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Chapter 10

Monk spent a miserable, agitated evening. It would be ridiculous to expect every case to resolve into a solution so absolute there could be no doubt about any part of it. None ever did. There were always unknowns, thoughts he could not fathom. One had to let go once sufficient answers were found to be certain of the truth of the verdict.

But this one troubled him more deeply than most. It was not only the tragedy of it, it was the feeling, the almost certainty, that Keelin Melville had some last secret she had taken to the grave with her, which would make sense of her behavior.

He paced back and forth across his sitting room, ignoring the dying embers of the fire and the rain spattering against the windows, loud because he had forgotten to draw the curtains.

He could understand why Melville had not told Zillah she was really a woman. She had kept the secret so long she could not trust anyone at all, except Wolff, not to reveal it. Perhaps it would only have been a confidence to a girl friend, whispered in exchange for some other romantic secret or dream, a moment's hurt and loneliness eased by sharing. But then what would bind the friend to keep total silence? The chance to share such a dramatic piece of information could be a temptation too great.

No, she was wiser to trust no one. Too much depended on it. And once the case had gone so far, it was too late to hope Barton Lambert would keep silent. If he had told anyone in anger, no matter how much he had regretted it, it would be too late to take it back. Knowledge can never be withdrawn.

Before it all happened, Monk would have thought it trivial. What did it matter whether a person was a man or a woman, except to those who knew that person? The works of art were the same. Why not let it be known, and if there were no more commissions, then leave! Go to Italy, or France, or anywhere one liked.

But Melville had spent twelve years in England, had designed some of the loveliest buildings in the country. She did not want to see them belittled for a reason that had nothing to do with their value. And she had been right. It was happening already, the derisory remarks, the suddenly altered perception when nothing in the reality was changed. She had been prepared to take the chance, and fought to survive in England.

And, of course, once the trial had begun she could not leave. And it seemed she really had believed it would turn out differently.

So what had made her change her mind and take bellado

He stopped at the window and stared out of it, seeing only the blur of the rain. Nobody else cared now, except Rathbone, of course, and that was for emotional reasons. He hated failure, and he was not used to guilt. Monk smiled to himself. He was much more used to it, but he liked it no better. The only difference was that for him it was a familiar pain, for Rathbone it had all the shock of the new.

At least Monk imagined it had!

Was that why Keelin Melville had killed herself? Guilt?

Over what? The injury she had done to Zillah Lambert could very easily be explained. It was error, private social clumsiness possibly. Certainly nothing that warranted suicide.

Anyway, wasn't genius rather more self-protective than that? He tried to think back on what he knew of the lives of the great creative people. Many of them had hurt others, been eccentric, selfish, single-minded, impossible to live with happily, sometimes even to live with at all. But it was those around them they injured, not themselves. They were too fired by their passion to make, to build, to create, paint, dance or whatever it was that formed their gift to the world. Sometimes they burned themselves out; sometimes illness or accident consumed them. Many died young.

But he could think of no example of one who had killed himself over guilt regarding his abuse of women. The very idea was almost a contradiction within itself.

Was Melville so different simply because she was a woman?

He doubted it.

Then what?

The rain was streaming down the window now, distorting the lamps of carriages passing in the street below, reflecting in the puddles.



The more he thought about the buildings full of light, the clean lines soaring into the air, the sense of comfort and peace he had felt inside them, the less could he believe Melville would have taken her own life.

Was it conceivable that somewhere, in some way he had yet even to imagine, somebody else had killed her?

Why? Why would anybody want to? What else had happened that day, or the day before, to make her dangerous to anyone? If she had known anything about Zillah that was not to her credit, surely she would have said so before this, long before Isaac Wolff was tarnished by the whole affair, even put in jeopardy of imprisonment, for a crime which now was ludicrous, in light of the truth.

He pushed his hands into his pockets. Below him in the street it was raining harder. The gutters were swirling over their edges. A footman standing at the side of a carriage was soaking wet. His figure in the riding lights was expressive of his utter dejection. A stray dog was splashing about happily.

A man strode by with an umbrella which was ineffectual.

Monk turned away, back to the room and the firelight. What had been the result of Melville's death? The case had been concluded. There was nothing more to say, nothing to pursue. It did not matter anymore whether Zillah Lambert was as i

But Monk had already done all he could to uncover any fault in her, past or present, and found nothing. Besides, he really did not believe she would willingly have harmed Melville, far less killed her, even if there was a way to have accomplished it.

Nor had anybody, for that matter. Melville had neither eaten nor drunk anything, by another's hand or by her own.

Was there some other way in which the poison could have been administered? No. The surgeon would not be wrong about whether it was eaten or injected into the blood.

Except that he thought it was suicide, and therefore it had hardly mattered.

But why murder? What threat was Keelin Melville to anyone, except possibly Wolff? If the case had continued as it was, only Keelin herself, and Wolff, would suffer.

Why hadn't Wolff simply told the court she was a woman? The most cursory medical examination would have proved him right, and he of all men knew that! Keelin would not have refused.

The fire was going out. He had neglected it. He bent down and with the tongs picked up half a dozen pieces of coal and put them on one by one. The fire looked like it was being smothered. Damn! It was getting cold and he was not ready to go to bed yet. Also he was angry with his own carelessness. He dropped the tongs and picked up the bellows, blowing gently, sending up a cloud of white ash. He swore again, and tried more gently still.

The reason had to be in what might happen if the case continued. Someone was frightened.

What would happen? Monk would continue to search in the past of Zillah Lambert and her family, but particularly her past romances. Perhaps they were not as very slight and natural as they appeared, no more than most pretty girls might experience. If he had continued, with his characteristic ruthlessness, what would he have uncovered? And who knew about it other than Zillah herself? Her father?

Hester seemed to think it would be her mother, the immaculate Delphine Lambert.

And, of course, the man involved… and possibly his family.

But murder! Over a spoiled reputation! Surely Zillah herself could simply have told her father and asked that he settle out of court? He would have been willing enough, if he realized her happiness and the family honor depended on it. He might have been angry for a while, even punished her one way or another, but that hardly warranted murder-in a sane person.