A Song for Arbonne

In time, Count Folquet himself, under the tutelage of Anselme of Cauvas, began to make his own songs, and from that day it may be said that the art and reputation of the troubadours has never been diminished or endangered in Arbo

PROLOGUE

On a morning in the springtime of the year, when the snows of the mountains were melting and the rivers swift in their ru

She did not ride alone or secretly; that would have been folly beyond words. Though she was young and had always been headstrong, Aelis had never been a fool and would not be one now, even in love.

She had her young cousin with her, and an escort of six armed corans, the trained and anointed warriors of the household, and she was riding by pre-arrangement—as she had told her husband several days before—to spend a day and a night with the duchess of Talair in her moated castle on the northern shore of Lake Dierne. All was in order, carefully so.

The fact that there were other people in Castle Talair besides the duchess and her ladies was an obvious truth, not worthy of comment or observation. A great many people made up the household of a powerful duke such as Bernart de Talair, and if one of them might be the younger son and a poet, what of that? Women in a castle, even here in Arbo

But night, and its wanderers, was a long way off. It was a beautiful morning through which they now rode, the first delicate note of the song that would be springtime in Arbo

The air was so clear, swept by the freshness of the breeze, that she could already see Talair itself on the far shore of the lake. The castle ramparts rose up, formidable and stern, as befitted the home of a family so proud. She glanced back behind her then and saw, across the vineyards that lay between, the equally arrogant walls of Miraval, a little higher even, seat of a lineage as august as any in Arbo

"I thought you might be cold. I brought your cloak, Aelis. It is early yet in the day, and early in the year."

Her cousin Ariane, Aelis thought, was far too quick and observant for a thirteen-year-old. It was almost time for her to wed. Let some other girl of their family discover the dubious joys of politically guided marriages. Aelis thought spitefully. But then she was quick to withdraw that wish: she would not have another lord such as Urté de Miraval visited upon any of her kin, least of all a child as glad-hearted as Ariane.

She had been much the same herself, Aelis reflected, not so long ago.

She glanced over at her cousin, at the quick, expressive, dark eyes and the long black hair tumbling free. Her own hair was carefully pi

"No cloak this morning, bright heart, it would feel like a denial of the spring."

Ariane laughed. "When even the birds above the lake are singing of my love," she quoted. "Though none can hear them but the waves."

Aelis couldn't help smiling again. Ariane had the lyric wrong, but it wouldn't do to correct her, it might give too much away. All of her ladies-in-waiting were singing that song. The lines were recent and anonymous. They had heard a joglar sing the tune in the hall at Miraval only a few months before during the winter rains, and there had been at least a fortnight's worth of avid conjecture among the women afterwards as to which of the better-known troubadours had shaped this newest, impassioned invocation of the spring and his desire.

Aelis knew. She knew exactly who had written that song, and she also knew rather more than that—that it had been composed for her, and not for any of the other high-born ladies whose names were being bandied about in febrile speculation. It was hers, that song. A response to a promise she had chosen to make during the midwinter feasting at Barbentain.

A rash promise? A deserved one? Aelis thought she knew what her father would have said, but she wondered about her mother. Signe, countess of Arbo