Monsters of Men

“Anything threatening?” Bradley asks.

“Nothing obvious. But there are an awful lot of them.”

We ride on and, in the wreckage of the hill, I see we must be at about the point where Todd and I ran to get away from Aaron, leaping across to the ledge under the waterfall, the same ledge where the Spackle lined up and shot their fiery arrows, the same ledge that’s not there any more, not after I blasted it away–

We keep on past the place where I got shot and where Todd beat back Davy Prentiss Jr–

And we near the last rise, only bits of it still there in its original shape, but close enough to the last place Todd and I thought we were safe, looking out onto what we thought was Haven.

But instead, it led us to this.

“Viola?” Bradley says, his voice low. “You all right?”

“I think the fever’s rising again,” I say. “I was drifting off there a little.”

“Nearly there,” he says gently. “I’ll greet them. I’m sure they’ll greet us back.”

And then we’ll see what happens, says his Noise.

We climb the last bit of the ruined zigzag road, climb over the top of the hill.

And into the camp of the Spackle.

[TODD]

“They’re nearly there,” I say.

Me and Wilf and the Mayor and everybody else in the square are watching the big projeckshun above the ruins of the cathedral, watching as Viola and Bradley and two horses that suddenly look real small walk up into a waiting half-circle of Spackle.

“That has to be their leader,” the Mayor says, pointing to the one standing on the biggest battlemore in the row of ’em waiting there. We watch him as he sees Viola and Bradley crest the hill on the horses, that half-circle of Spackle giving ’em nowhere to run except back the way they came.

“First they’ll exchange greetings,” the Mayor says, his eyes not leaving the picture. “That’s how these things start. And then both sides will declare how strong they are and then finally they’ll give an indication of intentions. It’s all very formal.”

We watch Bradley in the projeckshun, who seems to be doing exactly what the Mayor predicted.

“The Spackle’s getting down,” I say.

The leader of the Spackle slowly but gracefully swings a leg back over the animal. He gets down and takes off this helmet thing he was wearing, handing it to a Spackle next to him.

Then he starts walking cross the clearing.

“Viola’s getting off her horse,” Wilf says.

And she is. Acorn’s kneeling to let her off and she gingerly steps to the ground. She turns from Acorn, readying to meet the leader of the Spackle, who’s still coming towards her slowly, his hand outstretched–

“This is going well, Todd,” the Mayor says. “Very well indeed.”

“Don’t say stuff like that,” I say.

“Hey!” Wilf suddenly shouts, sitting forward–

And I see it–

There’s a rumble thru the crowd of soldiers as they see it, too–

A Spackle is ru

Breaking ranks and ru

Heading straight for him–

And the leader of the Spackle is turning–

As if he’s surprised–

And in the cold morning sunlight, we can see–

The Spackle who’s ru

“He’s go

And the ROAR of the crowd rises–

And the ru

Reaches him–

And goes past–

Past the leader whose arms move to stop him–

But he avoids ’em–

And keeps on ru

Ru

And that’s when I reckernize him–

“No,” I say, “No!”

It’s 1017–

Ru

Carrying a blade–

He’s go

He’s go

“Viola!” I shout–

“VIOLA!”

The One In Particular

(THE RETURN)

Dawn is coming, the Sky shows. They will be here soon.

He stands above me in his fullest armour, intricately sculpted clay covering his chest and arms, far too ornate and beautiful to ever be worn in battle. The ceremonial helmet teeters on his head like a spired hut, matched by an equally heavy ceremonial stone blade at his side.

You look ridiculous, I show.

I look like a leader, he shows back, not angry at all.

We do not even know if they will come.

They will come, he shows. They will come.

He heard my vow to defeat the peace. I know he did. I was too angry to try and hide it, though he would have probably heard it anyway. And yet he has kept me by his side, so unafraid of my insignificance he ca

Do not think I give away peace for nothing, he shows. Do not think they will have free rein to do with this world as they choose. There will be no repeat of the Burden, not while I am the Sky.

And I see something in his voice, something deep down, flickers of something.

You have a plan, I sneer.

Let us say that I do not enter into these talks without preparing for every eventuality.

You only say that to keep me quiet, I show. They will take all they can get and then they will take more by force. They will not stop until they have taken everything from us.

He sighs. The Sky asks again for the Return’s trust. And to prove it, the Sky would very much like the Return by his side when the Clearing comes to us.

I look up to him, surprised. His voice is truthful–

(–and my own voice yearns to touch his, yearns to know that he is doing right by me, by the Burden, by the Land, I want to trust him so badly it is like an ache in my chest–)

My promise to you remains, he shows. The Source will be yours to do with as you please.

I keep watching him, reading his voice, reading everything in it: the terrible and terrific responsibility he feels for the Land weighing on him every moment, awake or asleep; the concern he feels for me, for how I am eating myself alive with hate and revenge; his worry for the days to come and the weeks and months after that, how no matter what happens today, the Land will be for ever changed, is already for ever changing; and I see that, if forced, he will act without me, he will leave me behind if he must for the good of the Land.

But I see, too, how that would grieve him.

And I also see, hidden no doubt along the Pathways’ End, he has a plan.

I will come, I show.

The pinkness of the sun starts to show on the far horizon. The Sky stands in his battlemore’s saddle. His top soldiers, also in ceremonial dress, also with ceremonial stone blades, are arranged in a broad half-circle that encompasses the ragged lip of the hill. The Clearing will be allowed here, but no further.

The voice of the Land is open, all of them watching the edge of the hill through their Sky. We speak as one, shows the Sky, sending it through them. We are the Land and we speak as one.

The Land repeats the chant, tying them together in a single bond, unbreakable as they face the enemy.

We are the Land and we speak as one.

Except for the Return, I think, because the band on my arm is hurting again. I push the lichen away to look at it, the skin around it stretched badly as it attaches itself to the metal, bloated and tight with scarring, painful every moment since it was first put on me.

But the physical pain is nothing compared to what is in my voice.

Because the Clearing did this to me. The Knife did it. It is the thing that marks me as the Return, the thing that keeps me for ever separate from the Land as they chant around me, raising their single voice in a language the Clearing will understand.

We are the Land and we speak as one.

Except for the Return, who speaks alone.