A Song for Arbonne

The only thing I really don't know, Rosala de Garsenc is thinking just then, looking out at the cold, steady, slating rain and the mist-wrapped eastern moors, is which of them I despise most.

It is not a new thought. She has spent a remarkable amount of time trying to decide whether she more hates the erratic, usually inebriated man she'd been forced to wed by the late King Duergar, or the dangerously cu

One of the reasons, perhaps unfairly, that she despises her husband is for the way in which he will notice the king staring at her and indifferently turn away to his dice cup or his flagon. The duke of Garsenc ought surely, Rosala had thought, in the early months of her marriage, to have more pride in him than that. It appeared, though, that the only people who could arouse Ranald to anything resembling passion or spirit were his father and brother, and that, of course, was its own old, bleak story. It sometimes seems to Rosala that she has been part of their tale forever; it is hard to remember clearly back to a time when the lords of Garsenc have not trammelled her tightly about with their festering family griefs. It had been different at home in Savaric, but Savaric was a long time ago.

The wind is rising now, coming about to the east, sending droplets and then a gusty sheet of rain through the window to strike her face and the bodice of her gown. She doesn't mind the cold, she even welcomes it, but there is a child to think of now. Reluctantly she turns away, back to the smoky, stale, crowded room, to hear her husband's father begin to speak to the issue of forced marriages and conquest in the warm bright south.

"My liege, you know the reasons as well as I, so, indeed does every man in this room, save one perhaps." The glance flicked sideways at Ranald is so brief as to carry its own measure of bone-deep contempt. "Even the women know my son's folly when they hear it. Even the women." Beside Rosala, Adelh de Sauvan, who is venal and corrupt and newly widowed, smiles. Rosala sees that and looks away.

"To wed the countess of Arbo

"That name is forbidden here!" Ademar of Gorhaut says quickly, leaning abruptly forward. Two spots of u

"And so it should be," Galbert says smoothly, as if he'd expected exactly that response. "I have as much reason as you my liege to hate that schemer and his godless, discordant ways."

Rosala smiles inwardly at that, keeping her features carefully schooled. It was little over a month ago that de Talair's latest song had reached the court of Gorhaut. She remembers the night; wind and rain then, too, a trembling, whey-faced bard obeying Ademar's command, singing the duke of Talair's verses in a voice like rasping iron:

Shame then in springtime for proud Gorhaut,

Betrayed by a young king and his counsellor.

And more, much more, and worse, in the creaking, barely audible mumblings of the terrified singer while a wind blew on the moors outside:

Where went the manhood of Gorhaut and Valensa

When war was abandoned and pale peace bought

By weak kings and sons long lost to their lineage?

Rosala can almost find a kind of warmth in her heart at the memory of the torchlit faces around her that night. The expressions of the king, of Galbert, the furtive glances that flitted about the hall from one newly landless lord or coran to another as the driving music brought the force of the words home, even in the timid voice of the singer. The bard, a young trovaritz from Gotzland, had almost certainly owed his continued life to the presence in the great hall of Cortil that evening of the envoy from his own country and the undeniable importance of keeping peace with King Jorg of Gotzland at this juncture of the world's affairs. Rosala had no doubt what Ademar would have liked to do when the music ended.

Now he leans urgently forward again, almost rising from the throne, the two bright spots vivid in his cheeks and says, "No man has as much reason as we do, Galbert. Do not exalt yourself."

The High Elder gently shakes his head. Again the rich voice encompasses the room, so warm, so caring, it can so easily deceive one into thinking the man is profoundly other than he is. Rosala knows about that; she knows almost everything about that by now.

"It is not in my own name that I take umbrage, my liege," says Galbert. "I am as nothing, nothing at all in myself. But I stand before you and before the eyes of all those in the six countries as the voice of the god in Gorhaut. And Gorhaut is the Heartland, the place where Cora

It is fascinating, Rosala thinks, how smoothly, how effortlessly, Galbert has shifted the matter at hand. Ademar is nodding his head slowly; so are a number of the men in the hall. Her husband is drinking, but that is to be expected. Briefly, Rosala feels sorry for him.

"We would have thought," the king says slowly, "that Daufridi of Valensa would share our attitude to this provocation. Perhaps when we next receive his envoy we ought to discuss the matter of Bertran de Talair."

Daufridi has all our land north of Iersen now, Rosala finds herself thinking bitterly, and knows that others will be framing the same thought. He can afford to tolerate insults from Arbo