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CHAPTER X
THE HOMERIC HOUSE
If the Homeric poems be, as we maintain, the work of a peculiar age, the Homeric house will also, in all likelihood, be peculiar. It will not be the Hellenic house of classical times. Manifestly the dwelling of a military-prince in the heroic age would be evolved to meet his needs, which were not the needs of later Hellenic citizens. In time of peace the later Greeks are weaponless men, not surrounded by and entertaining throngs of armed retainers, like the Homeric chief. The women of later Greece, moreover, are in the background of life, dwelling in the women's chambers, behind those of the men, in seclusion. The Homeric women also, at least in the house of Odysseus, have their separate chambers, which the men seem not to enter except on invitation, though the ladies freely honour by their presence the hall of the warriors. The circumstances, however, were peculiar—Penelope being unprotected in the absence of her lord.
The whole domestic situation in the Homeric poems—the free equality of the women, the military conditions, the life of the chiefs and retainers—closely resembles, allowing for differences of climate, that of the rich landowners of early Iceland as described in the sagas. There can be no doubt that the house of the Icelandic chief was analogous to the house of the Homeric prince. Societies remarkably similar in mode of life were accommodated in dwellings similarly arranged. Though the Icelanders owned no Over-Lord, and, indeed, left their native Scandinavia to escape the sway of Harold Fairhair, yet each wealthy and powerful chief lived in the ma
It is our intention to use this parallel in the discussion of the Homeric house. All Icelandic chiefs' houses in the tenth and eleventh centuries were not precisely uniform in structure and accommodation, and saga writers of the twelfth and thirteenth centuries, living more comfortably than their forefathers, sometimes confuse matters by introducing the arrangements of their own into the tale of past times. But, in any case, one Icelandic house of the tenth or eleventh century might differ from another in certain details. It is not safe, therefore, to argue that difference of detail in Homer's accounts of various houses means that the varying descriptions were composed in different ages. In the Odysseythe plot demands that the poet must enter into domestic details much more freely than he ever has occasion to do in the Iliad. He may mention upper chambers freely, for example; it will not follow that in the Iliadupper chambers do not exist because they are only mentioned twice in that Epic.
It is even more important to note that in the house of Odysseus we have an unparalleled domestic situation. The lady of the house is beset by more than a hundred wooers—"sorning" on her, in the old Scots legal phrase—making it impossible for her to inhabit her own hall, and desirable to keep the women as much as possible apart from the men. Thus the Homeric house of which we know most, that of Odysseus, is a house in a most abnormal condition.
For the sake of brevity we omit the old theory that the Homeric house was practically that of historical Greece, with the men's hall approached by a door from the courtyard; while a door at the upper end of the men's hall yields direct access to the quarters where the women dwelt apart, at the rear of the men's hall.
That opinion has not survived the essay by Mr. J. L. Myres on the "Plan of the Homeric House." {Footnote: Journal of Hellenic Studies, vol. XX, 128-150.} Quite apart from arguments that rest on the ground plans of palaces at Mycenae and Tiryns, Mr. Myres has proved, by an exact reading of the poet's words, that the descriptions in the Odysseyca
In this case the Iliadic and earlier Odyssean houses are those of a single definite age, neither Mycenaean of the prime, nor Hellenic—a fact which entirely suits our argument. But it is not so certain, that the house of Odysseus is severed from the other Homeric houses by the later addition of an upper storey, as Noack supposes, and of women's quarters, and of separate sleeping chambers for the heads of the family.
The Iliad,save in two passages, and earlier Books of the Odysseymay not mention upper storeys because they have no occasion, or only rare occasion, to do so; and some houses may have had upper sleeping chambers while others of the same period had not, as we shall prove from the Icelandic parallel.
Mr. Myres's idea of the Homeric house, or, at least, of the house of Odysseus, is that the women had a meguron,or common hall, apart from that of the men, with other chambers. These did not lie to the direct rear of the men's hall, nor were they entered by a door that opened in the back wall of the men's hall. Penelope has a chamber, in which she sleeps and does woman's work, upstairs; her co
Noack {Footnote: Noack, p. 39.} does not, however, agree.
There appears to be no doubt that in the centre of the great halls of Tiryns and of Mycenae, as of the houses in Homer, was the hearth, with two tall pillars on each side, supporting a louvrehigher than the rest of the roof, and permitting some, at least, of the smoke of the fire to escape. Beside the fire were the seats of the master and mistress of the house, of the minstrel, and of honoured guests. The place of honour was not on a dais at the inmost end of the hall, like the high table in college halls. Mr. Myres holds that in the Homeric house the {Greek: prodomos}, or "forehouse," was a chamber, and was not identical with the {Greek: aethousa}, or portico, though he admits that the two words "are used indifferently to describe the sleeping place of a guest." {Footnote: Journal of Hellenic Studies, xx. 144, 155.} This was the case at Tiryns; and in the house of the father of Phoenix, in the Iliad, the prodomos, or forehouse, and the aethousa, or portico, are certainly separate things (Iliad, IX. 473). Noack does not accept the Tiryns evidence for the Homeric house.