips, and their smell was so repugnant that they sickened the birds in the sky. That is how he told it. They separated him from the women and children; they put him in a corral, hot by day and cold at night, with hundreds of men who did not speak his language. He did not know how long he was there because he forgot to follow the moon's passings, or how many died because no one had a name and no one kept count. At first they were pressed so tight that they could not lie down, but as bodies were dragged away there was more space. Then came the worst, what he did not want to remember but lived over and over in his dreams: the ship. They were laid one beside the next, like firewood, on shelves of wood planking, with chains, and iron at their necks, not knowing where they were being taken or why that enormous gourd was bouncing and reeling as it was, all of them moaning, vomiting, shitting, dying. The stench was so bad that it reached the world of the dead, and his father smelled it. Neither could Gambo calculate time there, even though he was under the sun and the stars several times when they took them in groups to the deck to slosh them with pails of sea water and force them to dance around so they would not forget the use of their arms and legs. The sailors threw the sick and the dead overboard, then picked out a few captives and flogged them for entertainment. The most combative were hung by the wrists and slowly lowered into water boiling with sharks, and when they pulled them up there was nothing left but arms. Gambo also witnessed what they did with the women. He watched for a chance to jump overboard, thinking that after the feast of the sharks that followed the ship from Africa to the Antilles his soul would swim on to the island beneath the sea to rejoin his father and the rest of his family. "If my father knew that I was pla
The only reason Gambo stayed in Tante Mathilde's kitchen was that he was preparing to escape. He knew the risks. In Saint-Lazare there were slaves without a nose or ears or with shackles welded around their ankles that they could not take off; no one would ever run wearing those shackles. I think that he put off his flight for me, for the way we looked at each other, the messages of little stones in the henhouse, the treats he stole for me in the kitchen, the anticipation of embracing each other that was like the prickling of pepper over all our bodies, and for those rare moments when we were alone and could touch. "We will be free, Zarite, and we will be together forever. I love you more than anyone, more than my father and his five wives, who were my mothers, more than my brothers and my sisters, more than all of them together, but not more than my honor." A warrior does what he has to do, that is more important than love, I understand that. We women love more and for longer, too. I also know that. Gambo was prideful, and there is no greater danger for a slave than pride. I begged him to stay in the kitchen if he wanted to stay alive, to be invisible to avoid Cambray, but that was asking too much, it was asking him to live the life of a coward. "Life is written in our z'etoile, and we ca
The Lovers
Several years earlier, Violette Boisier had given up Le Cap's night life, not because she had faded-she could still compete with any of her rivals-but for Etie