Black Arrow

* * * *

FIVE

THE GOLDEN CARP

T

ora and Hitomaro slipped out of the tribunal by removing some loose boards from the back palisade and stepping into a weed-choked alley. Dressed in the rough, quilted cotton jackets and short pants of laborers, they walked to the market, a collection of shops crammed together under the deep overhanging eaves of the houses that lined the main street. Here they parted company.

Tora headed toward the outskirts of town to Sato’s i

As he pondered what this might mean, a lanky youth came through the gate and began to sweep. Tora strolled across the street. The youth stopped what he was doing and stared at him.

“You’re a good worker,” Tora commented. “Your boss is a lucky man. If you play your cards right, he’ll invite you to marry his daughter some day and, before you know it, you’ll be the boss yourself.”

The youth spat. “Hah! My boss is a woman,” he said.

“Even better. Marry her. Never mind if she’s a bit long in the tooth, you’ll be all the more precious to her.”

“Shows what you know!” snapped the youth and kicked the last chunk of horse dung into the road before disappearing into the i

Tora looked after him. Apparently the beautiful widow had not endeared herself to her staff. He crossed the yard of the Golden Carp and, since no one else was about, he walked into the i

Today the hallway was scrupulously clean. In the kitchen, he found his objective. She was scrubbing vegetables with a vicious fury.

He leaned against the door frame and whistled softly. The maid swung around. When she saw Tora, her eyes widened and she dropped her radish. He stroked his mustache and let his eyes travel appreciatively over her tall, sturdy frame. Her scowl changed to a smile. She was a plain-faced girl and her teeth were crooked, but Tora could make even pretty girls forget the simplest prudence. And he distinctly recalled the shapely limbs under her dirty skirt.

“Well-met, pretty flower,” he said with a bow. “How is it that you do this dirty work when you ought to save your charms to greet the guests?”

She put on a tragic look. “I’m just the kitchen maid. Somebody’s got to do the work around here now that we’ve become fancy, with a cook and singsong girls to serve to the guests.” She eyed Tora’s patched clothes. “I hate to tell you, but if you’re hoping to spend the night, it costs a fortune and you don’t look like a rich man.”

“Ah.” Tora made a face, but he knew that old clothes did little to hide his strong physique and flexed his shoulders.

“It’s a great pity,” she said, watching him. “If it were up to me . . .” She dimpled.

Tora smiled back. “The old man across the street warned me, but I thought I’d look in anyway. Where is everybody?”

She jerked her head toward the back of the house. “One of the guests is sick and the mistress is wetting herself for fear it’ll hurt her business.”

“Didn’t someone just die here? This must be a pretty unhealthy place.”

“Shh! Not so loud.” The girl peered down the hall. “It’s all right. She’s still in his room. We’re not supposed to talk about it. It’s her husband that died and he was murdered. But she’s had an exorcism, so you needn’t fear. That’s why she’s so upset about the sick one. She was all for dumping him in the temple grounds during the night to let the monks tend to him, but that might get back to the authorities, so she sent for the doctor.”

“And here I am, at your service,” a

“Well, Kiyo, where’s the patient?”

“This way, Dr. Oyoshi. The mistress is with him.” The maid wiped her hands on her apron, and led the way down the dark hall. Tora, who was curious about her mistress, followed.

In one of the rooms a small group of people stood around a gasping figure under a quilt. Three handsome girls with painted faces and colorful robes, the lanky youth from the yard, and the landlady all stared down at the sick man. So did the doctor and the maid when they joined the group.

Tora gaped at the landlady.

The widow Sato was still in her early twenties, with a dainty figure in a dark blue silk gown, shining hair neatly pi

She whisked out of the room without glancing at Tora, who had retreated into the shadows, hoping she would take him for the doctor’s assistant. He watched her trip lightly down the corridor, then turned his attention back to the scene in the room.

The doctor knelt on the floor beside the shivering figure and pulled back the quilt. The sick man’s face was white and wet with perspiration. His eyes were glassy and his mouth slack. His breath came and went in shuddering gasps. Middle-aged and gray-haired, he looked ordinary except that an old injury had taken a small piece from one of his large earlobes.

Oyoshi spoke to him softly, but got no response. He felt the patient’s forehead, peered into his mouth, and then parted the man’s gown to lay his ear against the heaving chest. A rattling cough racked the patient, and a thin dribble of blood appeared at the corner of his mouth. The doctor covered him up again and rose with a sigh.

“He’s much too ill to be moved,” he said, pulling Kiyo aside. “I’ll give you some medicine to ease him a bit, but it does not look good. The end is near, I’m afraid.”

One of the painted girls said with a shudder, “The mistress won’t like it. Can’t we take him to the monks?”

The doctor looked shocked. “Certainly not. I won’t allow you to put the poor soul through that, and I’ll tell your mistress so.”

“Tell me what?” The widow appeared in the doorway. “Why isn’t he up yet? I tell you, he ca