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"Well, no, as it turns out," she replied. Of course Whitney would push the limits the very first day she got her freedom. And of course my mother would say oh, yes, stay later, that's fine, but then completely freak out. "But I can come get you," she said now, "or maybe you could get a ride with one of your friends?"

One of my friends. Yeah, right. I shook my head, then ran a hand through my hair. "Mom," I said, trying to keep my voice even, "it's just that it's kind of late, and—"

"Oh, it's fine! I'll come get you right now!" she said. "I'll be there in fifteen minutes."

She didn't want to come, and we both knew it. Whitney might call, or show up. Or, even worse, not show up. Not for the first time, I wished both of us could just say what we meant. But that, like so much else, was impossible.

"It's fine," I told her. "I'll get a ride."

"Are you sure?" she asked, but already, I could hear her relaxing, thinking that this problem, at least, was resolved.

"Yes. I'll call if I can't."

"Do that," she said. And then, just as I might have been getting angry, "Thank you, A

When I hung up, I just sat there, holding my phone in my hand. Once again, everything was revolving around Whitney. It might have been just a day to her, but this one had really sucked for me. And now, I was walking home.

I glanced back up at Owen. In the time I'd been contemplating this newest problem, he'd pulled out his iPod and was messing with it. "So you need a ride," he said, not looking at me.

"Oh, no," I said quickly, shaking my head. "It's just my sister… she's being a pain."

"Story of my life," he said. He hit one last button, then slid it back in his pocket and stood up, brushing off his jeans. Then he reached down, grabbing his bag, and hoisted it over his shoulder. "Come on."

I'd endured a lot of scrutiny since the begi

I got in, then reached down for the seat belt. I was just about to pull it across me when he said, "Hold on. That's sort of busted," and gestured for me to hand it to him. When I did, he pulled it over me—his hand at what struck me as a very formal and polite distance from my stomach—then yanked up the buckle from the seat, holding it at an angle and sliding the belt in. Then, from the pocket on his own door, he pulled out a small hammer.

I must have looked alarmed— girl 17, found dead in school parking lot—because he glanced at me and said, "It's the only way it works." He tapped the buckle with the hammer three times in the center, before pulling at the belt to make sure it was locked in. When it was, he stuck the hammer back in the pocket and cranked the engine.

"Wow," I said, reaching down and giving it a little tug. It didn't budge. "How do you get it off?"

"Just push the button," he said. "That part's easy."

As we started through the parking lot, Owen rolled down his window, resting his arm there, and I took a look around the interior of the car. The dashboard was battered, the leather of the seats cracked in places. Plus, it smelled like smoke, faintly, although I could see the ashtray, which was partly open, was clean and filled with coins, not butts. There were some headphones on the backseat, along with a pair of Doc Martens oxblood boots and several magazines.

Most of all, though, I saw CDs. Tons of CDs. Not just the ones he'd cleared out for me and dumped on the backseat floor, but stacks and stacks of others, some store-bought, many more clearly home-burned, piled haphazardly on the seats and the floor. I glanced back at the dashboard in front of me. While the car was dated, the stereo looked practically new, not to mention advanced, rows of lights blinking.

Just as I thought this, we reached the stop sign at the top of the parking lot and Owen put on his blinker, looking both ways. Then he reached out for the stereo, nudging up the volume button with the side of his thumb before taking a right.





Even with all the lunches during which I'd studied him, and all the details I'd thereby managed to ascertain, there was still one unknown, and this was it: Owen's music. I had my hunches, though, so I braced myself for punk rock, thrash metal, something fast and loud.

Instead, after a bit of staticky silence, I heard… chirping. Lots of chirping, like a chorus of crickets. This was followed, a moment later, by a voice chanting in a language I didn't understand. The chirping grew louder, then louder, and the voice did as well, so it was like they were calling to each other, back and forth. Beside me, Owen was just driving, nodding his head slightly.

After about a minute and a half, my curiosity got the better of me. "So," I said, "what is this?"

He glanced over at me. "Mayan spiritual chants," he said.

"What?" I said, speaking loudly to be heard over the chirping, which was really going now.

"Mayan spiritual chants," he repeated. "They're passed down, like oral traditions."

"Oh," I said. The chanting was so loud now it was verging on shrieking. "Where did you get this?"

He reached forward, turning the volume down a little bit. "The library at the university," he said. "I checked it out of their sound-and-culture collection."

"Ah," I said. So Owen Armstrong was spiritual. Who knew? Then again, who would have thought I would be sitting in his car, listening to chants with him? Not me. Not anybody. And yet, here we were.

"So you must really like music," I said, looking back at the stacks of CDs.

"Don't you?" he replied, switching lanes.

"Sure," I said. "I mean, everybody does, right?"

"No," he said flatly.

"No?"

He shook his head. "Some people think they like music, but they have no idea what it's really all about. They're kidding themselves. Then there are people who feel strongly about music, but just aren't listening to the right stuff. They're misguided. And then there are people like me."

I just sat there for a second, studying him. He still had his elbow out the window and was sitting back in his seat, his head just brushing the ceiling above him. Up close, I was realizing he was still kind of intimidating, but for different reasons. His size, yes, but other things, too—like those dark eyes and wiry forearms, plus his intense gaze, which he now turned on me for a moment before directing his attention back to the road. "People like you," I said. "What kind of people are those?"

He hit his blinker again and began to slow down. Up ahead, I could see my old middle school, a yellow school bus pulling out of the parking lot. "The kind who live for music and are constantly seeking it out, anywhere they can. Who can't imagine a life without it. They're enlightened."

"Ah," I said, like this actually made sense to me.

"I mean, when you really think about it," he continued, "music is the great uniter. An incredible force. Something that people who differ on everything and anything else can have in common."