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Ace Books by Charlaine Harris
The Midnight, Texas, Novels
MIDNIGHT CROSSROAD
DAY SHIFT
The Sookie Stackhouse Novels
DEAD UNTIL DARK
LIVING DEAD IN DALLAS
CLUB DEAD
DEAD TO THE WORLD
DEAD AS A DOORNAIL
DEFINITELY DEAD
ALL TOGETHER DEAD
FROM DEAD TO WORSE
DEAD AND GONE
DEAD IN THE FAMILY
DEAD RECKONING
DEADLOCKED
DEAD EVER AFTER
A TOUCH OF DEAD
AFTER DEAD
Ace Books Edited by Charlaine Harris
THE SOOKIE STACKHOUSE COMPANION
Ace Books Edited by Charlaine Harris and Toni L. P. Kelner
DEAD BUT NOT FORGOTTEN
Ace Anthologies Edited by Charlaine Harris and Toni L. P. Kelner
MANY BLOODY RETURNS
WOLFSBANE AND MISTLETOE
DEATH’S EXCELLENT VACATION
HOME IMPROVEMENT: UNDEAD EDITION
AN APPLE FOR THE CREATURE
GAMES CREATURES PLAY
Berkley Prime Crime Books by Charlaine Harris
The Aurora Teagarden Mysteries
REAL MURDERS
A BONE TO PICK
THREE BEDROOMS, ONE CORPSE
THE JULIUS HOUSE
DEAD OVER HEELS
A FOOL AND HIS HONEY
LAST SCENE ALIVE
POPPY DONE TO DEATH
The Lily Bard Mysteries
SHAKESPEARE’S LANDLORD
SHAKESPEARE’S CHAMPION
SHAKESPEARE’S CHRISTMAS
SHAKESPEARE’S TROLLOP
SHAKESPEARE’S COUNSELOR
The Harper Co
GRAVE SIGHT
GRAVE SURPRISE
AN ICE COLD GRAVE
GRAVE SECRET
SWEET AND DEADLY
A SECRET RAGE
Berkley Prime Crime Anthologies Edited by Charlaine Harris
CRIMES BY MOONLIGHT
InkLit Graphic Novels by Charlaine Harris
GRAVE SIGHT
InkLit Graphic Novels by Charlaine Harris and Christopher Golden
CEMETERY GIRL: BOOK ONE: THE PRETENDERS
THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (USA) LLC
375 Hudson Street, New York, New York 10014
USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China
penguin.com
A Penguin Random House Company
This book is an original publication of The Berkley Publishing Group.
Copyright © 2015 by Charlaine Harris, Inc.
Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, sca
Ace Books are published by The Berkley Publishing Group.
ACE and the “A” design are trademarks of Penguin Group (USA) LLC.
eBook ISBN: 978-1-101-59881-8
Library of Congress Cataloging-in-Publication Data
Harris, Charlaine.
Day shift / Charlaine Harris.
pages ; cm.—(A novel of Midnight, Texas ; 2)
ISBN 978-0-425-26319-8 (hardback)
I. Title.
PS3558.A6427D39 2015
813'.54—dc23
2014045840
FIRST EDITION: May 2015
Cover illustration © Hugh Syme.
Cover photograph: Clouds © Mr Twister / Shutterstock.
Cover design by Judith Lagerman.
Map illustration by Laura Hartman Maestro.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
Version_1
To the readers who are kind enough to follow me wherever I may go
ACKNOWLEDGMENTS
I need to thank Dr. Ed Uthman, De
CONTENTS
Books by Charlaine Harris
Title Page
Copyright
Dedication
Acknowledgments
Map
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
It isn’t the rumbling of the trucks that seizes Manfred Bernardo’s attention; it is the silence that falls when their ignitions die. Big trucks often go through Midnight, slowing to stop for (or speeding up to beat) the traffic light at the intersection of the Davy highway and Witch Light Road. Since Manfred’s rented house lies on Witch Light Road, he’s grown used to the sound until it is simply background music. But the absence of that sound pierces his preoccupation. He’s on his feet and opening the front door before he’s aware of pushing back from his desk. He grabs a jacket from the rack by the door.
Glancing across the road, he sees his friend Fiji Cavanaugh come out into her front garden, which is at its bleakest in January. It’s cold today, by Texas standards, but su
Manfred exchanges a nod with Fiji, who is bundled in a quilted coat. He notes that today she has inexplicably arranged her hair in two dog-ears, like a six-year-old. Then he turns his attention back to the trucks. One is an equipment truck, and it’s laden with building supplies: boards, bricks, electrician’s wire, plumbing pipes, hardware. Two battered white vans have disgorged a clown-car number of small brown men, wearing hoodies they will surely discard as the day warms. Emerging from a Lexus, clearly in charge, is a tall white woman in tan slacks and a blue silk T-shirt. She’s wearing a faux-fur vest. Her thick brown hair is gathered back into a sleek ponytail, and she wears silver earrings and a silver necklace. She also wears glasses, with big square tortoiseshell frames, and her lipstick is an aggressive red.