The Two-Headed Eagle

We climbed gently as we flew down the broad, uneven valley of the Vippaco, heading for the point where that river joins the Isonzo just south of Gorz. Our aim was to cross the lines at about three thousand metres, then head north-east towards Udine for a while to confuse the Italian ob­servers on the ground, who would telephone our height and direction as soon as they saw us pass overhead. We would then turn south-westwards and circle round to approach Palmanova from the direction of Venice, hoping in this way that we would be taken for Italian aircraft and left alone by any anti-aircraft batteries around our target. I checked my map and ticked off the towns and villages of the Vippaco Valley as we flew over them: Santa Croce and Dornberg and Prvacina and Ranziano; not so much for navigational purposes—we were following the railway line and river anyway—as to memorise their appearance for future flights when visibility might be poor and there might be no time to consult the map. How considerate it had been of previous generations (I thought) to have built so many hill-top monasteries around Gorz—Monte Vecchio and San Gabriele and Monte Santo. As a sceptic I doubted their religious efficacy; but there was no denying that as air-navigation beacons they took some beating, stuck up there on their mountain-peaks and painted white and yellow to stand out against the dark green pine forests. Meanwhile, away to westward, the guns flashed from time to time among the wooded hills across the Isonzo.

The sun was well up as we passed over the town of Gorz: still largely undamaged despite the closeness of the lines. The castle and the twin- domed cathedral were clearly visible in the early-morning light, and the silvery ribbon of the Isonzo branching and rejoining among the summer- dry banks of pebbles as it made its way towards the sea. Then we crossed the trench lines, which here climbed up from the valley floor to wind among the devastated forests of Podgora and Monte Sabotino on the west bank of the Isonzo. It was around here if anywhere that we would meet flak artillery fire. I peered ahead apprehensively—then saw three quick red flashes and puffs of dirty black smoke in the sky far ahead of us. A feeling of intense relief surged through me. Utterly feeble: so typical of the Italians and their charming incompetence. If that was the best they could do then—It was like a sudden, heavy kick in the backside: three or four shells bursting below us with a concussion that knocked the air out of my lungs and tossed the aeroplane around much as a number of badminton players will bat a shuttlecock from one to the other. I clutched the cockpit edge in alarm as Toth looked down, snorted in disgust and began to weave the aeroplane from side to side to put the gu

Because everything happens so much faster, and in three dimensions instead of two, air navigation has always been a rather hit-or-miss busi­ness compared with position-finding at sea. I imagine that this is still largely true even now; and in those far-off times seventy years ago it was true—how do you say?—with brass knobs on it. Even so, it would have required a complete imbecile not to have recognised the town of Palmanova, because I think that in the whole of Europe there can scarcely be another settlement so instantly recognisable from the air. I whistled in admiration as we flew over it, so lost in wonder that I almost forgot to check the time and line us up for our photographic run along the railway line. I suppose that in the years since, the growth of suburbs and factory estates must have blurred its outlines; but as I saw it that July morning it still possessed that pristine purity of form in which its builders had left it: a perfect Renaissance fortress-town laid out like a star of David with successive rings of earthworks—lunettes and ravelins and bastions— surrounding it in what could well have been an engraving from a Leonardo da Vinci treatise on the art of fortification. It was so perfect that I half expected to see a scrolled cartouche in the fields near by with a pair of dividers, a scale of yards and a copperplate legend: “Senatus Serenissimae Republicae Venetii castrum et oppidum Palmae Novae aedificavit a

But we had more important things to do that morning than study sixteenth-century military engineering. More technologically advanced and far less aesthetically pleasing ways of killing people were our im­mediate concern as we lined up to run along the railway track leading towards Udine. Toth brought us down until the altimeter read exactly the three thousand metres prescribed by our orders. I pulled back the cuff of my flying overall and glanced at my wristwatch. Even in July over Italy the air was near-freezing this high up, and I felt the cold suddenly bite at my exposed skin. Right on time: the seconds hand was just sweeping up towards 0630. Really this was too easy. I glanced down and saw the dark oblong stacks of shells piled up neatly alongside the railway track for a good two or three kilometres. Then I bent down to slide open the hatch in the cockpit floor. As the hands of the watch touched 0630 I pulled the lever for the first exposure.

My attention was not entirely devoted to working the camera lever every five seconds: in fact ever since we had left Caprovizza I had been ceaselessly sca

The 8mm Schwarzlose had been the Austro-Hungarian Army’s stan­dard machine gun since 1906 or thereabouts, selected after an exhaustive series of competitive trials in which it alone had been able to meet the War Ministry’s stringent specification as regards price. I suppose that the thing might have been just about adequate for a peacetime army, but for fighting a world war it was a very dubious contraption indeed. Whereas most other machine guns in service around the world were operated by muzzle-gas, Herr Schwarzlose had chosen to make his design work by recoil—and had then (for some quite unaccountable reason) decided to dispense with the locking system generally considered necessary to hold a machine gun breech shut while each round is fired. These twin eccen­tricities meant that the Schwarzlose had to have a very short barrel—and thus mediocre range and accuracy, not to mention a picturesque gout of flame as each round left the muzzle.

It also necessitated a massive breech block, like a miniature black­smith’s anvil, so that its inertia would prevent it from being blown back into the gu

And that was just the army version: the air Schwarzlose, which now rested behind me on its rails ready for action, was a still further declension of mediocrity. Unlike the excellent Parabellum—standard observer’s gun in the German two-seaters—it had no shoulder-stock to allow the gu