The Goldfinch

“Sascha’s in jail?”

“Indeed he is.” Boris cackled. “We get the ransom, museum gets the painting, cops get to close the case, insurance company gets its money back, public is edified, everyone wins.”

“Ransom?”

“Well, reward, ransom, whatever you want to call it.”

“Who paid this money out?”

“I don’t know.” Boris made an irritated gesture. “Museum, government, private citizen. Does it matter?”

“It matters to me.”

“Well it shouldn’t. You should shut up and be grateful. Because,” he said, lifting his chin, speaking over me, “you know what, Theo? Know what? Guess! Guess how lucky we were! Not only do they have your bird in there, but—who would have guessed it? Many other stolen pictures!”

“What?”

“Two dozens, or more! Missing for many years, some of them! And—not all of them are as lovely or beautiful as yours, in fact most of them are not. This is my own personal opinion. But there are big rewards out on four or five of them all the same—bigger than for yours. And even some of the not-so-famous ones—dead duck, boring picture of fat-faced man you don’t know—even these have smaller rewards—fifty thousand, hundred thousand here and there. Who would think? ‘Information leading to recovery of.’ It adds up. And I hope,” he said, with some austerity, “that maybe you can forgive me for that?”

“What?”

“Because—they are saying, ‘one of great art recoveries of history.’ And this is the part I hoped would please you—maybe not, who knows, but I hoped. Museum masterworks, returned to public ownership! Stewardship of cultural treasure! Great joy! All the angels are singing! But it would never have happened, if not for you.”

I sat in silent amazement.

“Of course,” Boris added, nodding at the bag open on the bed, “this is not all of it. Nice Christmas present in it for Myriam and Cherry and Gyuri. And I gave Anton and Dima a thirty per cent cut right off the top. Fifteen per cent each. Anton did all the work really, so in my opinion he should have got twenty and Dima ten. But this is a lot of money for Anton so he is happy.”

“Other paintings they recovered. Not just mine.”

“Yes, did you not just hear me say—?”

“What other paintings?”

“Oh, some very celebrated and famous ones! Missing for years!”

“Such as—?”

Boris made an irritated sound. “Oh, I do not know the names, you know not to ask me that. Few modern things—very important and expensive, everyone very excited although I will be frank, I do not understand why the big deal on some of them. Why does it cost so much, a thing like from kindergarten class? ‘Ugly Blob.’ ‘Black Stick with Tangles.’ But then too—multiple works of historic greatness. One was a Rembrandt.”

“Not a seascape?”

“No—people in a dark room. Little bit boring. Nice van Gogh, though, of a sea shore. And then… oh, I don’t know… usual thing, Mary, Jesus, many angels. Some sculptures even. And Asian artworks too. They looked to me worth nothing but I guess they were a lot.” Boris stabbed out his cigarette vigorously. “Which reminds me. He got away.”

“Who?”

“Sascha’s China boy.” He had gone to the minibar, returned with corkscrew and two glasses. “He was not at apartment when the cops came, lucky for him. And—if he is smart, which he is—he will not be coming back.” Holding up crossed fingers. “He will find some other rich man to live off of. That is what he does. Good work if you can get it. Anyway—” biting his lip as he pulled out the cork, pop!—“I wish I had thought of it myself, years ago! One big easy check! Legal Tender! Instead of this Follow the Bouncing Ball, so many years. Back and forth—” wagging the corkscrew, tick, tock—“back and forth. Nervewracking! All this time, all this headache, and all this easy, government money right under my nose! I will tell you—” crossing over, pouring me out a noisy glug of red—“in some ways, Horst is probably just as glad it fell out like this as you. He likes to make a dollar same as anyone but he also has guilt, same ideas of public good, cultural patrimony, blah blah blah.”

“I don’t understand how Horst fits into this.”

“No, nor do I, and we will never know,” said Boris firmly. “It’s all very careful and polite. And, yes yes—” impatiently, taking a quick sneaky gulp of his wine—“and yes, I am angry at Horst, a bit, maybe I don’t trust him so much as formerly, maybe in fact I don’t trust him so much at all. But—Horst is saying he wouldn’t have sent Martin if he knew it was us. And maybe he’s telling the truth. ‘Never, Boris—I would never.’ Who can know? To be quite honest—just between us—I think he may be saying it only to save face. Because once it fell to pieces with Martin and Frits, what else could he do? Except gracefully back away? Claim no knowledge? I do not know this for a fact, mind you,” he said. “This is just my theory. Horst has his own story.”

“Which is—?”

“Horst is saying—” Boris sighed—“Horst says he didn’t know that Sascha took the picture, not until we snatched it ourselves and Sascha phoned from clear blue sky asking Horst’s help to get it back. Pure coincidence that Martin was in town—here from LA for the holidays. For druggies, Amsterdam is fairly popular Christmas spot. And yes, that part—” he rubbed his eye—“well, I am pretty sure Horst is telling the truth. That call from Sascha was a surprise. Throwing himself on Horst’s mercy. No time to talk. Had to act quick. How was Horst to know it was us? Sascha wasn’t even in Amsterdam—he was hearing it all at second hand, from Chinky, whose German is not that great—Horst was hearing it at third. It all lines up if you look at it the right way. That said—” he shrugged.

“What?”

“Well—Horst definitely didn’t know the painting was in Amsterdam, nor that Sascha was trying to get a loan on it, not until Sascha panicked and called him when we took it. Of that? I am confident. But: did Horst and Sascha collude to make painting vanish in the first place, to Frankfurt, with bad Miami deal? Possibly. Horst liked that picture very very much. Very much. Did I tell you—he knew what it was, first time he saw it? Like, off the top of his head? Name of painter and everything?”

“It’s one of the most famous paintings in the world.”

“Well—” Boris shrugged—“like I said, he is educated. He grew up around beauty. That said, Horst does not know that it was me cooked up the folder. He might not be so happy. And yet—” he laughed aloud—“would it ever occur to Horst? I wonder. All the time, all this reward sitting there? Free and legal! Shining in plain sight, like the sun! I know I never thought of it—not until now. Worldwide happiness and joy! Lost masterworks recovered! Anton the big hero—posing for photos, talking on Sky News! Standing ovation at the press conference last night! Everyone loves him—like that man who landed the plane in the river a few years back and saved everyone, remember him? But, in my mind, is not Anton the people are clapping for—really is you.”

There were so many things to say to Boris, I could say none of them. And yet I could only feel the most abstract gratitude. Maybe, I thought—reaching in the bag, taking out a stack of money and looking it over—maybe good luck was like bad luck in that it took a while to sink in. You didn’t feel anything at first. The feeling came later on.

“Pretty nice, no?” said Boris, clearly relieved I’d come round. “You are happy?”

“Boris, you need to take half this.”

“Believe me, I took care of myself. I have enough now that I can not do anything I don’t feel like for a while. Who knows—maybe go into bar business even, in Stockholm. Or—maybe not. Little bit boring. But you—that’s all yours! And more to come. Remember that time your dad gave us the five hundred each? Flying like feathers! Very noble and grand! Well—to me then? Hungry half the time? Sad and lonely? Nothing to my name? That was a fortune! More money than I had ever seen! And you—” his nose had grown pink; I thought he was about to sneeze—“always decent and good, shared with me everything you had, and—what did I do?”