Murder For Revenge

“I’d say double at least, to be accurate,” said Mr. Clubb.

“-in at least a hundred, anyhow, avoiding immodesty, I underestimated the speed and agility of the lad and, instead of planting my weapon at the base of his neck, stuck him in the side, a ma

“Ninety-nine times out of a hundred, sir, chopping off a hand will take the starch right out of a man. He settled down pretty well. It’s the shock, you see, shock takes the mind that way, and because the stump was bleeding like a bastard, excuse the language, I did him the favour of cauterizing the wound with the steam iron because it was good and hot, and if you sear a wound there’s no way that bugger can bleed anymore. I mean, the problem is solved, and that’s a fact.”

“It has been proved a thousand times over,” said Mr. Clubb.

“Shock being a healer,” said Mr. Cuff. “Shock being a balm like salt water to the human body, yet if you have too much of either, the body gives up the ghost. After I seared the wound, it looked to me like he and his body got together and voted to take the next bus to what is generally considered a better world.” He held up an index finger and stared into my eyes while forking kidneys into his mouth. “This, sir, is a process. A process can’t happen all at once, and every reasonable precaution was taken. Mr. Clubb and I do not have, nor ever have had, the reputation for carelessness in our undertakings.”

“And never shall,” said Mr. Clubb. He washed down whatever was in his mouth with half a glass of cognac.

“Despite the process under way,” said Mr. Cuff, “the gentleman’s left wrist was bound tightly to the stump. Rope was again attached to the areas of the chest and legs, a gag went back into his mouth, and besides all that I had the pleasure of whapping my hammer once and once only on the region of his temple, for the purpose of keeping him out of action until we were ready for him in case he was not boarding the bus. I took a moment to turn him over and gratify my little soldier, which I trust was in no way exceeding our agreement, sir.” He granted me a look of the purest i

“Continue,” I said, “although you must grant that your tale is utterly without verification.”

“Sir,” said Mr. Clubb, “we know one another better than that.” He bent over so far that his head disappeared beneath the table, and I heard the undoing of a clasp. Resurfacing, he placed between us on the table an object wrapped in one of the towels Marguerite had purchased for Green Chimneys. “If verification is your desire, and I intend no reflection, sir, for a man in your line of business has grown out of the habit of taking a fellow at his word, here you have wrapped up like a birthday present the finest verification of this portion of our tale to be found in all the world.”

“And yours to keep, if you’re taken that way,” said Mr. Cuff.

I had no doubts whatsoever concerning the nature of the trophy set before me, and therefore I deliberately composed myself before pulling away the folds of toweling. Yet for all my preparations the spectacle of the actual trophy itself affected me more greatly than I would have thought possible, and at the very centre of the nausea rising within me I experienced the first faint stirrings of my enlightenment. Poor man, I thought, poor mankind.

I refolded the material over the crablike thing and said, “Thank you. I meant to imply no reservations concerning your veracity.”

“Beautifully said, sir, and much appreciated. Men like ourselves, honest at every point, have found that persons in the habit of duplicity often ca

Mr. Cuff smiled up at the chandelier in rueful appreciation of the world’s contradictions. “When I replaced him on the bed, Mr. Clubb went hither and yon, collecting the remainder of the tools for the job at hand-“

“When you say you replaced him on the bed,” I broke in, “is it your meaning-“

“Your meaning might differ from mine, sir, and mine, being that of a fellow raised without the benefits of a literary education, may be simpler than yours. But bear in mind that every guild has its legacy of customs and traditions which no serious practitioner can ignore without thumbing his nose at all he holds dear. For those brought up into our trade, physical punishment of a female subject invariably begins with the act most associated in the feminine mind with humiliation of the most rigorous sort. With males the same is generally true. Neglect this step, and you lose an advantage which can never be regained. It is the foundation without which the structure ca

“We could tell you stories to curl your hair,” said Mr. Clubb.

“Matter for another day. It was on the order of nine-thirty when our materials had been assembled, the preliminaries taken care of, and business could begin in earnest. This is a moment, sir, ever cherished by professionals such as ourselves. It is of an eternal freshness. You are on the brink of testing yourself against your past achievements and those of masters gone before. Your skill, your imagination, your timing and resolve, will be called upon to work together with your hard-earned knowledge of the human body, because it is a question of being able to sense when to press on and when to hold back, of, I can say, having that instinct for the right technique at the right time you can build up only through experience. During this moment you hope that the subject, your partner in the most intimate relationship which can exist between two people, owns the spiritual resolve and physical capacity to inspire your best work. The subject is our instrument, and the nature of the instrument is vital. Faced with an out-of-tune, broken-down piano, even the greatest virtuoso is up shit creek without a paddle. Sometimes, sir, our work has left us tasting ashes for weeks on end, and when you’re tasting ashes in your mouth you have trouble remembering the grand design and your wee part in that majestical pattern.”

As if to supplant the taste in question and without benefit of knife and fork, Mr. Clubb bit off a generous portion of steak and moistened it with a gulp of cognac. Chewing with loud smacks of the lips and tongue, he thrust a spoon into the kedgeree and began moodily slapping it onto his plate while seeming for the first time to notice the Canalettos on the walls.

“We started off, sir, as well as we ever have,” said Mr. Cuff, “and better than most times. The fingernails was a thing of rare beauty, sir, the fingernails was prime. And the hair was on the same transcendent level.”

“The fingernails?” I asked. “The hair?”

“Prime,” said Mr. Clubb with a melancholy spray of food. “If they could be done better, which they could not, I should like to be there as to applaud with my own hands.”

I looked at Mr. Cuff, and he said, “The fingernails and the hair might appear to be your traditional steps two and three, but they are in actual fact steps one and two, the first procedure being more like basic groundwork than part of the performance work itself. Doing the fingernails and the hair tells you an immense quantity about the subject’s pain level, style of resistance, and aggression/passivity balance, and that information, sir, is your virtual Bible once you go past step four or five.”