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“And the producer, you see—I mean, they all knew how Mickey was, everyone did, he was already starting to get a reputation for being difficult—”

“She didn’t deserve it,” I said aloud, interrupting their conversation.

Dad and Xandra stopped talking and looked at me as if I’d turned into a Gila monster.

“I mean, why would anybody say that?” It wasn’t right that I was speaking aloud, and yet the words were tumbling unbidden out of my mouth as if someone had pushed a button. “She was so great and why was everybody so horrible to her? She never deserved any of the stuff that happened to her.”

My dad and Xandra exchanged a glance. Then he signalled for the check.

xx.

BY THE TIME WE left the restaurant, my face was on fire and there was a bright roar in my ears, and when I got back to the Barbours’ apartment, it wasn’t even terribly late but somehow I tripped over the umbrella stand and made a lot of noise coming in and when Mrs. Barbour and Mr. Barbour saw me, I realized (from their faces, more than the way I felt) that I was drunk.

Mr. Barbour flicked off the television with the remote control. “Where have you been?” he said, in a firm but good-natured voice.

I reached for the back of the sofa. “Out with Dad and—” But her name had slipped my mind, everything but the X.

Mrs. Barbour raised her eyebrows at her husband as if to say: what did I tell you?

“Well, take it on in to bed, pal,” said Mr. Barbour cheerfully, in a voice that managed, in spite of everything, to make me feel a little bit better about life in general. “But try not to wake Andy up.”

“You don’t feel sick, do you?” Mrs. Barbour said.

“No,” I said, though I did; and for a large part of the night I lay awake in the upper bunk, miserable and tossing as the room spun around me, and a couple of times starting up in heart-thudding surprise because it seemed that Xandra had walked in the room and was talking to me: the words indistinct, but the rough, stuttery cadence of her voice unmistakable.

xxi.

“SO,” SAID MR. BARBOUR at breakfast the next morning, clapping a hand on my shoulder as he pulled out the chair beside me, “festive di

“Yes, sir.” I had a splitting headache, and the smell of their French toast made my stomach twist. Etta had unobtrusively brought me a cup of coffee from the kitchen with a couple of aspirins on the saucer.

“Out in Las Vegas, do you say?”

“That’s right.”

“And how does he bring in the bacon?”

“Sorry?”

“How does he keep himself busy out there?”

“Chance,” said Mrs. Barbour, in a neutral voice.

“Well, I mean… that is to say,” Mr. Barbour said, realizing that the question had perhaps been indelicately phrased, “what line of work is he in?”

“Um—” I said—and then stopped. What was my dad doing? I hadn’t a clue.

Mrs. Barbour—who seemed troubled by the turn the conversation had taken—appeared about to say something; but Platt—next to me—spoke up angrily instead. “So who do I have to blow to get a cup of coffee around this place?” he said to his mother, pushing back in his chair with one hand on the table.

There was a dreadful silence.



He has it,” said Platt, nodding at me. “He comes home drunk, and he gets coffee?”

After another dreadful silence, Mr. Barbour said—in a voice icy enough to put even Mrs. Barbour to shame—“That’s quite enough, Pard.”

Mrs. Barbour brought her pale eyebrows together. “Chance—”

“No, you won’t take up for him this time. Go to your room,” he said to Platt. “Now.”

We all sat staring into our plates, listening to the angry thump of Platt’s footsteps, the deafening slam of his door, and then—a few seconds later—the loud music starting up again. No one said much for the rest of the meal.

xxii.

MY DAD—WHO LIKED TO do everything in a hurry, always itching to “get the show on the road” as he liked to say—a

Tormented by what was happening, yet unable to stop it, I hovered around and watched the apartment vanishing piece by piece, like a bee watching its hive being destroyed. On the wall over my mother’s desk (among numerous vacation snaps and old school pictures) hung a black and white photo from her modelling days taken in Central Park. It was a very sharp print, and the tiniest details stood out with almost painful clarity: her freckles, the rough texture of her coat, the chickenpox scar above her left eyebrow. Cheerfully, she looked out into the disarray and confusion of the living room, at my dad throwing out her papers and art supplies and boxing up her books for Goodwill, a scene she probably never dreamed of, or at least I hope she didn’t.

xxiii.

MY LAST DAYS WITH the Barbours flew by so fast that I scarcely remember them, apart from a last-minute flurry of laundry and dry cleaning, and several hectic trips to the wine shop on Lex for cardboard boxes. In black marker, I wrote the address of my exotic-sounding new home:

Theodore Decker c/o Xandra Terrell

6219 Desert End Road

Las Vegas, NV

Glumly, Andy and I stood and contemplated the labeled boxes in his bedroom. “It’s like you’re moving to a different planet,” he said.

“More or less.”

“No I’m serious. That address. It’s like from some mining colony on Jupiter. I wonder what your school will be like.”

“God knows.”

“I mean—it might be one of those places you read about. With gangs. Metal detectors.” Andy had been so mistreated at our (supposedly) enlightened and progressive school that public school, in his view, was on a par with the prison system. “What will you do?”

“Shave my head, I guess. Get a tattoo.” I liked that he didn’t try to be upbeat or cheerful about the move, unlike Mrs. Swanson or Dave (who was clearly relieved that he wasn’t going to have to negotiate any more with my grandparents). Nobody else at Park Avenue said much about my departure, though I knew from the strained expression Mrs. Barbour got when the subject of my father and his “friend” came up that I wasn’t totally imagining things. And besides, it wasn’t that the future with Dad and Xandra seemed bad or frightening so much as incomprehensible, a blot of black ink on the horizon.

xxiv.

“WELL, A CHANGE OF scenery may be good for you,” said Hobie when I went down to see him before I left. “Even if the scene isn’t what you’d choose.” We were having di