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The glowing white steam that pooled atop their corridor poured into the room and fell upward into that blackness, like a waterfall going in the wrong direction. Though the floor and the columns looked like glass, Mat knew they would feel porous, like stone. The room was lit by a series of glowing yellow stripes that ran up each column, marking places where the carved glass-stone was fluted to a point.

Thom clapped him on the shoulder. "Mat, lad, that was insane. And effective. Somehow."

"About what you should expect from me," Mat said, pulling down the brim of his hat. "I've been in this room before. We're on track. If Moiraine still lives, then she'll be somewhere past here."

CHAPTER 54

Thom held up his torch, inspecting the enormous star-shaped black columns and their glowing yellow lines. Those lines gave the entire room a sickly light, making Thom look wan and jaundiced.

Mat remembered the stink of this place, that musty staleness. Now that he knew what to look for, he could smell something else, too. The musky stink of an animal's den. A predator's lair.

There were five corridors leading out of the room, one at each i

"Wonder how high up the pillars go," Thom said, raising his torch higher and squinting.

Mat held his ashandarei in a firmer grip, palms sweaty. They had entered the foxes' den. He felt at his medallion. The Eelfi

Rustling sounds came from the edges of the room. Shadows shifted and moved. The Eelfi

Thom watched that darkness. He did not object; he raised his flute and began playing. The sound seemed lonely in the vast room.

"Mat," Noal said, kneeling near the center of the room. "Look at this."

"I know," Mat said. "It looks like glass but feels like stone."

"No, not that," Noal said. "There's something here."

Mat edged over to Noal. Thom joined them, watching and playing as Noal used his lantern to illuminate a melted lump of slag on the floor, perhaps the size of a small chest. It was black, but a deeper, less reflective black than the floor and the columns.

"What do you make of it?" Noal asked. "Maybe one of the trapdoors?"

"No," Mat said. "It's not that."

The other two looked at him.

"It's the doorframe," Mat said, feeling sick. "The red stone doorframe. When I came through it before, it was in the center of a room like this. When it melted on the other side…"

"It melted here too," Noal said.

The three stared at it. Thom's music sounded haunting.

"Well," Mat said. "We knew it wasn't a way out in the first place. We'll have to bargain our way free." And I'll make bloody sure not to get hanged this time.

"Will the dice lead us?" Noal asked, rising.

Mat felt them in his coat pocket. "I don't see why not." But he did not take them out. He turned to regard the depths of the room. Thom's music seemed to have stilled some of the shadows. But others still moved. There was a restless energy to the air.

"Mat?" Thom asked.

"You knew I'd come back," Mat said loudly. His voice did not echo. Light! How large was the thing? "You knew I'd come marching back to your bloody realm, didn't you? You knew you'd have me eventually."

Hesitant, Thom lowered his flute.

"Show yourselves!" Mat said. "I can hear you scrambling, hear you breathing."

"Mat," Thom said, laying a hand on his shoulder. "They couldn't have known that you'd come back. Moiraine didn't know that you'd come for certain."

Mat watched the darkness. "You ever see men lead cattle to slaughter, Thom?"

The gleeman hesitated, then shook his head.

"Well, every man has his own ways," Mat said. "But cattle, see, they'll know something is wrong. They'll smell the blood. They'll get frenzied, refuse to enter the slaughterhouse. And you know how you fix that?"

"Do we have to talk about this now, Mat?"

"You fix it," Mat said, "by taking them through the slaughterhouse a few times when it is clean, when the scents aren't so strong. You let them go through and escape, see, and they'll think the place is safe." He looked at Thom. "They knew I'd be back. They knew I'd survive that hanging. They know things, Thom. Burn me, but they do."

"We'll get out, Mat," Thom promised. "We can. Moiraine saw it."

Mat nodded firmly. "Bloody right we will. They're playing a game, Thom. I win games." He pulled a handful of dice from his pocket. I win them most of the time, anyway.

A voice whispered suddenly from behind them. "Welcome, son of battles."

Mat spun, cursing, glancing about the chamber.

"There," Noal said, pointing with his staff. There was a figure beside one of the pillars, half lit by the yellow light. Another Eelfi

"I can take you where you wish to go," the Eelfi

"Thom, music."

Thom began playing again.

"One of you already tried to get us to leave our tools behind," Mat said. He pulled a torch from the pack over his arm, then thrust it to the side, lighting it on Noal's lantern. "It won't work."

The Eelfi

Mat pulled the scarf free from his neck. "Nothing?"

The creature made no response, though it did back away, stepping into the darker area between pillars. Its too-angular face was now only barely lit by the yellow lights.

"Why do you wish to speak with us, son of battles," the whisperer said from the shadows, "if you are not willing to bargain?"

"No," Mat said. "No bargaining until we reach the great hall, the Chamber of Bonds." That was the only place where they would be bound to the agreement. Is that not what Birgitte had said? Of course, she had seemed to be relying on stories and hearsay herself.

Thom continued playing, eyes darting from side to side, trying to watch the shadows. Noal began to play the little cymbals he had tied to the legs of his trousers, tapping them in time with Thom's music. The shadows continued to move out there, however.

"Your… comforts will not slow us, son of battles," a voice said from behind. Mat spun, lowering his weapon. Another Eelfi

"Be proud, son of battles," another voice hissed. Mat spun again, sweat dampening his brow. The female vanished back into the shadows, but another Eelfi