A Spool of Blue Thread

“Huh,” Abby said.

Mrs. Whitshank smiled at her. “Could you check out on the porch, please,” she asked, “and see if there’s any dishes?”

Abby was glad to leave. She might have said something she’d be sorry for.

No one was sitting on the porch. She picked up Merrick’s cereal bowl and her spoon, and then she straightened and surveyed the lawn. At the moment, both chainsaws were silent. The air seemed oddly bright; evidently that naked trunk had made more difference than she had suspected. It was lying flat now, pointing toward the street, and Landis was untying a length of rope that had been looped around its circumference. Dane had paused for a cigarette, Earl and Ward were loading the wheelbarrow, and Red was standing next to the sheared-off stump with his head bowed.

From his posture, Abby thought at first that he was brooding about what had happened at lunch, and she turned away quickly so he wouldn’t know she had seen. But in the act of turning, she realized that what he was doing was counting tree rings.

After all Red had been through today — the grueling physical effort and the din and the punishing heat, the altercation with the neighbor and the painful scene with his father — Red was calmly studying that stump to find out how old it was.

Why did this hearten her so? Maybe it was the steadiness of his focus. Maybe it was his immunity to insult, or his lack of resentment. “Oh, that,” he seemed to be saying. “Never mind that. All families have their ups and downs; let’s just figure the age of this poplar.”

Abby felt buoyed by a kind of airiness at her center, like the airiness of the lawn once that trunk had been felled. She stepped back into the house so lightly that she made almost no sound at all.

“What’s going on out there?” Mrs. Whitshank asked. She was wiping a counter; the last of the pots and pans had been dried and put away.

Abby said, “Well, they got the trunk down, but Mitch hasn’t shown up yet. Dane is taking a cigarette break, and Ward and Earl and Landis are clearing the yard, and Red is counting tree rings.”

“Tree rings?” Mrs. Whitshank asked. Then, perhaps imagining that Abby had no knowledge whatsoever of the natural world, she said, “Oh! He must be guessing its age.”

“He was just standing there, after all that fuss, wondering how old a poplar was,” Abby said, and all at once she felt on the verge of tears; she had no idea why. “He’s a good man, Mrs. Whitshank,” she said.

Mrs. Whitshank glanced up in surprise, and then she smiled — a serene, contented, radiant smile that turned her eyes into curls. “Why, yes, honey, he is,” she said.

Then Abby went out to the porch again and settled in the swing. It was the prettiest afternoon, all breezy and yellow-green with a sky the unreal blue of a Noxzema jar, and in a minute she was going to tell Red she’d like to ride with him to the wedding. For now, though, she was saving that up — hugging it close to her heart.

She nudged a porch floorboard with her foot to set the swing in motion, and she swung slowly back and forth, absently tracing the familiar, sandy-feeling undersides of the armrests with her fingertips. Her eyes were on Dane now; she watched him with a distant feeling of sorrow. She saw how he dropped his cigarette, how he ground it beneath his heel, how he picked up his axe and sauntered over to a branch. What a world, what a world. And then the line that came after that one: “Who would have thought,” the witch had asked, “that a good little girl like you could destroy my beautiful wickedness?”

But Abby stood up from the swing, even so, and started walking toward Red, and with every step she felt herself growing happier and more certain.

PART THREE. Bucket of Blue Paint

10

EVERY GROUND-FLOOR ROOM but the kitchen had double pocket doors, and above each door was a fretwork transom for the air to circulate in the summer. The windows were fitted so tightly that not even the fiercest winter storm could cause them to rattle. The second-floor hall had a chamfered railing that pivoted neatly at the stairs before descending to the entrance hall. All the floors were aged chestnut. All the hardware was solid brass — doorknobs, cabinet knobs, even the two-pronged hooks meant to anchor the cords of the navy-blue linen window shades that were brought down from the attic every spring. A ceiling fan with wooden blades hung in each room upstairs and down, and out on the porch there were three. The fan above the entrance hall had a six-and-a-half-foot wingspan.

Mrs. Brill had wanted a chandelier in the entrance hall — a glittery one, all crystal, shaped like an upside-down wedding cake. Silly woman. Junior had dissuaded her by pointing out the impracticality: any time the tiniest cobweb was spotted trailing from a prism, he would need to send a workman over with a sixteen-foot stepladder. (He failed to disclose that for another client, he had once designed an ingenious cable-and-winch lift system to raise and lower a chandelier at will.) His main objection, of course, was that a chandelier would not have been in keeping with the house. This was a plain house, in the way that a handcrafted blanket chest is plain — simple, but impeccably built, as Junior, who had built it, should know. He had overseen every detail, setting his hand to every part of it except those parts that somebody else could do better, like the honeycombing of tiny black-and-white ceramic tiles in the bathroom, laid by two brothers from Little Italy who didn’t speak any English. The stairway, though, with the newel posts ru

Mrs. Brill had also wanted velvet-flocked wallpaper in the living room, fitted carpets in the bedrooms, and red-and-blue stained glass in the fanlight above the front door. None of which she got. Ha! Junior won just about every argument. Mostly, as with the chandelier, he cited impracticalities, but when he needed to he was not averse to bringing up the issue of taste. “Now, I don’t know why, Mrs. Brill,” he would say, “but that is just not done. The Remingtons didn’t do that, nor the Warings, either”—naming two families in Guilford whom Mrs. Brill especially admired. Then Mrs. Brill would retreat—“Well, you know best, I suppose”—and Junior would proceed as he had originally intended. This was the house of his life, after all (the way a different type of man would have a love of his life), and against any sort of logic he clung to the conviction that he would someday be living here. Even after the Brills moved in and their cluttery decorations choked the airy rooms, he remained serenely optimistic. And when Mrs. Brill started talking about how isolated she felt, how far from downtown, when she went to pieces after she found those burglar tools in the sunroom, he heard the click of his world settling into its rightful place. At last, the house would be his.

As it had been all along, really.

Sometimes, in the weeks when he was sprucing the place up before he installed his family, he drove over in the early morning just to take a walk-through, to relish the thrillingly empty rooms and the non-squeaking floorboards and the sturdy faucet handles above the bathroom sink. (Mrs. Brill had wanted handles she’d seen in a Paris hotel, faceted crystal knobs the size of Ping-Pong balls. In Junior’s opinion, though, the only sensible design was a chubby white porcelain cross — easiest to turn with soapy fingers — and for once Mr. Brill had spoken up and agreed with him.)