Supernatural Noir

“It’s those papers you gave me,” Mary said.

“About the estate?” I asked.

“Well, what other papers did you give me to sign?” Her voice was like a scalpel scraping bone.

Mary had insisted on reading Louis’s will the day after his murder. The fat widow had spent two hours in my office going over the details of Towne’s financial holdings, picking and pecking at the numbers like a starving bird, instead of staying home to comfort her children. At the funeral she’d put on a fine show of grief. Empty. Meaningless. I’d been appalled and wondered how a human being’s moral compass could waver so far from true north.

Not that Towne was a man who deserved authentic mourning from his wife. I’d told him a hundred times I had no interest in his sexual conquests, but Towne was a braggart and insisted I endure his tales of whoring and perversion. I’d always felt sorry for his cheated wife. And then I met her.

“What about the papers, Mary?”

“I signed them the way you said, but we were ru

“So you didn’t have them messengered to my office?”

“I told you, we were late for our flight. I didn’t have time. Just go by the house in the morning and pick them up.”

“Mary, that’s highly irregular.”

“Well, you’d better do something. I don’t want those papers sitting around for two weeks holding everything up. There’s a key in the planter on the back porch and the security code is Louis’s birthday—day and month. You can bill me for your precious time.”

Then she hung up, cutting off the protests climbing up my tongue.

——

Sylvia sits in the passenger seat of a stolen sedan. Rossini finishes a cigarette and grinds it out in the ashtray and turns in the seat to face her.

“He’s got no real security,” the thief says. “Obviously he’s not going to have cameras recording who comes and goes. He’s got a simple contact system that will take all of a minute to kill.”

“He wasn’t very cautious,” Sylvia says.

“He was scary enough that he didn’t have to be. No one was going to fuck Louis over—no one that wanted to stay alive, anyway. The guy was more than co

“What does that mean?”

“You telling me you don’t know about Louis’s hobby?

“You mean his oogedy-boogedy mumbo jumbo?”

“It was a hell of a lot more than that,” Rossini says. “He put the fear of God, or the devil, or whatever he worshiped, into the whole crew. Guys that crossed Louis ended up dog food. You heard about Joe Tocci, right? Last year he disrespected Louis at a meeting and his men found Tocci shredded like barbecue pork in the john of his apartment. They said he wasn’t in there for more than a few minutes, and there was no other way into that crapper but the one door. Louis got to him anyway.”

“Tocci got what he deserved,” Sylvia mutters.

“We all get what we deserve,” Rossini says. “But the thing is, Louis Towne was not a made man. He was never going to be a made man because he didn’t have the blood, but Tocci was a made man. You hit a made man and you’re landfill, but no one retaliated on Tocci’s behalf. No one. Not his crew. Not the organization. They knew Louis did it, but they knew what Louis was capable of, so they let him alone.”

“Until someone put two in his head.”

“Over a year later,” Rossini says. “I’m just saying he didn’t have security because he knew he was scarier than anything that could get in his house.”

——

Sylvia follows the thief into the dining room and through an opulent living room. She feels anger, seeing the statuary and the silk-upholstered sofa and the crystal vases on marble tables. This should have been hers. She should have been sitting on that sofa with a glass of champagne, not prowling the house looking for scraps. She follows Rossini up the stairs and runs a hand along the ornately carved mahogany banister.

“His safe is in his study,” Rossini says.

After his words fade, Sylvia feels uneasy. The air grows thick and envelops her, and she believes she can feel it jostle, hitting her like ripples on the surface of a lake. Even the subtle movements of Rossini on the stairs ahead play over her skin, but there is another body at work, displacing the air. She remembers a similar sensation she had felt whenever Louis entered a room, a heaviness as if his presence curdled the atmosphere.

Uncertain, with her skin alit by anxiety, Sylvia follows the thief to the landing and down a black hallway. The sharp ray of a flashlight momentarily blinds her. Rossini offers a rapid apology and puts the cylinder in his mouth. At the center of the beam is a deadbolt lock. Rossini attacks it with his picks, and in a few moments he has the bolt retracted. Then he sets to work on the cheaper, less complicated lock recessed in the knob.

After opening the door, Rossini leaves Sylvia on the threshold and starts across the room, his silhouette playing against the bobbing disc of light from his lantern. She watches him open a closet door and is surprised to see a shining metal panel beyond, a panel with a combination dial and a three-pronged handle. Louis’s safe takes up an entire closet. Sylvia’s trepidation turns to excitement as she anticipates the sheer volume of wealth such a vault could hold.

“This is going to take some time,” he tells her. “I helped him pick this model, so I know what I’m up against. You might want to keep an eye on the window.”

Sylvia does. She pulls back the drapes and leans against the wall. The landscape beyond the window is carved of shadows. The only light comes from the far end of the drive, beyond the gate, where an arc lamp hangs over the street. Everything between this illumination and Sylvia is gloom. She looks into it and finds nothing. She looks back at Rossini and considers her choice of accomplice.

She decides he can’t be trusted. The thief is too eager. He hadn’t needed a bit of convincing to agree to this job, and as with all things that come too easy, Sylvia looks for an angle.

She slides her hand down the side of her jacket and is reassured when her fingers trace over the outline of the handgun in her pocket.

——

The shrill cry of Rossini’s drill startles her. Sylvia steps away from the window and crosses the den. Nervous, she lights a cigarette and stands by the door. She leans into the hall and is grateful to see the darkened corridor is empty.

Still, she ca

Finishing the cigarette, she drops it on the carpet. She grinds the butt into the carved Berber and hopes an ember will smolder deep in the pile, causing a fire that levels the Towne mansion about five minutes after she and the thief have driven away with the contents of Louis’s safe.

She leaves the doorway and walks to where Mickey is kneeling. He wears goggles as he guides the barrel of a complicated drill rig. Sparks fly from the safe’s door, showering the carpet. The air around her shifts again, and Sylvia spins on her heels to check the room. Nothing. She hugs herself nervously and returns to the window.

Staring over the dark landscape, she rubs the back of her neck, trying to dislodge the feeling that something rests against it. She tries to convince herself that she’s being paranoid. If anyone else were in the house, they’d have shown themselves by now, or the drive would be thick with police cars, but logic does nothing to alleviate her fear. By the time the drill’s shriek dies, Sylvia is near panic with the certainty that someone prowls the house.