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They hurry after the others, who have vanished. Judy's shiny beribboned head makes him nervous, popping up first on one side of him and then the other, like the car keys he was a little slow to find, Janice calls him doddery when she can't even catch, the clumsy mutt. If their granddaughter gets kidnapped from his side she'll really call him doddery. "Easy does it," he tells Judy at the top of the escalator, "pick a step and stay on it. Don't get on a crack," and at the bottom, "O.K., step off, but not too soon, don't panic, it'll happen, O.K., good."
"I go on escalators all the time at the malls," she tells him, making up at him a little pinched rebuking mouth with beads of melted chocolate at the corners.
"Where the hell is everybody?" he asks her, for amid all the tan loud presences that throng the lower, higher-ceilinged floor of the Southwest Florida Regional Airport, less ductlike and cryptlike but still echoing with a muffled steely doom that worries at his stomach, there is nobody he knows, strangers as total as if he has descended into Hell.
"Are we lost, Grandpa?"
"We can't be," he tells her.
In their sudden small plight he is newly aware of her preciousness, the jewel-cut of her eyes and eyelashes, the downy glaze in front of her ears and the gleam of each filament of her luxuriant hair, pulled taut into a thick pigtail adomed with an unreal stiff white ribbon. For the first time he sees she is also wearing symmetrical white barrettes, shaped like butterflies. Judy looks up toward his face and fights crying at the vagueness she sees there. "This coat is too hot," she complains.
"I'll carry it," he says. He folds its cloth weight over his arm and she is like a butterfly herself now, in her pink dress. Her green eyes have gone wide in this gray airport's bustling limbo, under reddish-brown eyebrows one of which near the flat bulge of her little freckled nose has a little cowlick fa
He looks up and sees above their heads the sign saying BAGGAGE and takes her moist little hand and tugs her toward the crowd around the baggage belt, which is already moving. But neither Pru nor Janice nor Nelson nor Roy is there, as far as they can see. Face after face refuses to cohere into a known face. His eyes, always good, trouble him now in artificially lit places. The blue shoulder bag Pru let him carry for her is heavier than he would have thought; she must have packed bricks. His shoulder and eyes burn.
"I guess," he ventures, though it seems unlikely, "they're already at the car." He taps his pocket for the lump of keys, doesn't feel it, begins to panic, then remembers how he tossed them to Janice. Of course. Confidently now he approaches the brown glass exit doors, but the wrong one pops its seal and slides open when his body trips the electric eye. The wrong one as far as he is concerned; Judy was pulling him in the right direction, where a slice of hot outdoor air swiftly widens. Sun has broken through the milky stratocirrus. It bounces off the waxy leaves of the nameless tropical plants flourishing near his knees. It winks blindingly from a mass of moving cars, a brutal river of them rushing along the access strip just beyond the curb. He holds Judy's hand tighter, in case she decides to jump off the curb, we're all full of crazy impulses. They cross to a lake of shimmering cars, the lot where he parked. Where, exactly? He finds he's forgotten. He is utterly empty of the car's location.
A Camry Deluxe wagon, pearl-gray metallic, with the more potent 24-valve 2.5-liter V-6 engine. He was still so sore at being tailgated by that red Camaro and at Janice criticizing his driving that he wasn't paying any attention to where they parked. He remembers the zebra crosswalk, and the little landscaped mound of center strip where some sun-starved college kid had propped his knapsack and pillowed his head on it to soak up a few rays, and the fussy old guy who thought he was in charge gesturing at you which way the exit and the booth where you pay was, putting too much into it like that husband at the airport gabbing at his wife, Grace, as if she had no sense, meeting that frizzy-haired longtoothed smiling Jewish princess taller than either of them, but he doesn't remember which of these rows he parked the car in. He parked it in the patch of dead blank brain cells like all of our brains will be when we're dead unless the universe has cooked up some truly elaborate surprise. The National Enquirer which Janice sometimes brings home from the Wi
Judy's voice floats up to him like a thin lifeline. "What color is the car, Grandpa?"
"Oh, you know," he says, keeping his sentences short, so as not to stir up his pain. "Pale gray. Metallic finish. The same color as about half the cars in the world. Don't you panic. It'll come to me where I left it."
The poor kid is losing it, in her fight not to cry. "Daddy'll drive off!" she blurts out.
"Leaving you and me? Why would he do that? He won't do that, Judy."
"He gets real mad sometimes, for no real reason."
"He probably has some reason he doesn't tell you. How about you? You ever get mad?"
"Not like Daddy. Mom says he should see a doctor."
"I guess we all should, now and then." Rabbit's sense of doom is trickling like cold water through his stomach. Doctors. His own doctor is bringing his son into the practice, so if he drops dead the kid will take right over, won't miss a Medicare form. You fill a slot for a time and then move out; that's the decent thing to do: make room. He scans the ranks of glinting metal in their slots for a strip of gray that will ring a bell, and wonders if he is misremembering the color – he has owned so many cars in his life, and sold so many more. He a
The little girl's glossy red head mutely nods at his side, too worried for words.
Rabbit rattles on, to chase their clouds away, "Whenever somebody tells me to do something my instinct's always to do the opposite. It's got me into a lot of trouble, but I've had a lot of fun. This bossy old guy was pointing one direction so I went the other and found a space." And for a second, in a kind of window between two tightenings of the band across his chest, he sees the space: next to a cream-colored van, a Ford Bivouac with those watery-blue Mi