Mulholland Dive

Mulholland Dive

Three Stories

Michael Co

Little, Brown and Company

New York  Boston  London

Begin Reading

“Cahoots”

“Mulholland Dive”

“Two-Bagger”

A Preview of The Black Box

Table of Contents

Copyright Page

In accordance with the U.S. Copyright Act of 1976, the sca

Cahoots

McMillan has the deal. The game is five-card stud, nothing wild. And McMillan, the bastard in the porkpie hat, is cheating us. There are six of us at the table. There’s him, then Swain, then Harrington, then Anderson, then me, and then, most of the time, Boyd. I don’t know if that’s a first or last name. He’s just Boyd. And at the moment he’s in the back room with the woman who makes the coffee and serves the whiskey. The bedroom. Her name is Vera Sims. Only McMillan keeps calling her Vera Similitude and he laughs uproariously when he says it. I don’t know what this name means but his high horse laugh is getting to me. That and the cheating.

This is a journal. I write it in what my partner who read it up to now calls present tense. Like it is happening right now. But everything I write down here has already happened. It’s too late. It’s the past written in the present tense. You know what I mean? I’m saying you can’t change it. It’s done.

You play long enough and you pick up the patterns and then you look for the tells. I am a man of principle. My principle is, if you cheat me, you are taking something from me. You are stealing. Maybe not my money but the chance for me to make my money. Yes, and if I let you take from me what is mine, then I am a fool. I am letting you think of me and treat me as a fool.

I don’t allow that. My principle is, if you take from me, then I will take right back from you. Only I will take more from you than you took from me. One time I took a man’s finger off when I caught him turning his ring inside to use as a shiner. One time I took a man’s woman. It’s a rule I have. I never break it. Even if it is the man with the plan.

We have been playing for four hours. McMillan has been slowly telling us his plan for what he calls the greatest heist of all time, all at the same time that he’s cheating us and taking our money. Maybe the others know this and they look at it as the price they pay for the plan, to be a part of it. This is not how I look at it. In four hours I have lost a lot. Almost enough to pay rent in one of these Bunker Hill boardinghouses for a month. I need that money back. I need to take from McMillan and his partner what they have taken from me.

McMillan has this habit I’ve been watching. He has his silver halves in a neat stack on the table in front of him. He keeps raising the stack with two fingers and then letting all the coins drop back down to the table. Ching, ching, ching, like that. I’m watching and counting the sounds and counting his coins. Every time he deals, there is one less coin in the stack.

“Hey, Boyd!” McMillan yells to the back room. “You in or out?”

“I’m in,” says the voice from the back room.

Boyd comes out quick, notching his belt just so we can see if we care to look.

“Deal it,” he says.

McMillan smiles.

“Gettin’ yourself a little Vera Similitude, eh?”

And then that laugh again. That lazy horse laugh that’s getting to me. Boyd puts a silver dollar into the center of the table with the others and says he is in. I’m starting to see McMillan with a hole the size of a silver dollar in his forehead.

McMillan starts to deal and I watch his hands while I light a Camel. I lean my head back and blow the blue smoke toward the yellowed ceiling. I see the butterfly moving on the ceiling, winking at me. Nobody else has seen it. Everybody else thinks that to catch a cheater you have to keep your eyes on the cards.

Everybody picks up their cards and my hand’s a stiff. I throw in right away but everybody else stays for the ride. I ask McMillan about his grand plan. Just to keep him thinking, to see how he handles two things at once.

“How are you going to know where they’ll be and when we can go in?” I ask.

“I have a guy,” he says. “You don’t have to worry about that part. I have a guy. The medals will be in a safe. A small safe that they can move around. At a certain point they will take the safe over to the Coliseum for the track-and-field events. It will be there. That’s when we’ll go.”

He eyes me over his cards to see if I’m satisfied. The first round of betting goes by and Swain and Boyd bet large. Swain takes no cards, which raises eyebrows. Harrington takes three, then Anderson does likewise. Boyd takes only one and McMillan goes with three.

I want to ask more questions about the plan but decide to watch and confirm my suspicions. The betting begins and Swain goes big again. He’s got the gleam in his eye, like a man who knows he can’t lose. Except I know he’s already lost. Harrington folds. Anderson folds. Boyd raises big. McMillan drops another raise on that and it’s back to Swain.

I send him a mental message. Call. Just call the hand and accept your losses. But mental messages don’t work. He goes big again and it goes around the maximum three circles and in the end Swain has pushed just about everything he’s got into the pot.

Finally, it’s showtime. Swain has a natural flush, nine of hearts on top. Boyd squeals like a pig in mud. He turns his cards and shows a flush with the queen of spades smiling up at Swain.

“Forget it, I lose,” McMillan says, throwing his hand into the discard pile without turning his cards over.

Boyd smiles and rakes the pot toward his chest. Swain watches the money go away like it’s his wife and kids leaving for good. The moment is tense, nobody likes losing, even if they might think it was on the up and up.

“What about guards?” Harrington asks.

McMillan quickly answers. He’s probably hoping to distract Swain from thoughts of the lost money and whether maybe he’s been cheated.

“Of course, there will be guards,” he says. “Why do you think you are all here? If I just needed a box man, I’d go myself. But I’m go

Harrington nods.

“There will be full-time armed security on the box,” McMillan says. “Two men around the clock.”

“Are you sure these medals they give out are real gold and real silver?” Anderson asks. “I mean, all the way through?”

“What, you think it’s like a Baby Ruth bar?” McMillan counters. “Chocolate on the outside, bullshit on the inside? This is the Olympics, fellas. We are talking about medals made of pure gold and pure silver. Through and through, three ounces apiece. Like big fucking lollipops.”

“How do we sell them?” I ask, my eyes deadpan at McMillan. “They’re going to be hot, they probably say Nineteen Thirty-two Olympics or something right on them. We can’t just—”

“We don’t sell them,” McMillan says with proper outrage. “Boyd, you tell him.”

Boyd turns to me and smiles.

“He’s right. We don’t sell them. We melt them down and we make little bricks. That’s what we sell.”