The Omega Expedition

When I underwent the adventure described herein I was not the man I am now. I was a fearful stranger in a world that I had not even begun to understand — but no matter how crippling that disadvantage might be to a historian it is no disadvantage at all to a storyteller of the lower kind. Every tale requires a teller, no matter how impersonal he may pretend to be, and there are tales for which the fearful stranger obsessed by his own petty plight is the ideal narrator.

I have the aid of hindsight now, but I shall try to reserve its additional insights for the occasional sidebar and tell the story itself as it actually unfolded around me and in my mind — or as it seemedto unfold, given that I was never able to find the experience entirely convincing while I was in the thick of it.

How did Tam Lin feel, do you think, when he first met Janet of Carterhaugh? He had a reputation as a ghost, and she must have taken him for one at first, but how did he see himself and the world he had forsaken? Must they not have seemed like fragments of a dream, after so long a sojourn in Faerie?

How did Tam Lin recover his sense of the reality of Janet’s world, and his sense of his own reality within it? The ballad does not say, because that is not the function of ballads, whose ambitions are essentially low, compared to the lofty pretentions of history. Ballads engage and provoke the imagination; they do not satisfy it. This is a different kind of lostory, and I must try harder to answer such questions — or at least to point out their relevance — but there will always be something of the balladeer in me, because my name requires it.

This is the way that I imagine it.

When Tam Lin saw Janet, and had his attention caught, as if by a fisherman’s hook, she must have seemed to him a glorious mystery, whose solution lay deep within himself. Tam Lin would surely have gone in search of that solution, delving into the depths of his transformed being in search of memories of the world which had such creatures in it. He could not have found them immediately, for the Queen of the Fays had confounded his memory. She had not been willing to wipe it out, because that would have obliterated him — her captive, her prize, her toy — but she had blurred it and hidden a few significant details. Perhaps he struggled to fill in the gap with confabulation, telling himself a tale about how it might have been that he had stumbled out of the world and into Faerie. He probably did — not because he was a natural storyteller, but because he had no other way to approach the problem of separating his new and future self from his Faerie self.

Either way, he would eventually have set aside his confusion, and all the mysteries wrapped up in it.

Tam Lin must have said to himself, in the end: “Well then, no matter what has gone before, or why, I must make a new begi

He would not, of course, have used those words — but I would, and I am the storyteller here.

When I woke up and found myself in a place I did not know, I searched for a memory of how I got there, and could not find one. I found nothing but confusion. Everything revealed to me by my new situation added to that confusion.

Other men would doubtless have approached the problem differently, but I was and am a Tamlin, so I approached it as a Tamlin would and should. The name might have been chosen at random, but it exerted its force nevertheless, as names inevitably do.

Two

The Wonderful Child

The room in which I found myself was sparsely furnished.

Apart from two reclining chairs upholstered in black there was only a small table whose hexagonal top was finished in something that looked like white marble. The walls seemed to be devoid of tangible equipment, although there was a single broad window and various aggregations of colored symbols, whose meaning I couldn’t decipher.

I knew that the impossibly rich star field visible through the window could not be an actual vista viewed through glass, but that was only one reason to suspect that the whole room was an illusion: an artifact of Virtual Experience.

The star field hadto be a mere image, so the window had to be a kind of screen. There was no reason why the whole setup should not be an image, so Occam’s razor suggested that it was. The room was, admittedly, far more convincing than any room in any VE tape I had ever seen or worked on, but I knew that what I had seen and done was by no means state-of-the-art. My friend Damon Hart had told me about an experience of his, when one of the people at the heart of PicoCon had revealed a secret VE-technology that employed clever Internal Technology to secure an extremely powerful illusion.

I could not remember what I had been doing immediately before falling unconscious, and could not locate myself in time at all. Although I knew who and what I was, I had no idea how to conjure up my “most recent” memory. I had no idea where I was up to in the unfolding narrative of my life, but I did have a vague feeling that whatever I had been doing before I found myself in the strange room had something to do with PicoCon, and something to do with Damon Hart.

I decided that there was no point in chasing ghosts, and that it would be more sensible to concentrate on things of which I could be certain — but it was a difficult resolution to keep, at first.

I could, of course, be certain of the reality of my own stream of consciousness, although even that seemed rather strange and oddly uncomfortable, but I knew that I couldn’t have the same level of certainty about the reality of the smartsuit I appeared to be wearing. Black was my color, and I could as easily have chosen the false cuffs giving way to the fleshtone hands as the slightly ornate false boots and the slightly exaggerated codpiece, but the fact remained that I certainly hadn’t dressed myself.

I didn’t have any actual memory of waking up. Did that mean that I might still be dreaming? Might it mean that I might not be who and what I thought I was at all?

I licked my lips and scratched the back of my neck — traditional tests to be applied by people who were no longer sure whether they were in the real world or in a VE — but it was more by way of ritual than seeking reassurance. I knew that if I really were locked into a heavy-duty VE cocoon with diabolical nanobots standing guard over all my cha

I had to think my way through my predicament.

With the aid of hindsight, I can now understand that the suspicion that I was locked into a manufactured illusion was an asset. It insulated me against all possible surprises, all possible alarms. Had I not spent so much of my early life manufacturing and doctoring admittedly primitive VE tapes for sale to fans of vicarious sex, violence, and adventure, I might have been a great deal more disturbed by the discoveries I was about to make, but I was better equipped than most to find out what had become of me without experiencing terror or madness.

For a few minutes, therefore, I was content simply to stare at the occupant of the other chair. She looked like a child — female, I guessed, although I wasn’t entirely confident of the judgment — of approximately nine years of age.

Her smartsuit wasn’t as snug as mine, and it was much more brightly colored: intricately patterned in sky blue, lilac and wine red. The way she looked back at me suggested so strongly that she wasn’t what she seemed that I was almost convinced that she had to be an illusion: a visual trick like the star field outside the window.