The Goldfinch

The boys muttered, audibly. Get up, asshole.

Look at him, look at him.

He don’t know dick.

I rolled over and threw my arms over my head and then—with an airy, surreal jolt—saw that nobody was there.

For a moment I lay too stu

Somebody had beaten me up pretty good: I ached all over, my ribs were sore and my head felt like someone had hit me with a lead pipe. I was working my jaw back and forth and reaching for my pockets to see if I had train fare home when it came over me abruptly that I had no clue where I was. Stiffly I lay there, in the growing consciousness that something was badly out of joint. The light was all wrong, and so was the air: acrid and sharp, a chemical fog that burned my throat. The gum in my mouth was gritty, and when—head pounding—I rolled over to spit it out, I found myself blinking through layers of smoke at something so foreign I stared for some moments.

I was in a ragged white cave. Swags and tatters dangled from the ceiling. The ground was tumbled and bucked-up with heaps of a gray substance like moon rock, and blown about with broken glass and gravel and a hurricane of random trash, bricks and slag and papery stuff frosted with a thin ash like first frost. High overhead, a pair of lamps beamed through the dust like off-kilter car lights in fog, cock-eyed, one angled upward and the other rolled to the side and casting skewed shadows.

My ears rang, and so did my body, an intensely disturbing sensation: bones, brain, heart all thrumming like a struck bell. Faintly, from somewhere far away, the mechanical shriek of alarms rang steady and impersonal. I could hardly tell if the noise was coming from inside me or outside me. There was a strong sense of being alone, in wintry deadness. Nothing made sense in any direction.

In a cascade of grit, my hand on some not-quite-vertical surface, I stood, wincing at the pain in my head. The tilt of the space where I was had a deep, i

My jaw hurt; my face and knees were cut; my mouth was like sandpaper. Blinking around at the chaos I saw a te

For a moment I wasn’t sure; I listened, hard; and then it spieled off again: faint and draggy, a little weird. Clumsily I grappled around in the wreckage—upending dusty kiddie purses and day packs, snatching my hands back at hot things and shards of broken glass, more and more troubled by the way the rubble gave under my feet in spots, and by the soft, inert lumps at the edge of my vision.

Even after I became convinced I’d never heard a phone, that the ringing in my ears had played a trick on me, still I kept looking, locked into the mechanical gestures of searching with an unthinking, robot intensity. Among pens, handbags, wallets, broken eyeglasses, hotel key cards, compacts and perfume spray and prescription medications (Roitman, Andrea, alprazolam .25 mg ) I unearthed a keychain flashlight and a non working phone (half charged, no bars), which I threw in a collapsible nylon shopping bag I’d found in some lady’s purse.

I was gasping, half-choked with plaster dust, and my head hurt so badly I could hardly see. I wanted to sit down, except there was no place to sit.

Then I saw a bottle of water. My eyes reverted, fast, and strayed over the havoc until I saw it again, about fifteen feet away, half buried in a pile of trash: just a hint of a label, familiar shade of cold-case blue.

With a benumbed heaviness like moving through snow, I began to slog and weave through the debris, rubbish breaking under my feet in sharp, glacial-sounding cracks. But I had not made it very far when, out of the corner of my eye, I saw movement on the ground, conspicuous in the stillness, a stirring of white-on-white.

I stopped. Then I waded a few steps closer. It was a man, flat on his back and whitened head to toe with dust. He was so well camouflaged in the ash-powdered wreckage that it was a moment before his form came clear: chalk on chalk, struggling to sit up like a statue knocked off his pedestal. As I drew closer, I saw that he was old and very frail, with a misshapen hunchback quality; his hair—what he had—was blown straight up from his head; the side of his face was stippled with an ugly spray of burns, and his head, above one ear, was a sticky black horror.

I had made it over to where he was when—unexpectedly fast—he shot out his dust-whitened arm and grabbed my hand. In panic I started back, but he only clutched at me tighter, coughing and coughing with a sick wetness.

Where—? he seemed to be saying. Where—? He was trying to look up at me, but his head dangled heavily on his neck and his chin lolled on his chest so that he was forced to peer from under his brow at me like a vulture. But his eyes, in the ruined face, were intelligent and despairing.

—Oh, God, I said, bending to help him, wait, wait—and then I stopped, not knowing what to do. His lower half lay twisted on the ground like a pile of dirty clothes.

He braced himself with his arms, gamely it seemed, lips moving and still struggling to raise himself. He reeked of burned hair, burned wool. But the lower half of his body seemed disco

I looked around, trying to get my bearings, deranged from the crack on the head, with no sense of time or even if it was day or night. The grandeur and desolation of the space baffled me—the high, rare, loft of it, layered with gradations of smoke, and billowing with a tangled, tent-like effect where the ceiling (or the sky) ought to be. But though I had no idea where I was, or why, still there was a half-remembered quality about the wreckage, a cinematic charge in the glare of the emergency lamps. On the Internet I’d seen footage of a hotel blown up in the desert, where the honeycombed rooms at the moment of collapse were frozen in just such a blast of light.

Then I remembered the water. I stepped backwards, looking all around, until with a leap of my heart I spotted the dusty flash of blue.

—Look, I said, edging away. I’m just—

The old man was watching me with a gaze at once hopeful and hopeless, like a starved dog too weak to walk.

—No—wait. I’m coming back.

Like a drunk, I staggered through the rubbish—weaving and plowing, stepping high-kneed over objects, muddling through bricks and concrete and shoes and handbags and a whole lot of charred bits I didn’t want to see too closely.

The bottle was three quarters full and hot to the touch. But at the first swallow my throat took charge and I’d gulped more than half of it—plastic-tasting, dishwater warm—before I realized what I was doing and forced myself to cap it and put it in the bag to take back to him.

Kneeling beside him. Rocks digging into my knees. He was shivering, breaths rasping and uneven; his gaze didn’t meet mine but strayed above it, fixed fretfully on something I didn’t see.

I was fumbling for the water when he reached his hand to my face. Carefully, with his bony old flat-pad fingers, he brushed the hair from my eyes and plucked a thorn of glass from my eyebrow and then patted me on the head.

“There, there.” His voice was very faint, very scratchy, very cordial, with a ghastly pulmonary whistle. We looked at each other, for a long strange moment that I’ve never forgotten, actually, like two animals meeting at twilight, during which some clear, personable spark seemed to fly up through his eyes and I saw the creature he really was—and he, I believe, saw me. For an instant we were wired together and humming, like two engines on the same circuit.