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“Don’t talk like it’s doomed already.”

“I don’t mean to. The first isn’t necessarily the last, but it will always be the first, and that’s special. Firsts are special.”

“You’re not first,” Peter says. “But you’re the most special to me, because you’re the girl I love, Lara Jean.”

Love. He said “love.” I feel dizzy. I am a girl who is loved, by a boy, and not just her sisters and father and dog. A boy with beautiful eyebrows and a sleight of hand. “I’ve been going crazy without you.” He scrubs the back of his head. “Can’t we just—”

“You’re saying I drive you crazy too?” I interrupt.

He groans. “I’m saying you drive me more crazy than any girl I’ve ever met.”

I crawl toward him, and I reach out and trace my finger along his eyebrow that feels like silk. I say, “In the contract we said we wouldn’t break each other’s hearts. What if we do it again?”

Fiercely he says, “What if we do? If we’re so guarded, it’s not going to be anything. Let’s do it fucking for real, Lara Jean. Let’s go all in. No more contract. No more safety net. You can break my heart. Do whatever you want with it.”

I put my hand to his chest, over his heart. I can feel it beating. I let my hand fall away. His heart is mine, just mine. I believe it now. Mine to protect and care for, mine to break.

So much of love is chance. There’s something scary and wonderful about that. If Kitty had never sent those letters, if I hadn’t gone to the hot tub that night, it might’ve been him and Gen. But she did send those letters, and I did go out there. It could have happened lots of ways. But this is the way it happened. This is the path we took. This is our story.

I know now that I don’t want to love or be loved in half measures. I want it all, and to have it all, you have to risk it all.

So I take Peter’s hand; I put it on my heart. I tell him, “You have to take good care of this, because it’s yours.”

He looks at me in such a way that I know for sure—he’s never looked at another girl quite like this.

And then I’m in his arms, and we’re hugging and kissing, and we’re both shaking, because we both know—this is the night we become real.

“Real isn’t how you are made,” said the Skin Horse. “It’s a thing that happens to you.”

“Does it hurt?” asked the Rabbit.

“Sometimes,” said the Skin Horse, for he was always truthful. “When you are Real you don’t mind being hurt.”

—MARGERY WILLIAMS

Acknowledgments

With most heartfelt thanks to my editor Zareen Jaffery, who I could not have written this book without. Thanks also to Justin Chanda, my publisher and dear friend, and A

All my love and admiration to my incredible agent, Emily van Beek, Molly Jaffa, and the whole Folio team—you are so very appreciated. Thank you also to Elena Yip, my part-time gal Friday.

To Siobhan Vivian, my partner in writing, in crime, and all things. I couldn’t do it without you. Adele Griffin, one of my most favorite people in all the world—you always find the pulse of every story. Morgan Matson, here’s to that night in London!

And finally, to my readers—all of my love, always.

Je

About the Author

Photograph © Adam Krause

JENNY HAN is the New York Times bestselling author of The Summer I Turned Pretty series; Shug; the Burn for Burn trilogy, cowritten with Siobhan Vivian; and To All the Boys I’ve Loved Before and P.S. I Still Love You. She is also the author of the chapter book Clara Lee and The Apple Pie Dream. A former children’s bookseller, she earned her MFA in creative writing at the New School. Visit her at DearJe

MEET THE AUTHORS, WATCH VIDEOS AND MORE AT

SimonandSchuster.com

authors.simonandschuster.com/Je

Also by Je

Shug

The Summer I Turned Pretty

It’s Not Summer Without You

We’ll Always Have Summer

To All the Boys I’ve Loved Before

Cowritten with Siobhan Vivian

Burn for Burn

Fire with Fire

Ashes to Ashes

An imprint of Simon & Schuster Children’s Publishing Division

1230 Avenue of the Americas, New York, New York 10020

www.SimonandSchuster.com

This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.

Text copyright © 2015 by Je

Jacket photograph copyright © 2015 by Douglas Lyle Thompson

Jacket hand-lettering copyright © 2015 by Nancy Howell

All rights reserved, including the right of reproduction in whole or in part in any form.

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Book design by Lucy Ruth Cummins

The text for this book is set in Bembo Std.

CIP data for this book is available from the Library of Congress.

ISBN 978-1-4424-2673-3

ISBN 978-1-4424-2675-7 (eBook)



Contents

Dedication

Epigraph

Dear Peter

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Acknowledgments

About the Author


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