All That Follows

Neither the van’s speakerphone nor Leonard’s cell does any better. They offer only No network provision. Try again later. This clearing is not only toxic and impacted, it is information-dead as well, too buried in the countryside, too screened by cliffs and woods, too underused to merit contact. Whatever’s happened in the hostage house, whatever shape the greater world is in, ca

It often happens when Leonard’s walking on his own. There is something about the countryside — woods, hills, the coast, the riverbanks, no matter what — that makes him feel both reckless and slightly anxious, like an escaped animal, one of those must-see wallabies, perhaps, or a family pet that has broken loose and is equally excited and u

He has gone well beyond the car park and is climbing up less trodden paths with no reassuring signs of humankind except the occasional nesting box and the vapor trails of jets. The forest makes its comment every time he takes a step. Leaf litter cracks and rustles at his feet, mimicking the static on the radio. Saplings, bullied by the wind, yelp and squeak like animals. A patch of restless, waving light suggests at first that someone’s following — and then it stops, it hides itself. Leonard ca

He has reached the plug of weathered rock that offers views across the carbon-eating canopies into the wooded valleys of the reserve and the newly planted blocks of light-efficient, black-leaved trees, Turning Sunshine into Fuel. He is careful to be silent, watching where he steps, avoiding loose rocks and brittle timber, staying out of sight. When he’s found a high nook in the rocks where he can safely wedge himself, he takes out his binoculars and trains them on the countryside, checking every angle for signs of Franco’s men. No pasarán. His aching shoulder is a shrapnel wound. The birches are olive trees. The smudge of gray on the horizon is the fug of Barcelona, smarting from the bombs.

7

LEONARD’S BUSY IN THE TRAPEZIUM. His clothes are hardly damp from the afternoon of walking and combating Fascism in the woods, but he takes off his socks and trousers and pulls on a pair of sweatpants, still warm from the dryer. He continues to resist the news and tunes the DAB receiver to a New York jazz station and a Eurofusion band he does not recognize and does not like (“Oh, loosen up,” he thinks) while hunting in the cupboard for a vase. On the drive back home, he stopped at his local shops, booked a corner table for the evening at Wilbury’s, where the chef is used to naught percent diners, and bought an autumn mix, mostly garden pere

But this, today, is not a thought that bothers him. Today, so far, has been a chance to recuperate, to close a mortifying chapter in his life and plan the next, a better one. Fifty years of age. On Monday there will be changes. Improvements. He vows it for the hundredth time. But first he has a birthday and two days of rest, and fun. The weekend can be a breathing space.

The fusion band has finally finished its exasperating tour of Old World influences. The jazz DJ reads out the lineup. Leonard has played with only one of them. Rafaelo Vespucci, the not-so-Italian percussionist. Not that they’d ever spoken or even looked each other in the eye — the gig had been one of those show up, shake hands, and shimmy events, businesslike, unsociable. Several of the other names are familiar too. Bushy Miles (Milorad Busch) on assisted accordion, Adelina Julian on keyboards, and a reed player called Felix Marcel. It is that final syllable that sticks and hovers in the air. Leonard has to tussle with it for a moment or two before he remembers why it is shouting at him with such persistence. He mutters to himself, Marcel, Marcel, Mar Cel, and then, barefoot, walks into the living room and, sitting on the futon once again, fires up the telescreen where his Celandines have waited patiently all day. He clears the screen and starts again, clicking from Menu into Browse and on to UK Only, as he did last night. He enters the letters c e l with his forefinger, percussively. The memory window prompts “Celandine,” but Leonard clicks Ignore, taps the Proceed arrow, and starts to scroll.

This time there’s nothing horticultural on offer, nothing lesser, marsh, or edible, nor are there any restaurants listed or yachts for sale in Falmouth or Bath. In fact, in the opening pages at least, his target word is offered only in capital letters, most popularly an acronym for the Christian Ecology Link and then for various Centers (for Educational Leadership, or European Law, or Excellence in Learning, or Equine Leasing) and Campaigns (everything from Economic Liberalism to Ethical Lawncare). Leonard scans and skips the pages, twenty-five selections at a time, but hardly finds a single twin-cased Cel and certainly none quoted as a woman’s name. He Narrows Search, selecting Blogs & Journals, and this time finds a less impersonal list, including, finally, a man who has signed himself as Cel and runs — he is no Celandine; a Celwyn, then — an appreciation thread for all things Welsh.