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Guess not. Thomas had a strong feeling it wasn't a way out of their nightmare; he just hoped it didn't lead to another pack of Grievers.
Teresa slipped down the slide with an almost cheerful shriek, and Thomas followed her before he could talk himself out of it—anything was better than the Maze.
His body shot down a steep decline, slick with an oily goo that smelled awful—like burnt plastic and overused machinery. He twisted his body until he got his feet in front of him, then tried to hold his hands out to slow himself down. It was useless—the greasy stuff covered every inch of the stone; he couldn't grip anything.
The screams of the other Gladers echoed off the tu
The tu
Around and around they went down the tube. Nausea burned in his stomach—the squishing of the goo against his body, the smell, the circling motion. He was just about to turn his head to the side to throw up when Teresa let out a sharp cry—this time there was no echo. A second later, Thomas flew out of the tu
Bodies scrambled everywhere, people on top of people, groaning and squirming in confusion as they tried to push away from each other. Thomas wiggled his arms and legs to scoot away from Teresa, then crawled a few more feet to throw up, emptying his stomach.
Still shuddering from the experience, he wiped at his mouth with his hand, only to realize it was covered in slimy filth. He sat up, rubbing both hands on the ground, and he finally got a good look at where they'd arrived. As he gaped, he saw, also, that everyone else had pulled themselves together into a group, taking in the new surroundings.
Thomas had seen glimpses of it during the Changing, but didn't truly remember it until that very moment.
They were in a huge underground chamber big enough to hold nine or ten Homesteads. From top to bottom, side to side, the place was covered in all kinds of machinery and wires and ducts and computers. On one side of the room—to his right—there was a row of forty or so large white pods that looked like enormous coffins. Across from that on the other side stood large glass doors, although the lighting made it impossible to see what was on the other side.
"Look!" someone shouted, but he'd already seen it, his breath catching in his throat. Goose bumps broke out all over him, a creepy fear trickling down his spine like a wet spider.
Directly in front of them, a row of twenty or so darkly tinged windows stretched across the compound horizontally, one after the other. Behind each one, a person—some men, some women, all of them pale and thin—sat observing the Gladers, staring through the glass with squinted eyes. Thomas shuddered, terrified—they all looked like ghosts. Angry, starving, sinister apparitions of people who'd never been happy when alive, much less dead.
But Thomas knew they were not, of course, ghosts. They were the people who'd sent them all to the Glade. The people who'd taken their lives away from them.
The Creators.
CHAPTER 59
Thomas took a step backward, noticing others doing the same. A deathly silence sucked the life out of the air as every last Glader stared at the row of windows, at the row of observers. Thomas watched one of them look down to write something, another reach up and put on a pair of glasses. They all wore black coats over white shirts, a word stitched on their right breast—he couldn't quite make out what it said. None of them wore any kind of discernible facial expression—they were all sallow and gaunt, miserably sad to look upon.
They continued to stare at the Gladers; a man shook his head, a woman nodded. Another man reached up and scratched his nose—the most human thing Thomas had seen any of them do.
"Who are those people?" Chuck whispered, but his voice echoed throughout the chamber with a raspy edge.
"The Creators," Minho said; then he spat on the floor. "I'm go
"What do we do?" Thomas asked. "What are they waiting on?"
"They've probably revved the Grievers back up," Newt said "They're probably coming right—"
A loud, slow beeping sound cut him off, like the warning alarm o a huge truck driving in reverse, but much more powerful. It came from everywhere, booming and echoing throughout the chamber.
"What now?" Chuck asked, not hiding the concern in his voice.
For some reason everyone looked at Thomas; he shrugged in answer—he'd only remembered so much, and now he was just as clueless as anyone else. And scared. He craned his neck as he sca
The beeping stopped, and a silence as deep as outer space settled on the chamber. Thomas waited without breathing, braced himself for something horrible to come flying through the door.
Instead, two people walked into the room.
One was a woman. An actual grown-up. She seemed very ordinary, wearing black pants and a button-down white shirt with a logo on the breast—wicked spelled in blue capital letters. Her brown hair was cut at the shoulder, and she had a thin face with dark eyes. As she walked toward the group, she neither smiled nor frowned—it was almost as if she didn't notice or care they were standing there.
I know her, Thomas thought. But it was a cloudy kind of recollection—he couldn't remember her name or what she had to do with the Maze, but she seemed familiar. And not just her looks, but the way she walked, her ma
The other person, standing next to her, was a boy wearing an overly large sweatshirt, its hood pulled up over his head, concealing his face.
"Welcome back," the woman finally said. "Over two years, and so few dead. Amazing."
Thomas felt his mouth drop open—felt anger redden his face.
"Excuse me?" Newt asked.
Her eyes sca
She glanced over at her companion, then reached out and pulled the hood off the boy. He looked up, his eyes wet with tears. Every Glader in the room sucked in a breath of surprise. Thomas felt his knees buckle.
It was Gally.
Thomas blinked, then rubbed his eyes, like something out of a cartoon. He was consumed with shock and anger. It was Gally.
"What's he doing here!" Minho shouted.
"You're safe now," the woman responded as if she hadn't heard him. "Please, be at ease."