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The Invisibility Affair
By Thomas Stratton
An Invisible Dirigible?
A dirigible doesn't seem like a very deadly weapon—not even an invisible one. Dirigibles aren't fast, they lack maneuverability, and they're too big to use for spying in secret installations.
So why had THRUSH gone to so much trouble to develop an invisible dirigible?
As Napoleon Solo and Illya Kuryakin followed the almost completely hidden trail of THRUSH'S new weapon, they learned more and more of the insidious scheme in which the invisibility machine was to play the key role—and they came to realize that the entire world was in mortal danger!
THE INVISIBILITY AFFAIR
The early spring mud that inevitably followed Wisconsin winters made the road as treacherous as the snow that had disappeared only last week. Deputy Sheriff Charlie Reed peered irritably at the curve that loomed ahead, dimly illuminated by is dirt-clouded headlights. He shook his head. On this kind of road you'd think people would have sense enough to slow down. They didn't though, and then there were phone calls to the police and deputy sheriffs dragged out on impossible back roads to make reports. Dammit, people should know better that to show off on this stuff, but he kid hadn't and so there had been two cars in opposite ditches a few miles down the road. That's what you get for passing out driver's licenses like stick candy, he thought righteously.
He shook his head again, sharply. Pay attention to the road, Charlie, or someone will be digging you out of the ditch. Do your wool-gathering on your own time.
Something flickered.
Charlie glanced up from the road, but could see nothing. A thick overcast hid the stars, the next house was out of sight around the curve, and his windshield was smeared. There was nothing in the headlights but the muddy road and the overgrown fencerows on each side.
It hadn't seemed like a flicker of light anyway. Just the opposite, maybe. But a flicker of darkness didn't make sense. He looked down at his dash lights to see if they were all on. They were.
Charlie slowed the car as he rounded the curve. A few hundred yards ahead of him he could now see lights, presumably from the old Adams place. Could some fu
Just the same, he kept part of his attention on the lights as he drew closer. Now he could make out one light on the first floor and a brighter one streaming form a basement window.
Everything flickered.
Charlie blinked violently and shook his head. Even though it was two in the morning, he wasn't tired, and he certainly couldn't get highway hypnosis on this rutted, curving back road. Must be the eyes. Better see about that checkup in the morning; this could be serious. He drove on, slowly, until he was almost abreast of the old two-story farmhouse.
Suddenly everything flickered and kept on flickering. His headlights, dash lights, the house, everything. It was as if the film in a movie projector had gotten out of sync.
Charlie slammed on the brakes, and the car skidded to a stop sidewise in the road, facing the house. The flickering was faster now; he could barely make out the house, and his dash lights seemed to be fading. His heart accelerated with the flickering, but he felt frozen to the wheel. Then, without warning, the flickering stopped and the house was gone.
And the yard was gone.
Charlie's headlights shined dully through empty air. A hundred yards away they fell on a dilapidated barn, and just in front of the barn the ground fell away like a cliff. Charlie lifted himself slowly in the seat and craned his neck to see over the hood of the car. As far as he could see, there was nothing there. He was either hanging in midair or at the edge of a cliff, like the barn. Very slowly he rolled down the side window and peered out. The road was as solid and muddy as ever, but the ditch he had been facing wasn't there any more. Emboldened, he opened the door and looked behind the car. Solid road, soggy ditch, brush-filled fencerow. He closed the door.
Cramping the wheels tightly, he backed, careful to avoid the ditch on the still solid side of the road. As he backed the headlights swept from the barn toward what had been an orchard. It was gone, too. All he could see was the edge of tremendous hole, nearly a hundred yards in diameter.
With the car straightened out, he drove a few yards down the road, stopped the car, and got out, leaving the engine ru
At the edge of the pit he stopped and shined his flashlight into the depths. The hole seemed perfectly circular; the ground sloped away evenly to the bottom, about fifty yards below him. It looked like a perfect hemisphere. The fact that there was a bottom cheered him; he'd been halfway expecting a bottomless pit. The ground at the bottom and sides of the pit seemed to be ordinary: topsoil and clay, going down to shale at the bottom. Across the pit he could make out a boulder in the pit wall; apparently it had been sliced in two. Stepping back, he located a piece of gravel and tossed it into the pit. It disappeared. Blinking, he squatted down, extended his hand toward the edge of the pit, thought better of the action, and straightened up again. He shined the flashlight around the area. Nothing but road, ditches, barn, fields, and pit. Finally he walked back to the patrol car, got out a flare, lit it, stuck it in the road near the pit's edge and got back in the car. He sat drumming his fingers on the steering wheel. Once he reached for the microphone under the dash, but stopped before picking it up. Nobody was going to believe this! If only someone else would come along to back up his story—but it wasn't likely, on this road at this time of night.
After a few minutes of soul-searching, he shrugged and reached for the microphone. His duty was to report; if Shorey didn't believe him, he could damn well come out and look for himself. Switching on the mike, he glanced in the rear-view mirror. The flare cast its glow on a muddy road with a soggy ditch on each side. Lights form the first floor and basement of the old Adams place streamed out on a muddy but otherwise solid-looking yard.
Hastily he replaced the mike, shifted into low gear, and gu
CONTENTS
Chapter
1: "I Had Hoped It Was A Real Revolution"
2: "Would You Like to See My Binoculars?"
3: "Which One of Us Gets His Wrists Greased?"
4: "I Never Realized Thrush Was Civic Minded"
5: "You Never Know When a Dirigible Will Come In Handy"
6: "What Are You Nuts Doing to My Clean Floor?"
7: "Does This Look Like an OTSMID To You?"