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“Do you think you can buy me? Money means nothing to me. What I want is Leonid,” Devra said just as Bourne appeared through the front doorway.

Devra and Icoupov both turned. Devra screamed because she knew, or she thought she knew, that Arkadin was dead, and so she redirected the Luger from Icoupov to Bourne.

Bourne ducked back into the hallway and she fired shot after shot at him as she walked toward the door. Because her focus was entirely concentrated on Bourne, she took her eyes off Icoupov and so missed the crucial movement as he swung the SIG in her direction.

“I warned you,” he said as he shot her in the chest.

She fell onto her back.

“Why didn’t you listen?” Icoupov said as he shot her again.

Devra made a little sound as her body arched up. Icoupov stood over her.

“How could you let yourself be seduced by such a monster?” he said.

Devra stared up at him with red-rimmed eyes. Blood pumped out of her with every labored beat of her heart. “That’s exactly what I asked him about you.” Each ragged breath filled her with indescribable pain. “He’s not a monster, but if he were you’d be so much worse.”

Her hand twitched. Icoupov, caught up in her words, paid no attention until the bullet she fired from her Luger struck his right shoulder. He spun back against the wall. The pain caused him to drop the SIG. Seeing her struggling to fire again, he turned and ran out of the apartment, fleeing down the stairwell and out onto the street.

Thirty-Nine

WILLARD, relaxing in the steward’s lounge adjacent to the Library of the NSA safe house, was enjoying his sweet and milky midmorning cup of coffee while reading The Washington Post when his cell phone buzzed. He checked it, saw that it was from his son, Oren. Of course it wasn’t actually from Oren, but Willard was the only one who knew that.





He put down the paper, watched as the photo appeared on the phone’s screen. It was of two people standing in front of a rural church, its steeple rising up into the top margin of the photo. He had no idea who the people were or where they were, but these things were irrelevant. There were six ciphers in his head; this photo told him which one to use. The two figures plus the steeple meant he was to use cipher three. If, for instance, the two people were in front of an arch, he’d subtract one from two, instead of adding to it. There were other visual cues. A brick building meant divide the number of figures by two; a bridge, multiply by two; and so on.

Willard deleted the photo from his phone, then picked up the third section of the Post and began to read the first story on page three. Starting with the third word, he began to decipher the message that was his call to action. As he moved through the article, substituting certain letters for others as the protocol dictated, he felt a profound stirring inside him. He had been the Old Man’s eyes and ears inside the NSA for three decades, and the Old Man’s sudden death last year had saddened him deeply. Then he had witnessed Luther LaValle’s latest run at CI and had waited for his phone to ring, but for months his desire to see another photo fill his screen had been inexplicably unfulfilled. He simply couldn’t understand why the new DCI wasn’t making use of him. Had he fallen between the cracks; did Veronica Hart not know he existed? It certainly seemed that way, especially after LaValle had trapped Soraya Moore and her compatriot, who was still incarcerated belowdecks, as Willard privately called the rendition cells in the basement. He’d done what he could for the young man named Tyrone, though God knows it was little enough. Yet he knew that even the smallest sign of hope-the knowledge that you weren’t alone-was enough to reinvigorate a stalwart heart, and if he was any judge of character, Tyrone had a stalwart heart.

Willard had always wanted to be an actor-for many years Olivier had been his god-but in his wildest dreams he’d never imagined his acting career would be in the political arena. He’d gotten into it by accident, playing a role in his college company, Henry V, to be exact, one of Shakespeare’s great tragic politicians. As the Old Man said to him when he’d come backstage to congratulate Willard, Henry’s betrayal of Falstaff is political, rather than personal, and ends in success. “How would you like to do that in real life?” the Old Man had asked him. He’d come to Willard’s college to recruit for CI; he said he often found his people in the most unlikely places.

Finished with the deciphering, Willard had his immediate instructions, and he thanked the powers that be that he hadn’t been tossed aside with the Old Man’s trash. He felt like his old friend Henry V, though more than thirty years had passed since he’d trod a theater stage. Once again he was being called on to play his greatest role, one that he wore as effortlessly as a second skin.

He folded the paper away under one arm, took up his cell phone, and went out of the lounge. He still had twenty minutes left on his break, more than enough time to do what was required of him. What he had been ordered to do was find the digital camera Tyrone had on him when he’d been captured. Poking his head into the Library, he satisfied himself that LaValle was still sitting in his accustomed spot, opposite Soraya Moore, then he went down the hall.

Though the Old Man had recruited him, it was Alex Conklin who had trained him. Conklin, the Old Man had told him, was the best at what he did, namely preparing agents to be put into the field. It didn’t take him long to learn that though Conklin was renowned inside CI for training wet-work agents, he was also adept at coaching sleeper agents. Willard spent almost a year with Conklin, though never at CI headquarters; he was part of Treadstone, Conklin’s project that was so secret even most CI perso

All this flashed through Willard’s mind as he walked the sacrosanct hallways and corridors of the NSA’s safe house. He passed agent after agent and knew that he’d done his job to perfection. He was the indispensable nobody, the person who was always present, whom no one noticed.

He knew where Tyrone’s camera was because he’d been there when Kendall and LaValle had spoken about its disposition, but even if he hadn’t, he’d have suspected where LaValle had hidden it. He knew, for instance, that it wouldn’t have been allowed to leave the safe house, even on LaValle’s person, unless the damaging images Tyrone had taken of the rendition cells and the waterboarding tanks had been transferred to the in-house computer server or deleted off the camera’s drive. In fact, there was a chance that the images had been deleted, but he doubted it. In the short amount of time the camera had been in the NSA’s possession, Kendall was no longer in residence and LaValle had become obsessed with coercing Soraya Moore into giving him Jason Bourne.

He knew all about Bourne; he’d read the Treadstone files, even the ones that no longer existed, having been shredded and then burned when the information they held became too dangerous for Conklin, as well as for CI. He knew there had been far more to Treadstone than even the Old Man knew. That was Conklin’s doing; he’d been a man for whom the word secrecy was the holy grail. What his ultimate plan for Treadstone had been was anyone’s guess.

Inserting his passkey into the lock on LaValle’s office door, he punched in the proper electronic code. Willard knew everyone’s code-what use would he be as a sleeper agent otherwise? The door opened inward, and he slipped inside, shutting and locking it behind him.