The Goldfinch

A little while. What was a little while? Three days tops, Boris had said at A

Bells and garlands, Advent stars in the shop windows, ribbons and gilded walnuts. At night I slept with socks, stained overcoat, polo-neck sweater in addition to coverlet since the counterclockwise turn of radiator knob as advertised in the leather-bound hotel booklet didn’t warm the room enough to help my fever aches and chills. White goosedown, white swans. The room reeked of bleach like a cheap Jacuzzi. Could the chambermaids smell it in the hall? They wouldn’t give you more than ten years for art theft but with Martin I’d crossed the border into a different country—one way, no return.

Yet somehow I’d developed a workable way of thinking about Martin’s death, or thinking around it, rather. The act—the eternity of it—had thrown me into such a different world that to all practical purposes I was already dead. There was a sense of being past everything, of looking back at land from an ice floe drifted out to sea. What was done could never be undone. I was gone.

And that was fine. I didn’t matter much in the scheme of things and Martin didn’t either. We were easily forgotten. It was a social and moral lesson, if nothing else. But for all foreseeable time to come—for as long as history was written, until the icecaps melted and the streets of Amsterdam were awash with water—the painting would be remembered and mourned. Who knew, or cared, the names of the Turks who blew the roof off the Parthenon? the mullahs who had ordered the destruction of the Buddhas at Bamiyan? Yet living or dead: their acts stood. It was the worst kind of immortality. Intentionally or no: I had extinguished a light at the heart of the world.

An act of God: that was what the insurance companies called it, catastrophe so random or arcane that there was otherwise no taking the measure of it. Probability was one thing, but some events fell so far outside the actuarial tables that even insurance underwriters were compelled to haul in the supernatural in order to explain them—rotten luck, as my father had said mournfully one night out by the pool, dusk falling hard, smoking Viceroy after Viceroy to keep the mosquitoes away, one of the few times he’d tried to talk to me about my mother’s death, why do bad things happen, why me, why her, wrong place wrong time, just a fluke kid, one in a million, not an evasion or cop-out in any way but—I recognized, coming from him—a profession of faith and the best answer he had to give me, on a par with Allah Has Written It or It’s the Lord’s Will, a sincere bowing of the head to Fortune, the greatest god he knew.

If he were in my shoes. It almost made me laugh. I could imagine him holed up and pacing all too clearly, trapped and prowling, relishing the drama of the predicament, a framed cop in a jail cell as portrayed by Farley Granger. But I could imagine just as well his second-hand fascination at my plight, its turns and reversals as random as any turn of the cards, could imagine only too well his woeful shake of the head. Bad planets. There’s a shape to this thing, a larger pattern. If we’re just talking story, kid, you got it. He’d be doing his numerology or whatever, looking at his Scorpio book, flipping coins, consulting the stars. Whatever you said about my dad, you couldn’t say he didn’t have a cohesive world view.

The hotel was filling up for the holidays. Couples. American servicemen talking in the halls with a military flatness, rank and authority audible in their voices. In bed, in my opiated fevers, I dreamed of snowy mountains, pure and terrifying, alpine vistas from newsreel films of Berchtesgaden, great winds that crossfaded and blew with the windwhipped seas in the oil painting above my desk: tiny tossed sailboat, alone in dark waters.

My father: Put down that remote control when I’m talking to you.

My father: Well, I won’t say disaster, but failure.

My father: Does he have to eat with us, Audrey? Does he have to sit at the table with us every fucking night? Can’t you make Alameda feed him before I get home?

Uno, Battleship, Etch-A-Sketch, Co

Mr. Barbour: Two flag signal. Victor: Require Assistance. Echo: I am altering my course to starboard.

The apartment on Seventh Avenue. Rainy-day gray. Many hours spent blowing in and out monotonously on a toy harmonica, in and out, in and out.

On Monday, or maybe it was Tuesday, when I finally worked up the nerve to pull up the blackout shade, so late in the afternoon that the light was going, there was a television crew on the street outside my hotel waylaying Christmas tourists. English voices, American voices. Christmas concerts at Sint Nicolaaskerk and seasonal stalls selling oliebollen. “Almost got hit by a bicycle but apart from that it’s been a fun time.” My chest hurt. I drew the blackouts again and stood in a hot shower with the water beating down until my skin was sore. The whole neighborhood sparkled with fairy-lit restaurants, beautiful shops displaying cashmere topcoats and heavy, hand-knit sweaters and all the warm clothes I’d neglected to pack. But I didn’t even dare phone down for a pot of coffee thanks to the Dutch-language newspapers I’d been thrashing through since well before sunrise that morning, one featuring a front page photo of the parking garage with police tape across the exit.

The papers were spread on the floor on the far side of my bed, like a map to some horrible place I didn’t want to go. Repeatedly, unable to help myself, in between drowsing off and falling into feverish conversations I wasn’t having, with people I wasn’t having them with, I went back and scoured them over and over for Dutch-English cognates which were few and far between. Amerikaan dood aangetroffen. Heroïne, cocaïne. Moord: mortality, mordant, morbid, murder. Drugsgerelateerde criminaliteit: Frits Aaltink afkomstig uit Amsterdam en Mackay Fiedler Martin uit Los Angeles. Bloedig: bloody. Schotenwisseling: who could say, although, schoten: could that mean shots? Deze moorden kwamen als en schok voor—what?

Boris. I walked to the window and stood, and then walked back again. Even in the confusion on the bridge I remembered him instructing me not to call, he’d been very firm on the point though we’d parted in such haste I wasn’t sure he’d explained why I was supposed to wait for him to contact me, and in any case I wasn’t sure it mattered any more. He’d also been very firm on the point that he wasn’t hurt, or so I kept reminding myself, though in the swamp of unwanted memories that bombarded me from that evening I kept seeing the burnt hole in the arm of his coat, sticky black wool in the roll of the sodium lamps. For all I knew, the traffic police had caught him on the bridge and hauled him in for driving without a license: an admittedly shitty break, if indeed the case, but a lot better than some of the other possibilities I could think of.

Twee doden bij bloedige… It didn’t stop. There was more. The next day, and the next, along with my Traditional Dutch Breakfast, there was more about the killings on the Overtoom: smaller column inches but denser information. Twee dodelijke slachtoffers. Nog een of meer betrokkenen. Wapengeweld in Nederland. Frits’s photograph, along with the photos of some other guys with Dutch names and a longish article I had no hope of reading. Dodelijke schietpartij nog onopgehelderd… It worried me that they’d stopped talking about drugs—Boris’s red herring—and had moved on to other angles. I’d set this thing loose, it was out in the world, people were reading about it all over the city, talking about it in a language that wasn’t mine.

Huge Tiffany ad in the Herald Tribune. Timeless Beauty and Craftsmanship. Happy Holidays from Tiffany & Co.