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"You gave me a poem," she said.

He could not now very well upbraid her for getting him into this Reverend situation. He offered his tea mug to her but she shook her head. Enderby slurped. The voice of Mrs Johnson below called them to breakfast. The kids, jostling each other for precedence, ran. She remained seated, lovely though not, the deglamorized daughter, mythical. "Strange," Enderby said. "Here we both are, in a clinal situation so to speak, a bed context I mean, the Greek word means to lean or repose I suppose, hence bed, hence clinic by the way, and this has nothing to do with my feverish imaginings. Domestic, I mean. I weep at the impossibility of it all."

"Momma has breakfast ready. Eggs. Ham. Hominy grits."

"I'll write you a proper poem," Enderby said. "You'll see. I weep at the."

"Yeah, yeah, impossibility of it all. Say, there's a good title for a song, Cole Porterish. The impossibility of it all, the sheer futility of it all. You must work on that."

"Even bad art," Enderby solemnly said, half-empty mug in paws, "is made out of elemental cries for help." But she had gone.

Mrs Johnson sang crackily a song about the itty bitty baby born in Baithlaihaim as she served breakfast. Here was he, Enderby the all too white man, Bradcaster pink mitigated by Tangerine bronze, at home, dusky Morocco a mere station in its direction, in a black household. He could see himself for ever here, drinking ever stronger tea and reading the Book of Deuteronomy with Mrs Johnson, cracking the kids' woolly heads when they were fretful, waiting for the daughter-Female Friend-goddess-impossible she to be deglamorized on a flying visit. After breakfast of two fried eggs and ham and a sort of white porridge (get dem greeerts down, dey'll do you gud), he shaved, dressed in Christmas clerical (all metaphors in time become reality) grey, then trembled. God knew what he could do about this bloody sermon. Leave it to chance, muse, Holy Ghost? Cynicism. Compoundedly dangerous American visit. Surely the God of the black Baptists could not be less vindictive than dead Will?

They were driven by May Johnson down the main boulevard of Chapel Hill, Enderby at back flanked by kids. Both ladies were demurely hatted and gloved. They arrived at a whiteboard building of simple pseudocolonial charm between a Howard Johnson restaurant that looked much more like a church, spire and all, and a garage where hammering artisans defied Christmas. The chapel had its own carpark, and this was already full of Plymouths and Oldsmobiles. There were a lot of women waiting to go in, all blackly radiant in the mild sun, and black respectable men in decent suits. Big treble event this, evidently: Christmas, big singing star back in hometown, foreign Reverend: Mrs Johnson had clearly been busy on the telephone. A genuine or right Reverend, named on the outside board as Dr R. F. Grigson, greeted Enderby with warm black hands and secular gusto. A big man took Enderby on one side and handed him his card: Condor Life. You travellin a lot, Reverend, your dearest and nearest in need of first class protection, we have lil talk after service. Then they went into a plain place of worship with a dais, a lectern, and an electronic organ. The worshippers, gleamingly teethed and boldly coloured, were stained glass enough.

It was not at all like the Catholic masses of Enderby's youth, dyspeptic Maynooth leprechauns peevish about last week's collections, or the anaemic evensongs of his brief curative Anglicanism, with fine if archaic Jacobean prose apologetically delivered by cricketing rectors and very well-made hymns bleated by conservativeclubcakebaking etiolated housewives with herb gardens. They went in a lot for extravagant joy here, also a healthy concern with sin. They cried yeah, that right and we hearin you. May Johnson, as he ought to have expected, sang what was called a gospel song to a jazzy accompaniment from a young buck whose grin mimicked his two electronic manuals, while the congregation clapped in rhythm:

And when I get to heaven where I belong

It go

They smiled on him with encouragement and expectation when he was called upon. He stifflegged it to the lectern and surveyed them all sickly, fine bright open godly black sods as they were, no, not sods, decent people really. May Johnson expected the best from him, he could see that. Not let her down. He had given, when in the army, lectures on the British Way and Purpose, now very remote entities and never easily definable even then. He had delivered a disastrous speech when receiving the Goodby gold medal for poetry, which, along with the meagre cheque that went with it, he had at once given back. He had always found it difficult to be insincere and that perhaps was why he had not got on in the world. He was worried now about the danger of sincerity breaking in. He was not worried about either articulacy or audibility. They would hear him all right. He said:

"My name is Enderby." They all smiled at the quaintness of his accent. "Enderby the poet," he unwisely continued. They did not now all smile. "So they call me sometimes in my own country, because I have endeavoured to praise the good of life and deplore its evil, and do other things as well, in the medium of verse. There is nothing wrong with being a poet, so long as one's poetry is not obscene or Godless or ill composed. King David, as you all know from your psalms, was a poet, and King Solomon, he er -" – he was not sure whether son or father, like a character in Ulysses – "was also a poet, as you know from the Song of Songs that is his. A poet can be a witness for the divine posterior, that is to say truth, and he can thus be a martyr, which means witness in Greek." The Reverend Grigson went amen at that. "Now tomorrow is the feastday of St Stephen, who was battered to death with stones because he was a Christian, and you know who ordered the battering – Saul, who later had a sort of epileptic fit on the road to Damascus and was changed into St Paul." To some in the congregation, including Mrs Johnson, this seemed to be news. Enderby had already lost his co