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only for Madeleine

Trepagier's freedom yoked to his shoulders, but for the life of a girl he'd barely met. For some reason he remembered that Apollo was not only the god of music and of healing but of justice as well.

Monsieur Gomez had taught him, Make your diagnosis first, then decide on treatment when you know the facts.

Augustus first, he thought. Then we'll see what else we need to know.

"I didn't know you knew Minou," he remarked, as they drew near the corner of the Rue Douane.

"Not well. I've kept track of her, of course, but Thursday was the first time I ever went through her door." The dark eyebrows pulled down, troubled by some unaccustomed thoughts. "I didn't think I'd like her, to tell the truth, though she was sweet as a little girl. I was surprised."

"Why Thursday?"

"I went looking for you when I learned who paid for that gris-gris, and told off them boys to give you a poundin'." She frowned again. Her front teeth were just prominent enough to give her face a sharpness, a feral quality, like her watchful dark eyes. He wondered if she knew Lucius Lacrime. "And then, I was worried about you. The hairball I keep told me you were in trouble, or hurt." She glanced down at his bandaged hand.

January cast back in his mind and told himself that it was coincidence that his capture by Peralta, the interview in the sugar mill, and the long torture of escape had taken place on Thursday.

"I was there today because she asked me to come back, asked my help," Olympe went on. "She's with child, you know."

Something that wasn't quite anger-but was close to it-wrenched him hard. But he only said, "I didn't think Henri had enough red blood in him to make a child."

Olympia Snakebones glanced sidelong up at him, under the umbrella's shadow. "He's good to her," she said. "And he'll be good to the child. They mostly are, as long as those children do what they're told to do, be what they're told to be, and don't go askin' too many questions about why things are the way they are."

January was silent a moment, stopping at the corner of Rue Bienville, a few blocks above the tall house where Augustus Mayerling had his rooms. Then he sighed. "Nobody's got a monopoly on that, sister. Not the whites, not the blacks, not the sang mele."

Her smile under the shadow of the umbrella was bright and wry. Then she turned away, crossing a plank to the street and holding her blue skirts high out of the mud as she splashed across, to return to her home, her husband, and her daughters and sons.

Augustus Mayerling occupied two rooms on the top floor, high above a courtyard full of banana plants and plane trees and a shop that dealt in coffees and teas. The rain had eased again to thin flutters, glistening in daffodil patches beneath the streetlights. As he climbed the wooden steps from gallery to gallery, January was surrounded by the rising smells of foliage and cooking from the courtyard beneath him. The high walls of the house muffled the noises of the street, the distant hoot of the steamboat whistles, and the cries of a few final oyster vendors giving up for the day.

While he and Olympe had been walking down Rue Burgundy they'd heard the ca

closing down curfew for the night. The rain had damped the dancing in Congo Square some hours before. If he were stopped by the guards he'd have to present his papers, to prove himself free. The thought made him uneasy. The city seemed very silent without the jostling voices of maskers in the streets, the thump and wail of brass bands in the taverns, the riot of parades.

And indeed, thought January wryly, within a week the Creoles would be hiring him to play at discreet little balls again no matter what the church said about surrendering one's pleasures to God in that time of penitence - provided of course he wasn't in jail or on a boat. Life went on, and one could not content oneself with backgammon and gossip forever.

Certainly no gambling hall in the city had closed down. But that, as any Creole would say with that expressive Creole shrug, was but the custom of the country.

The topmost gallery was dark, illuminated only by the thin cracks of light from the French doors of Mayerling's rooms.

January had just reached the top of the stairs when the doors were opened. Mayerling looked right and left, warily, the gold light glinting on close-cropped flaxen hair and a white shirt open at the throat. Clearly not seeing that anyone else stood there in the dark, he beckoned back in the room behind him.

A woman stepped out, clothed in widow's black.



January felt his heart freeze inside him. The light strength of her movement, the way her shoulders squared when she turned, was-as it had been not many nights ago-unmistakable.

"The back stairs are safer," said Mayerling's husky, boyish voice. "The slaves won't be back for a little time yet." Reaching back into the apartment, the Prussian brought out a cloak, which he settled around his shoulders. Putting a hand to the woman's back, he made to guide her into the dark curve of the building where the back stairs ran down to the gallery above the kitchen.

The woman stopped, turned, put back her veils, and raised her face to his. Dim as it was, the honey warmth of the candles within fell on her, showing January clearly the strong oval lines of the chin, the enormous, mahogany red eyes of Madeleine Trepagier.

TWENTY-ONE

Madeleine Trepagier and Augustus Mayerling.

I was a fool not to guess.

Concealed behind the corner of a carriageway halfway down the street, January watched the sword master help his mistress into a hired fiacre. The banquette was otherwise empty; Sunday, Lent, and Creole di

It wasn't only Trepagier's mistress who'd met Peralta through Mayerling's school. Mayerling himself had met his pupil's beautiful wife.

Whoever he marries will have cause to thank the person who wielded that scarf.

I should have no choice but to avenge that lady's honor... Why hadn't he seen it then, less than two minutes after Mayerling had attributed all dueling to boredom, ignorance, and vice?

Perhaps because of the disgusted horror in Madeleine's eyes when she'd said, Not a man...

The cab moved away from the banquette. Fair head bowed in the rain, Mayerling turned and vanished into the pitch-dark carriageway from which he and Madame Trepagier had come.

She'll change from the fiacre to her own carriage somewhere, thought January. Probably the Place des Armes.

He stepped out of hiding and moved through the rainy, lamp-blotched darkness after the fiacre, the mud and water washing over the street's uneven paving-blocks slowing its progress and making it easy for him to keep it in sight.

Augustus was a foreigner. White, but a Prussian. A jury might just rule on the evidence and not the color of the defendant's skin.

But everything in him was saying, No, no as he followed the dark bulk of the carriage through the streets toward the cathedral.

Not a man, Madeleine had said, with a loathing in her eyes that had told its own tale of Arnaud Trepagier as surely as had the old cook and laundress of Les Saules. Working at the Hotel Dieu, January had met women who had been raped and abused, had seen what it did to them ever after. That any man would have been gentle enough, caring enough, to lead her out of that prison of terror and rage was a miracle and a gift.

Looking back at that Thursday night at the Salle d'Orleans, January could see everything with blinding clarity.

Everything except what he should do.

In a novel the answer would be obvious. "Missy, ain't been no joy in this old world for me since my woman done died." Followed by a quaintly ill-spelt confession and the rope-or maybe a ticket to France if the novelist was in a good humor.