Rabbit At Rest

"What is?"

"The thing coming," she says, her white hair looking already wind-tossed, lifted out from her skull in all directions.

"Oh, it'll never get here," Harry reassures her. "It's all this media hype. You know, hype, phony hullabaloo. They have to make news out of something, every night."

"Yeah?" Mrs. Zabritski says, coyly. The way her neck twists into her hunched shoulders gives her head a flirtatious tilt she may not mean. But then again she may. Didn't he hear on some TV show that even in the Nazi death camps there were romances? This windowless corridor, with its peach-and-silver wallpaper, is an eerie cryptlike space he is always anxious to get out of. The big vase on the marble half-moon table, with green glaze ru

"Me too," he tells her. "Except I can't choose and then I wind up taking too much and then eating it all." What is she suggesting, that they go together? That they have a date? He's stopped telling her that Janice is coming down.

"Do you do the kosher?"

"I don't know. Those scallops wrapped in bacon, are they kosher?"

She stares at him as if he were the crazy one, stares so hard her eyeballs seem in danger of snapping the bloody threads that hold them fast in their sockets. Then she must have decided he was joking, for a careful stiff smile slowly spreads across the lower half of her face, crisscrossed by wrinkles like a quilt sewn of tiny squares of skin. He thinks of that little sniffly slut in the Polish-American Club, her silken skin below the waist, below the sweater, and feels bitter toward Janice, for leaving him at his age at the mercy of women. He eats at his table alone but is so disturbed by Mrs. Zabritski's making a pass at him that he takes two Nitrostats to quell his heart.

After di

Hugo headingfor U.S., the News-Press headline says next morning. For breakfast now, Harry has switched from Frosted Flakes to Nabisco Shredded Wheat 'n' Bran, though he forgets exactly why, something about fiber and the bowels. He does hope he never reaches the point where he has to think all the time about shitting. Ma Springer, toward the end, got to talking about her bowel movements like they were family heirlooms, each one precious. On the evening news half the commercials are for laxatives and the other half for hemorrhoid medicine, as if only assholes watch the news. That walking corpse in the locker room. After breakfast Harry walks along Pindo Palm Boulevard and brings back a bag of groceries from Wi

The three are in their early teens at best, and don't know what to make of this sudden uninvited audience. One of these old ofays after some crack or a black boy's dick? Their languid motions stiffen, they jostle shoulders and pass each other sliding silent messages that make one another giggle. One of them perhaps deliberately lets a pass flip off his hands and bounce Harry's way. He leans off his bench end and stops it left-handed, not his best hand but it remembers. It remembers exactly. That taut pebbled roundness, the smooth seams between, the little circlet for taking the air valve. A big pebbled ball that wants to fly. He flips it back, a bit awkwardly, sitting, but still with a little zing to show he's handled one before. Somewhat satisfied, the trio resume Horse, trying skyhooks, under-the-basket layups, fall-back jumpers, crazy improvised underhanded or sidearm shots that now and then go in, by accident or miracle. One such wild toss rockets off the rim and comes Rabbit's way. This time he stands up with the ball and advances with it toward the boys. He feels himself big, a big shape with the sun behind him. His shadow falls across the face of the nearest boy, who wears an unravelling wool cap of many colors. Another boy has the number 8 on his tank top. "What's the game?" Harry asks them. "You call it Horse?"

"We call it Three," the wool cap answers reluctantly. "Three misses, you out." He reaches for the ball but Rabbit lifts it out of his reach.

"Lemme take a shot, could I?"

The boys' eyes consult, they figure this is the way to get the ball back. "Go 'head," Wool Cap says.

Harry is out on an angle to the left maybe twenty feet and as his knees dip and his right arm goes up he feels the heaviness of the years, all those blankets of time, since he did this last. A bank shot. He has the spot on the backboard in his sights, but the ball doesn't quite have the length and, instead of glancing off and in, jams between the wood and hoop and kicks back into the hands of Number 8.

"Hey man," the third one, the one who looks most Hispanic and most sullen, taunts him, "you're history!"

"I'm rusty," Rabbit admits. "The air down here is different than I'm used to."

"You want to see somebody sink that shot?" Number 8, the tallest, asks him. He stands where Harry stood, and opens his mouth and lets his pink tongue dangle the way Michael Jordan does. He gently paws the air above his forehead so the ball flies from his long loose brown hand. But he misses also, hitting the rim on the right. This breaks some of the ice. Rabbit holds still, waiting to see what they will do with him.

The boy in the hat of concentric circles, a Black Muslim hat, Harry imagines, takes the rebound and now says, "Let me sink that mother," and indeed it does go in, though the boy kind of flings it and, unlike Number 8, will never be a Michael Jordan.

Now or never. Harry asks, "Hey, how about letting me play one game of, whaddeya call it, Three? One quick game and I'll go. I'm just out walking for exercise."

The sullen Hispanic-looking boy says to the others, "Why you lettin' this man butt in? This ain't for my blood," and goes off and sits on the bench. But the other two, figuring perhaps that one white man is the tip of the iceberg and the quickest way around trouble is through it, oblige the interloper and let him play. He goes a quick two misses down – a floating double-pump Number 8 pulls off over the stretched hands of an imaginary crowd of defenders, and a left-handed pop the wool hat establishes and Number 8 matches – but then Rabbit finds a ghost of his old touch and begins to dominate. Take a breath of oxygen, keep your eye on the front of the rim, and it gets easy. The distance between your hands and the hoop gets smaller and smaller. You and it, ten feet off the ground, above it all. He even shows them a stunt he perfected in the gravel alleys of Mt. Judge, the two-handed backwards set, the basket sighted upside, the head bent way back.