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“Yes, Mrs. Caraway,” said one of the men—chubby and white-haired and short of breath. Like each of the men, he carried a large, empty wicker basket.
She seemed both vague and puzzled. “Well, if you say so,” she said. “But I ca
The smallest of the men reached into his wicker basket and brought out a tarnished pair of silver scissors. “The scissors, Lady Mayoress, “he said.
She took the scissors from him and began to cut the clumps of blossom, and she and the three men started to fill the baskets with the flowers.
“This is,” said Mrs. Caraway, the Lady Mayoress, after a little while, “perfectly ridiculous.”
“It is,” said the fat man, “a tradition.”
“Perfectly ridiculous,” said Mrs. Caraway, but she continued to cut the white blossoms and drop them into the wicker baskets. When they had filled the first basket, she asked, “Isn’t that enough?”
“We need to fill all four baskets,” said the smaller man, “and then distribute a flower to everyone in the Old Town.”
“And what kind of tradition is that?” said Mrs. Caraway. “I asked the Lord Mayor before me, and he said he’d never heard of it.” Then she said, “Do you get a feeling someone’s watching us?”
“What?” said the third man, who had not spoken until now. He had a beard and a turban and two wicker baskets. “Ghosts, you mean? I do not believe in ghosts.”
“Not ghosts,” said Mrs. Caraway. “Just a feeling like someone’s looking.”
Bod fought the urge to push further back into the ivy.
“It’s not surprising that the previous Lord Mayor did not know about this tradition,” said the chubby man, whose basket was almost full. “It’s the first time the winter blossoms have bloomed in eighty years.”
The man with the beard and the turban, who did not believe in ghosts, was looking around him nervously.
“Everyone in the Old Town gets a flower,” said the small man. “Man, woman, and child.” Then he said, slowly, as if he were trying to remember something he had learned a very long time ago, “One to leave and one to stay and all to dance the Macabray.”
Mrs. Caraway sniffed. “Stuff and nonsense,” she said, and kept on snipping the blossoms.
Dusk fell early in the afternoon, and it was night by half past four. Bod wandered the paths of the graveyard, looking for someone to talk to, but there was no one about. He walked down to the Potter’s Field to see if Liza Hempstock was about, but found no one there. He went back to the Owenses’ tomb, but found it also deserted: neither his father nor Mistress Owens was anywhere to be seen.
Panic started then, a low-level panic. It was the first time in his ten years that Bod could remember feeling abandoned in the place he had always thought of as his home: he ran down the hill to the old chapel, where he waited for Silas.
Silas did not come.
“Perhaps I missed him,” thought Bod, but he did not believe this. He walked up the hill to the very top, and looked out. The stars hung in the chilly sky, while the patterned lights of the city spread below him, streetlights and car headlights and things in motion. He walked slowly down from the hill until he reached the graveyard’s main gates, and he stopped there.
He could hear music.
Bod had listened to all kinds of music: the sweet chimes of the ice-cream van, the songs that played on workmen’s radios, the tunes that Claretty Jake played the dead on his dusty fiddle, but he had never heard anything like this before: a series of deep swells, like the music at the begi
He slipped through the locked gates, walked down the hill, and into the Old Town.
He passed the Lady Mayoress, standing on a corner, and as he watched, she reached out and pi
“I don’t make personal charitable donations,” said the man. “I leave that to the office.”
“It’s not for charity,” said Mrs. Caraway. “It’s a local tradition.”
“Ah,” he said, and he pushed his chest out, displaying the little white flower to the world, and walked off, proud as Punch.
A young woman pushing a baby buggy was the next to go past.
“Wossit for?” she asked suspiciously, as the Mayoress approached.
“One for you, one for the little one,” said the Mayoress.
She pi
“But wossit for?” asked the young woman.
“It’s an Old Town thing,” said the Lady Mayoress, vaguely. “Some sort of tradition.”
Bod walked on. Everywhere he went he saw people wearing the white flowers. On the other street corners, he passed the men who had been with the Lady Mayoress, each man with a basket, handing out the white flowers. Not everyone took a flower, but most people did.
The music was still playing: somewhere, at the edge of perception, solemn and strange. Bod cocked his head to one side, trying to locate where it was coming from, without success. It was in the air and all around. It was playing in the flapping of flags and awnings, in the rumble of distant traffic, the click of heels on the dry paving stones…
And there was an oddness, thought Bod, as he watched the people heading home. They were walking in time to the music.
The man with the beard and the turban was almost out of flowers. Bod walked over to him.
“Excuse me,” said Bod.
The man started. “I did not see you,” he said, accusingly.
“Sorry,” said Bod. “Can I have a flower as well?”
The man with the turban looked at Bod with suspicion. “Do you live around here?” he asked.
“Oh yes,” said Bod.
The man passed Bod a white flower. Bod took it, then said, “Ow,” as something stabbed into the base of his thumb.
“You pin it to your coat,” said the man. “Watch out for the pin.”
A bead of crimson was coming up on Bod’s thumb. He sucked at it while the man pi
“I live here, all right,” said Bod. “What are the flowers for?”
“It was a tradition in the Old Town,” said the man, “before the city grew up around it. When the winter flowers bloom in the graveyard on the hill they are cut and given out to everybody, man or woman, young or old, rich or poor.”
The music was louder now. Bod wondered if he could hear it better because he was wearing the flower—he could make out a beat, like distant drums, and a skirling, hesitant melody that made him want to pick up his heels and march in time to the sound.
Bod had never walked anywhere as a sightseer before. He had forgotten the prohibitions on leaving the graveyard, forgotten that tonight in the graveyard on the hill the dead were no longer in their places; all that he thought of was the Old Town, and he trotted through it down to the municipal gardens in front of the Old Town Hall (which was now a museum and tourist information center, the town hall itself having moved into much more imposing, if newer and duller, offices halfway across the city).
There were already people around, wandering the municipal gardens—now in midwinter, little more than a large grassy field with, here and there, some steps, a shrub, a statue.
Bod listened to the music, entranced. There were people trickling into the square, in ones and twos, in families or alone. He had never seen so many living people at one time. There must have been hundreds of them, all of them breathing, each of them as alive as he was, each with a white flower.
Is this what living people do? thought Bod, but he knew that it was not: that this, whatever it was, was special.
The young woman he had seen earlier pushing a baby buggy stood beside him, holding her baby, swaying her head to the music.