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In 1964 there appeared a celebrated documentary movie called Mondo Cane, or «the world of the dog», in which the directors captured numerous human cruelties and illusions. This was the first occasion on which one could see a new religion being assembled, in plain view, on camera. The inhabitants of the Pacific islands may have been separated for centuries from the more economically developed world, but when visited by the fatal impact many of them were shrewd enough to get the point immediately. Here were great vessels with billowing sails, bearing treasures and weapons and devices that were beyond any compare. Some of the more untutored islanders did what many people do when confronted with a new phenomenon, and tried to translate it into a discourse that they could themselves understand (not unlike those fearful Aztecs who, first seeing mounted Spanish soldiers in Mesoamerica, concluded that they had a centaur for an enemy). These poor souls decided that the westerners were their long-mourned ancestors, come back at last with goods from beyond the grave. That illusion ca
In the twentieth century the «cargo cult» revived in an even more impressive and touching form. Units of the United States armed forces, arriving in the Pacific to build airfields for the war on Japan, found that they were the objects of slavish emulation. Local enthusiasts abandoned their lightly worn Christian observances and devoted all their energies to the construction of landing strips that might attract loaded airplanes. They made simulated ante
Some people may be insulted at even the suggestion of a comparison here, but are not the holy books of official monotheism absolutely dripping with material yearning and with admiring — almost mouthwatering — descriptions of Solomon’s wealth, the thriving flocks and herds of the faithful, the rewards for a good Muslim in paradise, to say nothing of many, many lurid tales of plunder and spoils? Jesus, it is true, shows no personal interest in gain, but he does speak of treasure in heaven and even of «mansions» as an inducement to follow him. Is it not further true that all religions down the ages have shown a keen interest in the amassment of material goods in the real world?
The thirst for money and worldly comfort is only a subtext of the mind-numbing story of Marjoe Gortner, the «infant phenomenon» of American evangelical hucksterism. Grotesquely christened «Marjoe» (a cretinous lumping together of the names Mary and Joseph) by his parents, young Master Gortner was thrust into the pulpit at the age of four, dressed in a revolting Little Lord Fauntleroy suit, and told to say that he had been divinely commanded to preach. If he complained or cried, his mother would hold him under the water tap or press a cushion on his face, always being careful, as he relates it, to leave no marks. Trained like a seal, he soon attracted the cameras and by the age of six was officiating at the weddings of grown-ups. His celebrity spread, and many flocked to see the miraculous child. His best guess is that he raised three million dollars in «contributions», none of which was earmarked for his education or his own future. At the age of seventeen he rebelled against his pitiless and cynical parents and «dropped out» into the early sixties California counterculture.
In the immortal children’s Christmas pantomime Peter Pan, there comes a climactic moment when the little angel Tinkerbell seems to be dying. The glowing light that represents her on the stage begins to dim, and there is only one possible way to save the dire situation. An actor steps up to the front of the house and asks all the children, «Do you believe in fairies?» If they keep confidently answering «YES!» then the tiny light will start to brighten again. Who can object to this? One wants not to spoil children’s belief in magic — there will be plenty of time later for disillusionment — and nobody is waiting at the exit asking them hoarsely to contribute their piggy banks to the Tinkerbell Salvation Church. The events at which Marjoe was exploited had all the intellectual content of the Tinkerbell scene, nastily combined with the ethics of Captain Hook.
A decade or so later, Mr. Gortner exacted the best possible revenge for his stolen and empty childhood, and decided to do the general public a favor in order to make up for his conscious fraudulence. He invited a film crew to follow him as he ostensibly «returned» to preach the gospel, and took the trouble to explain how all the tricks are pulled. This is how you induce motherly women (he was a handsome lad) to part with their savings. This is how you time the music to create an ecstatic effect. This is when you speak of how Jesus visited you personally. Here is how you put invisible ink on your forehead, in the shape of a cross, so that it will suddenly show up when you start perspiring. This is when you really move in for the kill. He keeps all his promises, telling the film’s director in advance what he can and will do and then going out into the auditorium to enact it with absolute conviction. People weep and yell, and collapse in spasms and fits, shrieking their savior’s name. Cynical, coarse, brutish old men and women wait for the psychological moment to demand money, and start counting it gleefully before the charade of the «service» is even over. Occasionally one sees the face of a small child, dragged to the tent and looking wretched and uncomfortable as its parents writhe and moan and give away their hard-won pay. One knew, of course, that the whole racket of American evangelism was just that: a heartless con run by the second-string characters from Chaucer’s «Pardoner’s Tale». (You saps keep the faith. We’ll just keep the money.) And this is what it must have been like when indulgences were openly sold in Rome, and when a nail or a splinter from the Crucifixion could fetch a nice price in any flea market in Christendom. But to see the crime exposed by someone who is both a victim and a profiteer is nonetheless quite shocking even to a hardened unbeliever. After such knowledge, what forgiveness? The film Marjoe won an Academy Award in 1972, and has made absolutely no difference at all. The mills of the TV preachers continue to grind, and the poor continue to finance the rich, just as if the glittering temples and palaces of Las Vegas had been built by the money of those who won rather than those who lost.