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[Singing; his voice appearing to come from the cellar, and suggesting the first low warnings of an approaching earthquake.
(Aside to pianist): “It is too low, old man; we’ll have that over again, if you don’t mind.”
[Sings first two lines over again, in a high falsetto this time. Great surprise on the part of the audience. Nervous old lady near the fire begins to cry, and has to be led out.]
Harris (continuing):
No – no, I cleaned the windows of the big front door. And I polished up the floor – no, dash it – I beg your pardon – fu
Now then, chorus – it is the last two lines repeated, you know.
General Chorus:
And Harris never sees what an ass he is making of himself, and how he is a
Speaking of comic songs and parties, reminds me of a rather curious incident at which I once assisted; which, as it throws much light upon the i
We were a fashionable and highly cultured party. We had on our best clothes, and we talked pretty, and were very happy – all except two young fellows, students, just returned from Germany, commonplace young men, who seemed restless and uncomfortable, as if they found the proceedings slow. The truth was, we were too clever for them. Our brilliant but polished conversation, and our high-class tastes, were beyond them. They were out of place, among us. They never ought to have been there at all. Everybody agreed upon that, later on.
We played morceaux[40] from the old German masters. We discussed philosophy and ethics. We flirted with graceful dignity. We were even humorous – in a high-class way.
Somebody recited a French poem after supper, and we said it was beautiful; and then a lady sang a sentimental ballad in Spanish, and it made one or two of us weep – it was so pathetic.
And then those two young men got up, and asked us if we had ever heard Herr Slosse
None of us had heard it, that we could remember.
The young men said it was the fu
They said nobody could sing it like Herr Slosse
We said we yearned to hear it, that we wanted a good laugh; and they went downstairs, and fetched Herr Slosse
He appeared to be quite pleased to sing it, for he came up at once, and sat down to the piano without another word.
“Oh, it will amuse you. You will laugh,” whispered the two young men, as they passed through the room, and took up an unobtrusive position behind the Professor’s back.
Herr Slosse
I don’t understand German myself. I learned it at school, but forgot every word of it two years after I had left, and have felt much better ever since. Still, I did not want the people there to guess my ignorance; so I hit upon what I thought to be rather a good idea. I kept my eye on the two young students, and followed them. When they tittered, I tittered; when they roared, I roared; and I also threw in a little snigger all by myself now and then, as if I had seen a bit of humour that had escaped the others. I considered this particularly artful on my part.
I noticed, as the song progressed, that a good many other people seemed to have their eye fixed on the two young men, as well as myself. These other people also tittered when the young men tittered, and roared when the young men roared; and, as the two young men tittered and roared and exploded with laughter pretty continuously all through the song, it went exceedingly well.
And yet that German Professor did not seem happy. At first, when we began to laugh, the expression of his face was one of intense surprise, as if laughter were the very last thing he had expected to be greeted with. We thought this very fu
In the last verse, he surpassed himself. He glowered round upon us with a look of such concentrated ferocity that, but for our being forewarned as to the German method of comic singing, we should have been nervous; and he threw such a wailing note of agony into the weird music that, if we had not known it was a fu
He finished amid a perfect shriek of laughter. We said it was the fu
Then Herr Slosse
It appeared that the song was not a comic song at all. It was about a young girl who lived in the Hartz Mountains, and who had given up her life to save her lover’s soul; and he died, and met her spirit in the air; and then, in the last verse, he jilted her spirit, and went on with another spirit – I’m not quite sure of the details, but it was something very sad, I know. Herr Boschen said he had sung it once before the German Emperor, and he (the German Emperor) had sobbed like a little child. He (Herr Boschen) said it was generally acknowledged to be one of the most tragic and pathetic songs in the German language.
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morceaux (sing. morceau) – short literary or musical compositions (French)