Аннотация
';A pungent play of ideas with a big heart. Yellow Face brings to the national discussion about race a sense of humor a mile wide, an even-handed treatment and a hopeful, healing vision of a world that could be.'Variety';Charming, touching, and cunningly organized as well as funny, [with] an Ibsenite reach and stature far beyond any issues of Hwang's self-image.'The Village Voice';It's about our country, about public image, about face,' says David Henry Hwang about his latest work, a mock documentary that puts Hwang himself center stage as it explores both Asian identity as well as race in America. The play begins with the 1990s controversy over color-blind casting for Miss Saigon, before it spins into a comic fantasy, in which the character DHH pens a play in protest and then unwittingly casts a white actor as the Asian lead. Yellow Face also explores the real-life investigation of Hwang's father, the first Asian American to own a federally chartered bank, and the espionage charges against physicist Wen Ho Lee. Adroitly combining the light touch of comedy with weighty political and emotional issues, ';Hwang's lively and provocative cultural self-portrait lets nobody off the hook' (The New York Times).David Henry Hwang is the author of the Tony Awardwinning M. Butterfly, a finalist for the 1988 Pulitzer Prize. Other plays include Golden Child, FOB, The Dance and the Railroad, and Family Devotions; his opera libretti include three works for composer Philip Glass. He was appointed by President Clinton to the President's Committee on the Arts and Humanities.
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