I, Michael Bennett

As I struggled to keep my balance, I heard a rhythmic, low-pitched thudding through the ringing sound. At first I thought it might have been some construction outside. Then I saw bright licks of light blossoming in my shaky vision and Detective Martinez, her face spurting blood, sliding off the exam table and falling with a crash at my feet.

Still struggling with what I was seeing, I looked up to find the dark young woman holding a gun, a little black polymer machine pistol with a ribbon of smoke curling from its suppressor. As she swung the gun at me from the other side of the table, I yelled incoherently as I tried to draw my own gun. Time seemed to slow, the air itself to change, as if I were suddenly swimming in Jell-O. My eyes focused on one thing as my palm finally grazed the checkered grip of my holstered service weapon—the black bore of the woman’s gun as it stopped dead level with my face.

The next thing I knew, I felt a weight slam into me. I thought it was a bullet, but I was wrong. It was Hughie tackling me, taking me down like a linebacker sacking a quarterback. He knocked out my breath as he hit me up top, pushing me sideways, away from the front of the gun.

Gasping for breath, I looked up from the floor to see Hughie rising and turning. He sent the exam-table mat flying as he launched himself upward, reaching out empty-handed for the gun and the girl.

“Ten thirteen! Ten thirteen! Ten thirteen!” I started yelling. Or thought I was yelling, because I still couldn’t hear anything, not even myself. Then the violent thudding ripped the air again, and Hughie stopped in his tracks. There was a nauseating, wet, splattering sound as his head snapped back, as if he’d been punched.

I’d finally cleared my gun and was getting to my feet when Hughie’s lifeless body toppled back on top of me. As we went down in a heap again, I felt the slugs hit the back of Hughie’s vest. I also felt Hughie’s blood, warm and gushing, on the back of my neck and down the back of my shirt. I finally stuck out the Glock from underneath Hughie’s arm and pulled the trigger—and pulled the trigger and pulled the trigger.

When the slide slapped all the way back after the last round, I poked my head up and saw that the woman was, amazingly, gone. Had she run back out? I thought as I quickly reloaded my Glock.

In the hallway, I could see one of the female detectives screaming into her radio as the gold-eyed woman leaped up from the other side of the exam table, where she’d been crouching.

But before I could move, before I could even breathe, she was past me.

She took three ru

CHAPTER 13

I ROLLED OUT from underneath Hughie. Through the stench of blood and gun smoke, I knelt over my friend on the floor. I reached a hand out above his blood-soaked hair as if to somehow mend the gaping red-black holes there. But I couldn’t because he was dead. Detective Martinez was dead. Everyone was dead.

I felt a hand on my shoulder. It was one of the DEA SWAT guys, mouthing something into his crackling radio. Without thinking about it, I holstered my Glock and found myself ripping away the M4 assault rifle he held in his hand. Then I went to the open window and threw myself out of it.

The hard plastic butt of the gun almost knocked me out as I went ass over teakettle and landed hard on my back on the asphalt. As I got up, I saw a woman’s shoe in front of me. Then I looked up and saw the tall pale woman it belonged to ru

As I started ru

I dropped as if someone had yanked my ankles from behind and rolled behind a fire hydrant as the huge gun opened up. In that narrow alley, the report of it was unreal. Concrete dust stung my eyes as a fluttering deluge of lead chewed up the pavement and ripped at the hydrant like an invisible jackhammer.

As the heavy, deafening rounds pounded and tore apart everything around me, I had what I guess you would call a near-death experience. In the awesomely violent rumble of the gun and the way it shook the air, I detected a God-like message. To keep perfectly still was life. To move even the tiniest part of my body was instant death.

I was thinking how wise the message was and how the post office could forward my mail to Behind the Fire Hydrant, Alleyway, Madison Square Garden, New York City, when I remembered Hughie. In my mind, I saw him get shot again, saw the Heimlich poster on the wall behind him get splattered with his blood.

Lying on my back, I flicked the switch on the M4 to full auto. Then, when there was a pause in the firing, I swung up on my knee in a firing position.

The thin driver was getting into the front seat, right next to the woman who’d killed Hughie, when I shot him three times in the side of his head. Then I put the rear passenger-side window behind the red dot of my rifle’s holographic sight and opened up. I poured about a dozen shots into the window, then stood up in the awesome silence and began to run.

Ru

“Ground! On the ground!” I kept yelling.

I slowed as I circled the Lincoln behind the barrel of the assault rifle. The driver I’d killed had his bloody head leaning out the window as though he were checking the front tire. Under the 30-caliber machine gun in the backseat, I saw the shooter, a pudgy, middle-aged Spanish man in a silk-screened T-shirt. He was on his back, moaning, coughing, and spitting up blood. More blood gurgled out the side of his right hand, where he clutched at the hole in his throat.

It was only then that I noticed that the doors on the other side of the car were wide open.

No!

The woman who’d killed Hughie was gone.

Someone cried out as I backpedaled into the street and swung the rifle east, down Thirty-Third Street. On the north side of the street, between a couple of work vans, I could see a stocky, light-ski

I raised the gun, but the sprinting bastard turned the corner before I could shoot him. Though I’d only caught a glimpse of his profile, I’d studied his picture hard enough to instantly know who it was.

I’d finally laid eyes on Manuel Perrine.

CHAPTER 14

I COULD HEAR backup approaching hard behind me when I tossed my rifle into the window of the Lincoln over the dead driver. I opened the door of the still-chugging vehicle, pulled out the dead criminal, and let him drop into the gutter. I did the same thing to the dying shooter in the backseat, too. Pulled him out and let him fall facedown onto the street. Not standard NYPD practice for wounded suspects, but I was in a hurry, not to mention in a daze of adrenaline-fueled mental and emotional shock.