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NIGHT FREIGHT
Bill Pronzini
Digital Edition published by Crossroad Press
© 2011 / Bill Pronzini
Copy-edited by: David Dodd
Cover Design By: David Dodd
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For Don D 'Auria and Ed Gorman
Who made it possible
CONTENTS
Stacked Deck
Angel of Mercy
Night Freight
Liar's Dice
Out Behind the Shed
Souls Burning
Strangers in the Fog
Peekaboo
Thirst
Wishful Thinking
Ancient Evil
The Monster
His Name Was Legion
Out of the Depths
The Pattern
The Rec Field
Deathwatch
Home
Tom
A Taste of Paradise
Sweet Fever
Deathlove
Black Wind
The Coffin Trimmer
Funeral Day
I Think I Will Not Hang Myself Today
"Stacked Deck" is solidly in the Black Mask school (and was, in fact, first published in The New Black Mask, a short-lived revival of that fine old pulp magazine). It is one of the few stories of this type that I've written, despite the critics and labelers who persist in calling the "Nameless Detective" series "hard-boiled." The "Nameless" series is actually humanist crime fiction, with dark-suspense overtones—or, as another labeler once termed it, "confessional crime fiction." The true hard-boiled story was born in the Depression thirties and died in the post-McCarthy fifties; everything since that has been termed hard-boiled is either an imitation, an intentional tribute, or some other kind of criminous tale (usually one featuring a private detective as protagonist) that has been misrepresented so it will fit into a convenient niche.
Stacked Deck
1.
From where he stood in the shadow of a split-bole Douglas fir, Deighan had a clear view of the cabin down below. Big harvest moon tonight, and only a few streaky clouds scudding past now and then to dim its hard yellow shine. The hard yellow glistened off the surface of Lake Tahoe beyond, softened into a long silverish stripe out toward the middle. The rest of the water shone like polished black metal. All of it was empty as far as he could see, except for the red-and-green ru
The cabin was big, made of cut pine logs and redwood shakes. It had a railed redwood deck that overlooked the lake, mostly invisible from where Deighan was. A flat concrete pier jutted out into the moonstruck water, a pair of short wooden floats making a T at its outer end. The boat tied up there was a thirty-foot Chris-Craft with sleeping accommodations for four. Nothing but the finer things for the Shooter.
Deighan watched the cabin. He'd been watching it for three hours now, from this same vantage point. His legs bothered him a little, standing around like this, and his eyes hurt from squinting. Time was, he'd had the night vision of an owl. Not anymore. What he had now, that he hadn't had when he was younger, was patience. He'd learned that in the last three years, along with a lot of other things—patience most of all.
On all sides the cabin was dark, but that was because they'd put the blackout curtains up. The six of them had been inside for better than two hours now, the same five-man nucleus as on every Thursday night except during the winter months, plus the one newcomer. The Shooter went to Hawaii when it started to snow. Or Florida or the Bahamas—someplace warm. Ma
Deighan didn't know what the others did, and he didn't care.
A match flared in the darkness between the carport, where the Shooter's Caddy Eldorado was slotted, and the parking area back among the trees. That was the lookout—Ma
Deighan held his watch up close to his eyes, pushed the little button that lighted its dial. Ten-nineteen. Just about time. The lookout was moving again, down toward the lake. Pretty soon he would walk out on the pier and smoke another cigarette and admire the view for a few minutes. He apparently did that at least twice every Thursday night—that had been his pattern on each of the last two—and he hadn't gone through the ritual yet tonight. He was bored, that was the thing. He'd been at his job a long time and it was always the same; there wasn't anything for him to do except walk around and smoke cigarettes and look at three hundred square miles of lake. Nothing ever happened. In three years nothing had ever happened.
Tonight something was going to happen.
Deighan took the gun out of the clamshell holster at his belt. It was a Smith & Wesson .38, lightweight, compact—a good piece, one of the best he'd ever owned. He held it in his hand, watching as the lookout performed as if on cue—walked to the pier, stopped, then moved out along its flat surface. When the guy had gone halfway, Deighan came out of the shadows and went down the slope at an angle across the driveway, to the rear of the cabin. His shoes made little sliding sounds on the needled ground, but they weren't sounds that carried.
He'd been over this ground three times before, dry runs the last two Thursday nights and once during the day when nobody was around; he knew just where and how to go. The lookout was lighting up again, his back to the cabin, when Deighan reached the rear wall. He eased along it to the spare-bedroom window. The sash went up easily, noiselessly. He could hear them then, in the rec room—voices, ice against glass, the click and rattle of the chips. He got the ski mask from his jacket pocket, slipped it over his head, snugged it down. Then he climbed through the window, put his penlight on just long enough to orient himself, went straight across to the door that led into the rec room.
It didn't make a sound, either, when he opened it. He went in with the revolver extended, elbow locked. Sturgess saw him first. He said, "Jesus Christ!" and his body went as stiff as if he were suffering a stroke. The others turned in their chairs, gawking. The Shooter started up out of his.