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Thank me? Debra Bender asks, and in his answer, Pasquale chooses his words carefully, mulling them over for some time, hoping she will understand: I was living in dreams when I met you. And when I met the man you loved, I saw my own weakness in him. Such irony, how could I be a man worthy of your love when I had walked away from my own child? That is why I went back. And it was the best thing I ever did.
She understands: she began teaching as a kind of self-sacrifice, subverting her own desires and ambitions for the ambitions of her students. But then you find there’s actually more joy and that it really does lessen the loneliness, and this is why her last years, ru
They linger and talk this way for three more hours after di
They finish their breakfast in Portovenere, go back to the hotel, and put on hiking boots. Dee assures Pasquale that she’s up for this, and they take a taxi to the end of the road, crowded now with cars and walkers and the bicycles of tourists. At a turnaround, he helps her out of the cab, pays the driver, and they set off once more on a trail along a vineyard leading into the park, up into the striated foothills that serve as backdrop to the sea-scraped cliffs. They have no idea if the paintings have faded away, or have been spray-painted with graffiti, or if the bunker still exists—or, for that matter, if it ever existed at all—but they are young and the trail is wide and easily traveled. And even if they don’t find what they’re looking for, isn’t it enough to be out walking together in the sunlight?
Acknowledgments
My deepest thanks: to Natasha De Bernardi and Olga Gardner Galvin for help with my brutto Italiano; to Sam Ligon, Jim Lynch, Mary Windishar, A
About the Author
Jess Walter is the author of the national bestseller The Financial Lives of the Poets, the National Book Award finalist The Zero, the Edgar Award–wi
www.jesswalter.com
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Also by Jess Walter
FICTION
The Financial Lives of the Poets
The Zero
Citizen Vince
Land of the Blind
Over Tumbled Graves
NONFICTION
Ruby Ridge
Credits
Cover photograph © Blonde Marson/Alamy
Cover design by Jarrod Taylor
Map illustrated by Shawn E. Davis
Copyright
Beautiful Ruins is a work of fiction. Characters, places, and incidents are the products of the author’s imagination, and any real names or locales used in the book are used fictitiously. Se non è vero, è ben trovato. . . .
BEAUTIFUL RUINS. Copyright © 2012 by Jess Walter. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Epub Edition © June 2012 ISBN: 9780062098085
Version 07132012
Library of Congress Cataloging-in-Publication Data has been applied for.
ISBN: 978-0-06-192812-3
12 13 14 15 16 OV/RRD 10 9 8 7 6 5 4 3 2 1
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