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I disappeared into one of the passageways for a while, until the roar of the crowd told me the wild animals had completed their task. By the time I returned to the box, the bloody remains of what was left on each platform had been wheeled away. Slaves, wearing grotesque masks, were clearing the offal. Fresh sand was strewn and raked, as Nero and the imperial party were served refreshments of iced wine and cold fruits. After this, the second session began, and a flock of Moroccan peacocks were released into the amphitheatre. A master archer, using curved tipped arrows, let loose at them, taking off each head with one well-aimed arrow. The decapitated birds, blood spurting, would continue to run for a while to the approval and pleasure of the mob. At last the whole flock were dead, and the archer approached the imperial box to receive his reward. Narcissus must have paid his claques well, as from every corner of the amphitheatre the cry rose up, ‘Save the feathers! Save the feathers! Use them at di

I glanced across to see that Xenephon looked worried and Locusta had put her head down. Agrippina, however, was laughing and clapping her hands. She was sharp enough to realise the story was already round Rome and it would be better to appear unconcerned. She clapped her hands and the crowd imitated her. Seneca rather than Narcissus seemed to be in charge, and I saw him make a cutting movement with his hand. The trumpets brayed and another pantomime, of monkeys dressed as Amazons, either riding or perched in chariots pulled by goats, entered the arena. Nero roared with laughter, put one arm round his mother’s shoulder and pointed out what he thought was particularly fu

Once the monkeys and goats had left the arena, it was time for the real games to begin. The fight was to be between the retiarii, net men, and Thracians. The gladiators filed into the arena and saluted the Emperor. It was only when the fight began that the mob realised these were not ordinary gladiators, but women. At first the crowd took this with humour but when the women proved to be poor fighters, the joke turned sour, and the crowd pelted them with rotten fruit. The lanistae came into the arena to lash at the fighters and ensure a proper combat. The odds in such fights were heavily weighed in favour of the nets: another powerful reminder of Claudius who had hated this imbalance. By the late afternoon the games were finished, and the mob, fickle as ever, saluted Nero and his mother. It might be considered that Narcissus had achieved his revenge, but the day’s events were not yet finished.

Nero took his guest up to the Palatine Palace where the dining hall had been specially transformed. A broad, golden awning shaped in the form of a mushroom hung down from the ceiling, and mushrooms fashioned out of silver and peacock feathers decorated the wall. The same motif was found on the tables, where knives, spoons and tooth picks were all embellished with the same theme. The guests took their seats, and were served with honey wine. The allusions continued as the meal continued. First came roast kid, served with slices of pumpkin, Seneca’s nickname for Claudius, in his bitter satire, which was a pu

‘Mushrooms are the food of the Gods!’ Nero exclaimed, raising his goblet to his mother.

She toasted him back, so immersed in her son’s glory and favour, that she failed to appreciate the barbed witticisms and pointed reminders of how her husband had been helped into the Hall of the Gods. The high point of all this pu

‘Who’s that?’ I asked a chamberlain.

‘Why, sir, that’s Acte, one of Rome’s most beautiful women. Serenus is a very lucky man.’

I studied the girl carefully. She was dressed in green and white, and jewellery of the same colours adorned her neck, ear lobes and wrists. Despite the wine, I felt coldly sober. It was as if I had gone back some twenty-five years in time. Acte was beautiful, and had a powerful presence but the more I stared and saw that Nero was doing the same, the more that young woman reminded me of Agrippina as she had been when I first met her.

Chapter 14

‘Who gains?’

‘Did you attend the games?’

Pallas looked anxious, his eyes red-rimmed and ringed with shadows. He’d invited me into the treasury, and we sat in a small chamber near the imperial counting house, with its door locked, bolted and guarded. I knew by the fact that Pallas had invited me down there, that he must be upset and very wary, since he normally tended to acknowledge my presence only with a smile or a nod, considering me little more than Agrippina’s minion.

‘And is it true what happened?’

He picked up a wine jug, its lid carved in the form of a beautiful mermaid, and filled my Agamemnon goblet.

‘Well, is it true?’ he insisted. ‘One insult after another?’

‘The whole day was given over to it: goats, pumpkins, peacock feathers, mushrooms.’

‘But the crowd didn’t understand the significance?’

‘They will eventually,’ I retorted.

Pallas sighed noisily. ‘Doesn’t Agrippina realise what is happening?’ he wailed. ‘Seneca, that clever bugger, might be mocking Claudius but he is also mocking her. He’s proclaiming to the world that Agrippina killed her husband. With sarcasm as his weapon,’ he continued, ‘he’s nibbling away at Agrippina’s position like a dog at a juicy bone. Soon he’ll reach the marrow.’ He paused. ‘And what is Locusta doing back in Rome?’

‘Agrippina didn’t mind,’ I replied. ‘I have made enquiries and it seems that Nero himself ordered her return to Rome.’

‘Oh, he would!’ Pallas laughed sourly. ‘And how can Agrippina object? “You can’t have that woman in Rome”,’ Pallas mimicked Agrippina, ‘“I used her to poison the Emperor”.’ He fished amongst the scrolls on the desk and held one up. ‘There’s more. Nero hardly knew his father, and certainly never regretted his loss, but now our Emperor is suddenly all tender and dewy-eyed over his father’s memory. He’s pla