Homer and His Age

That corslets are usually taken for granted as present by the poet, even when they are not explicitly named, seems certain. He constantly represents the heroes as "stripping the pieces of mail" {Greek: teuchea}, when they have time and opportunity, from fallen foes. If only the shield is taken, if there is nothing else in the way of bronze body armour to take, why have we the plural, {Greek: teuchea}? The corslet, as well as the shield, must be intended. The stripping is usually "from the shoulders," and it is "from his shoulders" that Hector hopes to strip the corslet of Diomede (Iliad, VIII. 195) in a passage, to be sure, which the critics think interpolated. However this may be, the stripping of the (same Greek characters), ca

Finally, Mr. Evans observes that the western invaders of Egypt, under Rameses III, are armed, on the monuments, with cuirasses formed of a succession of plates, "horizontal, or rising in a double curve," while the Enkomi ivories, already referred to, corroborate the existence of corslet, zoster, and zomaas articles of defensive armour. {Footnote: Journal of Anthropological Institute, xxx. p. 213.} "Recent discoveries," says Mr. Evans, "thus supply a double corroboration of the Homeric tradition which carries back the use of the round shield and the cuirass or {Greek: thoraex} to the earlier epic period... With such a representation before us, a series of Homeric passages on which Dr. Reichel... has exhausted his powers of destructive criticism, becomes readily intelligible." {Footnote: Ibid., p. 214.}

Homer, then, describes armour laterthan that of the Mycenaean prime, when, as far as works of art show, only a huge leathern shield was carried, though the gold breastplates of the corpses in the grave suggest that corslets existed. Homer's men, on the other hand, have, at least in certain cases quoted above, large bronze-plated shields and bronze cuirasses of no great resisting power, perhaps in various stages of evolution, from the byrnie with scales or small plates of bronze to the breastplate and backplate, though the plates for breast and back certainly appear to be usually worn.

It seems that some critics ca

This is only true if we excise all the passages which contradict the statement, and go on with Mr. Leaf to say, "by the seventh century B.C., or thereabouts, the idea of a panoply without a breastplate had become absurd. By that time the epic poems had almost ceased to grow; but they still admitted a few minor episodes in which the round shield" (where (?) "and corslet played a part, as well as the interpolation of a certain number of lines and couplets in which the new armament was mechanically introduced into narratives which originally knew nothing of it." {Footnote: Iliad, vol. i. p. 568.}

On the other hand, Mr. Leaf says that "the small circular shield of later times is unknown to Homer," with "a very few curious exceptions," in which the shields are not said to be small or circular. {Footnote: Iliad, vol. i. p, 575.}

Surely this is rather arbitrary dealing! We start from our theory that the original poet described the armour of "the monuments" though theyare "of the prime," while he professedly lived long after the prime—lived in an age when there must have been changes in military equipment. We then cut out, as of the seventh century, whatever passages do not suit our theory. Anybody can prove anything by this method. We might say that the siege scene on the Mycenaean silver vase represents the Mycenaean prime, and that, as there is but one jersey among eight men otherwise stark naked, we must cut out seven-eighths of the chitonsin the Iliad, these having been interpolated by late poets who did not run about with nothing on. We might call the whole poem late, because the authors know nothing of the Mycenaean bathing-drawers so common on the "monuments." The argument compels Mr. Leaf to assume that a shield can be called {Greek: teuchea} in the plural, so, in Iliad, VII. 122, when the squires of Menelaus "take the {Greek: teuchea} from his shoulders," we are assured that "the shield (aspis) was for the chiefs alone" (we have seen that all the host of Pandarus wore shields), "for those who could keep a chariot to carry them, and squires to assist them in taking off this ponderous defence" (see VII 122). {Footnote: Iliad, vol. i. p. 583.}

We do "see VII. 122," and find that not a singleshield, but pieces of gear in the plural number were taken off Menelaus. The feeblest warrior without any assistance could stoop his head and put it through the belt of his shield, as an angler takes off his fishing creel, and there he was, totally disarmed. No squire was needed to disarm him, any more than to disarm Girard in the Chancun de Willame. Nobody explains why a shield is spoken of as a number of things, in the plural, and that constantly, and in lines where, if the poet means a shield, prosody permits him to saya shield, {Greek: therapontes ap oopoon aspid elonto}.

It really does appear that Reichel's logic, his power of visualising simple things and processes, and his knowledge of the evolution of defensive armour everywhere, were not equal to his industry and classical erudition. Homer seems to describe what he saw: shields, often of great size, made of leather, plated with bronze, and suspended by belts; and, for body armour, feeble bronze corslets and zosters. There is nothing inconsistent in all this: there was no more reason why an Homeric warrior should not wear a corslet as well as a shield than there was reason why a mediaeval knight who carried a targeshould not also wear a hauberk, or why an Iroquois with a shield should not also wear his cotton or wicker-work armour. Defensive gear kept pace with offensive weapons. A big leather shield could keep out stone-tipped arrows; but as bronze-tipped arrows came in and also heavy bronze-pointed spears, defensive armour was necessarily strengthened; the shield was plated with bronze, and, if it did not exist before, the bronze corslet was developed.

To keep out stone-tipped arrows was the business of the Mycenaean wooden or leather shield. "Bronze arrow-heads, so common in the Iliad, are never found," says Schuchardt, speaking of Schliema