The Dreamstone

“Play for me,” she wished him.

He played for her then, idly and softly, heart-healing songs, and slept again, for bright day in Ealdwood counseled sleep, when the sun burned its warmth through the tangled branches and brambles and the air hung still, nothing breathing, least of all the wind. Arafel drowsed too, at peace in mortal Eald for the first time since many a tree had grown. The touch of the mortal sun did that kindness for her, a benison she had all but forgotten.

But as she slept she dreamed, and there were halls in that vision, of cold gray stone.

In that dark dream she had a Man’s body, heavy and reeking of wine and ugly memories, such a dark fierceness she would gladly have fled it ru

He had had an unwilling wife, had Evald of Caer Wiell—Meara of Dun na h-Eoin was her name; he had a small son who huddled afraid and away from him in the upstairs of this great stone keep, the while Evald drank with his sullen kinsmen and cursed the day. Evald brooded and he hated, and looked oftentimes at the empty pegs on his wall where the harp had hung. The song gnawed at him, and the shame gnawed at him, bitter as the song—for that harp came from Dun na h-Eoin, as Meara came.

Treason, it had sung once, and the murder of kings and bards. Keeping it was his victory.

So Evald sat and drank his ale and heard the echoes of that harping. And in her dream Arafel’s hand sought the moonstone on its chain and found it at his throat

She had laid a virtue on it in giving it, that he could neither lose it nor destroy it. Now she offered him better dreams and more kindly as he nodded, for it had that power. She would have given him peace and mended all that was awry in him, drawing him back and back to Eald. But he made bitter mock of any kindness, hating all that he did not comprehend.

“No,” whispered Arafel, grieving, dreaming still before that fire in Caer Wiell. She would have made the hand put the stone off that foul neck; but she had no power against the virtue she herself had given it, so far, so wrapped in humankind, while hewould not. And Evald possessed what he owned, so fiercely and with such jealousy it cramped the muscles and stifled the breath.

Most of all he hated what he did not have and could not have; and the heart of it was the harper and the respect of those about him and his lust for Dun na h-Eoin.

So she had erred, and knew it. She tried to reason within this strange, closed mind. It was impossible. The heart was almost without love, and what little it had ever been given it folded in upon itself lest what it possessed escape.

He had betrayed his King, murdered his kinsmen, and sat in a stolen hall with a wife who despised him. These were the truths which gnawed at him in his darkness, in the stone mass which was Caer Wiell.

Of these he dreamed, and clenched the stone tightly in his fist, and would never let it go: this was all he understood of power—to hold, and not let go.

“Why?” asked Arafel of Fio

Fio

“You said it was yours. He called you thief. What then did you steal?”

“It is mine.” He settled it in his arms, touched the strings and brought forth melody. “It hung in his hall so long he thought it was his, and the strings were cut and dead.”

“And how did it come to him?”

Fio

“Ah,” she said, “yes, it is old, and one made it who knew his craft. A harp for kings. But how did it come to Evald’s keeping?”

The fair head bowed over the harp and his hands coaxed sound from it, answerless.

“I’ve given a price,” she said, “to keep him from it and from you. Will you not give back an answer?”

The sound burst into softness. “It was my father’s. Evald hanged him in Dun na h-Eoin, in the court when it burned. Because of songs my father made, for truth he sang, how men the King trusted were not what they seemed. Evald was the least of that company, not great; petty even in that great a wrong. When the King died, when Dun na h-Eoin was burning, my father harped them one last song. But he fell into their hands and so to Evald’s—dead or living, I never knew. Evald hanged him from the tree in the court and took the harp of Dun na h-Eoin for his own. He hung it on his own wall in Caer Wiell for mock of my father and the King. So it was never his.”

“A king’s own harper.”

Fio

Then softly Fio

“Sing more kindly now,” she said. “More kindly. It was never made for hate, this harp, this gift of my folk to the Kings of Men. There were such gifts once long and long ago, did you not know? It sounds through all the realms of Eald, mine and thine and places far darker. Never sing dark songs. Harp me brighter things. Sing me sun and moon and laughing, sing me the lightest song you know.”

“I know children’s songs,” he said doubtfully. “Or walking songs. The great songs—well, it seems an age for dark ones.”

“Then sing the little ones,” she said, “the small ones that make Men laugh—oh, I have need to laugh, harper, that most of all.”

Fio

There could be no harm in Ealdwood in that hour: the spirits of latter earth which skulked and strove and haunted Men fled elsewhere, finding nothing in this place that they knew; and the old shadows slipped away trembling, for they remembered.

But now and again the elvish song faltered, for there came a touch of ill and smallness into Arafel’s own mind, a cold piercing as the iron, bringing thoughts of hate, which she had never held so close.

Then she laughed, breaking the spell, and put it from her. She bent herself to teach the harper songs which she herself had almost forgotten, conscious the while that elsewhere, down in Caerbourne vale, on the hill of Caer Wiell, a Man’s body tossed in sweaty dreams which seemed constantly to mock him, with sounds of eldritch harping that stirred echoes and sleeping ghosts.

With the dawn, she and Fio

Then Fio