Tomorrow, When the War Began

THE TOMORROW SERIES

JOHN

MARSDEN

TOMORROW,

WHEN THE

WAR BEGAN

PAN

Pan Macmillan Australia

This book was written while the author was in receipt of a writer’s fellowship from the Literature Board of the Australia Council, whose help is gratefully acknowledged.

John Marsden’s website can be visited at:

www.johnmarsden.com.au

First published 1993 in Macmillan hardback by Pan Macmillan Publishers Australia

First published in Pan 1994 by Pan Macmillan Publishers Australia

1 Market Street, Sydney

Reprinted 1994,1995 (five times), 1996 (four times), 1997 (four times), 1998 (three times), 1999 (six times), 2000 (four times), 2001 (three times), 2002 (twice), 2003 (three times), 2004 (three times), 2005 (four times), 2006 (three times), 2007 (twice), 2008

Copyright © JLM Pty Ltd 1993

The moral right of the author has been asserted.

All rights reserved. No part of this book may be reproduced or transmitted by any person or entity (including Google, Amazon or similar organisations), in any form or by any means, electronic or mechanical, including photocopying, recording, sca

National Library of Australia

cataloguing-in-publication data:

Marsden, John, 1950- .

Tomorrow, when the war began.

ISBN 978-0-330-27486-9.

I. Title.

A823.3

Printed in Australia by McPherson’s Printing Group

The characters and events in this book are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

Papers used by Pan Macmillan Australia Pty Ltd are natural, recyclable products made from wood grown in sustainable forests. The manufacturing processes conform to the environmental regulations of the country of origin.

To my dear sister Robin Farran:

so much admired.

Acknowledgements

I’m grateful to Charlotte Austin, Frank Austin, Ross Matlock, Jea

Chapter One

It’s only half an hour since someone – Robyn I think – said we should write everything down, and it’s only twenty-nine minutes since I got chosen, and for those twenty-nine minutes I’ve had everyone crowded around me gazing at the blank page and yelling ideas and advice. Rack off guys! I’ll never get this done. I haven’t got a clue where to start and I can’t concentrate with all this noise.

OK, that’s better. I’ve told them to give me some peace, and Homer backed me up, so at last they’ve gone and I can think straight.

I don’t know if I’ll be able to do this. I might as well say so now. I know why they chose me, because I’m meant to be the best writer, but there’s a bit more to it than just being able to write. There’s a few little things can get in the way. Little things like feelings, emotions.

Well, we’ll come to that later. Maybe. We’ll have to wait and see.

I’m down at the creek now, sitting on a fallen tree. Nice tree. Not an old rotten one that’s been eaten by witchetty grubs but a young one with a smooth reddish trunk and the leaves still showing some green. It’s hard to tell why it fell – it looks so healthy – but maybe it grew too close to the creek. It’s good here. This pool’s only about ten metres by three but it’s surprisingly deep – up to your waist in the middle. There’s constant little concentric ripples from insects touching it as they skim across the surface. I wonder where they sleep, and when. I wonder if they close their eyes when they sleep. I wonder what their names are. Busy, anonymous, sleepless insects.

To be honest I’m only writing about the pool to avoid doing what I’m meant to be doing. That’s like Chris, finding ways to avoid doing things he doesn’t want to do. See: I’m not holding back. I warned them I wouldn’t.

I hope Chris doesn’t mind my being chosen to do this instead of him, because he is a really good writer. He did look a bit hurt, a bit jealous even. But he hasn’t been in this from the start, so it wouldn’t have worked.

Well, I’d better stop biting my tongue and start biting the bullet. There’s only one way to do this and that’s to tell it in order, chronological order. I know writing it down is important to us. That’s why we all got so excited when Robyn suggested it It’s terribly, terribly important Recording what we’ve done, in words, on paper, it’s got to be our way of telling ourselves that we mean something, that we matter. That the things we’ve done have made a difference. I don’t know how big a difference, but a difference. Writing it down means we might be remembered. And by God that matters to us. None of us wants to end up as a pile of dead white bones, u

That makes me think that I should be writing this like a history book, in very serious language, all formal. But I can’t do that. Everyone’s got their own way and this is mine. If they don’t like my way they’ll have to find someone else.

OK, better do it then.

It all began when ... They’re fu

So: it all began when Corrie and I said we wanted to go bush, go feral for a few days over the Christmas holidays. It was just one of those stupid things: ‘Oh wouldn’t it be great if ...’ We’d camped out quite often, been doing it since we were kids, taking the motorbikes all loaded with gear and going down to the river, sleeping under the stars, or slinging a bit of canvas between two trees on cold nights. So we were used to that. Sometimes another friend would come along, Robyn or Fi usually. Never boys. At that age you think boys have as much personality as coat hangers and, you don’t notice their looks.

Then you grow up.

Well there we were, only weeks ago, though I can hardly believe it, lying in front of the television watching some junk and talking about the holidays. Corrie said, ‘We haven’t been down to the river for ages. Let’s do that.’

‘OK. Hey, let’s ask Dad if we can have the Landrover.’

‘OK. Hey, let’s see if Kevin and Homer want to come.’

‘God yeah, boys! But we’d never be allowed.’

‘I reckon we might. It’s worth a try.’

‘OK Hey, if we get the Landrover, let’s go further. Wouldn’t it be great if we could go right up to Tailor’s and into Hell.’

‘Yeah OK, let’s ask.’

Tailor’s, Tailor’s Stitch, is a long line, an arete, that goes dead straight from Mt Martin to Wombegonoo. It’s rocky, and very narrow and steep in places, but you can walk along it, and there’s a bit of cover. The views are fantastic. You can drive almost up on to it at one point, near Mt Martin, on an old logging track that’s hard to find now, it’s so overgrown. Hell is what’s on the other side of Tailor’s, a cauldron of boulders and trees and blackberries and feral dogs and wombats and undergrowth. It’s a wild place, and I didn’t know anyone who’d been there, though I’d stood on the edge and looked down at it quite often. For one thing I couldn’t see how you’d get in there. The cliffs all around it are spectacular, hundreds of metres high in places. There’s a series of small cliffs called Satan’s Steps that drop into it, but believe me, if these are steps, the Great Wall of China is our back fence. If there was any access the cliffs had to be the way, and I’d always wanted to give it a go. The locals all told stories about the Hermit from Hell, an ex-murderer who was supposed to have lived up there for years. He was meant to have killed his own wife and child. I wanted to believe in his existence but I found it a bit difficult. My brain kept asking myself awkward questions like: ‘How come he didn’t get hung, like they did to murderers in those days?’ Still, it was a good story and I hoped it was true; not the murders part but the hermit part at least.