The Goldfinch

Yes like 3 or 4x

He only likes 2go 2 3mpty rstrnts where nobody goes.

Thats right the place he took me last week was like king tuts tomb

Yes he only goes places where he feels sorry for the owners! because he is scared they will go out of business and then he will feel guilty

I like it better when he cooks

Ask him to make gingerbread for u I wish i had some now

Di

In fact, at these di

And—though it was a small matter enough—I was still bothered by how I’d turned up at Hobie’s in the first place. Though he never told the story in front of me, how I’d showed up on the doorstep, mainly because he could see how uncomfortable it made me, still he’d told people—not that I blamed him; it was too good a story not to tell. “It’s so fitting if you knew Welty,” said Hobie’s great friend Mrs. DeFrees, a dealer in nineteenth-century watercolors who for all her stiff clothes and strong perfumes was a hugger and a cuddler, with the old-ladyish habit of liking to hold your arm or pat your hand as she talked. “Because, my dear, Welty was an agoramaniac. Loved people, you know, loved the marketplace. The to and the fro of it. Deals, goods, conversation, exchange. It was that eeny bit of Cairo from his boyhood, I always said he would have been perfectly happy padding around in slippers and showing carpets in the souk. He had the antiquaire’s gift, you know—he knew what belonged with whom. Someone would come in the shop never intending to buy a thing, ducking in out of the rain maybe, and he’d offer them a cup of tea and they’d end up having a dining room table shipped to Des Moines. Or a student would wander in to admire, and he’d bring out just the little inexpensive print. Everyone was happy, do you know. He knew everybody wasn’t in the position to come in and buy some big important piece—it was all about matchmaking, finding the right home.”

“Well, and people trusted him,” said Hobie, coming in with Mrs. DeFrees’s thimble of sherry and a glass of whiskey for himself. “He always said his handicap was what made him a good salesman and I think there’s something to that. ‘The sympathetic cripple.’ No axe to grind. Always on the outside, looking in.”

“Ah, Welty was never on the outside of anything,” said Mrs. DeFrees, accepting her glass of sherry and patting Hobie affectionately on the sleeve, her little paper-ski

“Right,” I said—and then I’d had to get up and walk in the kitchen, so troubled was I by this detail. Because, of course, it wasn’t just the ring he had given me.

viii.

AT NIGHT, IN WELTY’S old room, which was now my room, his old reading glasses and fountain pens still in the desk drawers, I lay awake listening to the street noise and fretting. It had crossed my mind in Vegas that if my dad or Xandra found the painting they might not know what it was, at least not right away. But Hobie would know. Over and over I found myself envisioning scenarios where I came home to discover Hobie waiting for me with the painting in his hands—“what’s this?”—for there was no flim-flam, no excuse, no pre-emptive line with which to meet such a catastrophe; and when I got on my knees and reached under the bed to put my hands on the pillowcase (as I did, blindly and at erratic interludes, to make sure it was still there) it was a quick feint and drop like grabbing at a too-hot microwave di

A house fire. An exterminator visit. Big red INTERPOL on the Missing Art Database. If anyone cared to make the co

For this reason, because I was really only comfortable leaving the house in his company, I spent most of my days in my room, at my desk, with scarcely a break for meals. And when he went out, I tagged along with him to galleries, estate sales, showrooms, auctions where I stood with him in the very back (“no, no,” he said, when I pointed out the empty chairs in front, “we want to be where we can see the paddles”)—exciting at first, just like the movies, though after a couple of hours as tedious as anything in Calculus: Concepts and Co