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“Mr. Tetley?” said Will, quietly.
For now there were two wooden Indians upright in ripe tobacco darkness. Mr. Tetley, amidst his jest, had frozen, mouth open, listening.
“Mr. Tetley?”
He heard something far away on the wind, but couldn’t say what it was.
The boys backed off.
He did not see them. He did not move. He only listened.
They left him. They ran.
In the fourth empty block from the library, the boys came upon a third wooden Indian.
Mr. Crosetti, in front of his barber shop, his door key in his trembling fingers, did not see them stop.
What had stopped them?
A teardrop.
It moved shining down Mr. Crosetti’s left cheek. He breathed heavily.
“Crosetti, you fool! Something happens, nothing happens, you cry like a baby!”
Mr. Crosetti took a trembling breath, snuffing. “Don’t you smell it?”
Jim and Will sniffed.
“Licorice!”
“Heck, no. Cotton candy!”
“I haven’t smelled that in years,” said Mr. Crosetti.
Jim snorted. “It’s around.”
“Yes, but who notices? When? Now, my nose tells me, breathe! And I’m crying. Why? Because I remember how a long time ago, boys ate that stuff. Why haven’t I stopped to think and smell the last thirty years?”
“You’re busy, Mr. Crosetti,” Will said. “You haven’t got time.”
Mr. Crosetti wiped his eyes. “Where does that smell come from? There’s no place in town sells cotton candy. Only circuses.”
“Hey,” said Will. “That’s right!”
“Well, Crosetti is done crying.” The barber blew his nose and turned to lock his shop door. As he did this, Will watched the barber’s pole whirl its red serpentine up out of nothing, leading his gaze around, rising to vanish into more nothing. On countless moons Will had stood here trying to unravel that ribbon, watch it come, go, end without ending.
Mr. Crosetti put his hand to the light switch under the spi
“Don’t,” said Will. Then, murmuring, “Don’t turn it off.”
Mr. Crosetti looked at the pole, as if freshly aware of its miraculous properties. He nodded, gently, his eyes soft. “Where does it come from, where does it go, eh? Who knows? Not you, not him, not me. Oh, the mysteries, by God. So. We’ll leave it on!”
It’s good to know, thought Will, it’ll be ru
“Good-night!”
“Good-night.”
And they left him behind in a wind that very faintly smelled of licorice and cotton candy.
Chapter 5
Charles Halloway put his hand to the saloon’s double swing doors, hesitant, as if the grey hairs on the back of his hand, like ante
Or maybe it was only that man in a dark suit, seen through the saloon window, across the street. Great paper rolls under one arm, a brush and bucket in his free hand, the man was whistling a tune, very far away.
It was a tune from another season, one that never ceased making Charles Halloway sad when he heard it. The song was incongruous for October, but immensely moving, overwhelming, no matter what day or what month it was sung:
Charles Halloway shivered. Suddenly there was the old sense of terrified elation, of wanting to laugh and cry together when he saw the i
The whistling died.
Charles Halloway stepped out. Far up ahead, the man who had whistled the tune was motioning his arms by a telegraph pole, silently working. Now he vanished into the open door of a shop.
Charles Halloway, not knowing why, crossed the street to watch the man pasting up one of the posters inside the un-rented and empty store.
Now the man stepped out the door with his brush, his paste bucket, his rolled papers. His eyes, a fierce and lustful shine, fixed on Charles Halloway. Smiling, he gestured an open hand.
Halloway stared.
The palm of that hand was covered with fine black silken hair. It looked like—
The hand clenched, tight. It waved. The man swept around the corner. Charles Halloway, stu
Two sawhorses stood parallel to each other under a single spotlight.
Placed over these two sawhorses like a funeral of snow and crystal was a block of ice six feet long. It shone dimly with its own effulgence, and its color was light green-blue. It was a great cool gem resting there in the dark.
On a little white placard at one side near the window the following calligraphic message could be read by lamplight:
Cooger & Dark’s Pandemonium Shadow Show—Fantoccini, Marionette Circus, and Your Plain Meadow Carnival. Arriving Immediately! Here on Display, one of our many attractions:
THE MOST BEAUTIFUL WOMAN IN THE WORLD!
Halloway’s eyes leaped to the poster on the inside of the window.
THE MOST BEAUTIFUL WOMAN IN THE WORLD!
And back to the cold long block of ice.
It was such a block of ice as he remembered from travelling magician’s shows when he was a boy, when the local ice company contributed a chunk of winter in which, for twelve hours on end, frost maidens lay embedded, on display while people watched and comedies toppled down the raw white screen and coming attractions came and went and at last the pale ladies slid forth all rimed, chipped free by perspiring sorcerers to be led off smiling into the dark behind the curtains.
THE MOST BEAUTIFUL WOMAN IN THE WORLD!
And yet this vast chunk of wintry glass held nothing but frozen river water.
No. Not quite empty.
Halloway felt his heart pound one special time.
Within the huge winter gem was there not a special vacuum? a voluptuous hollow, a prolonged emptiness which undulated from tip to toe of the ice? and wasn’t this vacuum, this emptiness waiting to be filled with summer flesh, was it not shaped somewhat like a… woman?
Yes.
The ice. And the lovely hollows, the horizontal flow of emptiness within the ice. The lovely nothingness. The exquisite flow of an invisible mermaid daring the ice to capture it.
The ice was cold.
The emptiness within the ice was warm.
He wanted to go away from here.
But Charles Halloway stood in the strange night for a long time looking in at the empty shop and the two sawhorses and the cold waiting arctic coffin set there like a vast Star of India in the dark…