Shadow and Claw

JAHI: Lover . . . lover . . . lover. Have you no greeting for me?

STATUE: E-e-e-y!

SECOND SOLDIER: What's this? Stop! Woman, you said you had no power while I held you.

JAHI: Behold my slave. Can you fight him? Go ahead—break your spear on that broad chest.

The STATUE kneels and kisses JAHI'S foot.

SECOND SOLDIER: No, but I can outrun him.

He throws JAHI across his shoulder and runs. The door in the hill opens. He enters, and it slams shut behind him. The STATUE hammers it with mighty blows, but it does not yield. Tears stream down his face. At last he turns away and begins to dig with his hands.

GABRIEL: (Offstage.) Thus stone images keep faith with a departed day, Alone in the desert when man has fled away.

As the STATUE continues to dig, the stage grows dark. When the lights come up again, the AUTARCH is seated on his throne. He is alone on stage, but silhouettes projected on screens to either side of him indicate that he is surrounded by his court.

AUTARCH: Here I sit as though the lord of a hundred worlds. Yet not master even of this. The tramp of marching men is heard offstage. There is a shouted order.

AUTARCH: Generalissimo!

Enter a PROPHET. He wears a goat skin and carries a staff whose head has been crudely carved into a strange symbol.

PROPHET: A hundred portents are abroad. At Incusus, a calf was dropped that had no head, but mouths in its knees. A woman of known propriety has dreamed she is with child by a dog, last night a shower of stars fell hissing onto the southern ice, and prophets walk abroad in the land.

AUTARCH: You yourself are a prophet.

PROPHET: The Autarch himself has seen them!

AUTARCH: My archivist, who is most learned in the history of this spot, once informed me that over a hundred prophets have been slain here—stoned, burned, torn by beasts, and drowned. Some have even been nailed like vermin to our doors. Now I would learn of you something of the coming of the New Sun, so long prophesied. How is it to come about? What does it mean? Speak, or we shall give the old archivist another mark for his tally, and train the pale moonflower to climb that staff.

PROPHET: I despair of satisfying you, but I shall attempt it.

AUTARCH: Do you not know?

PROPHET: I know. But I know you for a practical man, concerned with the affairs of this universe alone, who seldom looks higher than the stars.

AUTARCH: For thirty years I have prided myself on that.

PROPHET: Yet even you must know that cancer eats the heart of the old sun. At its center, matter falls in upon itself, as though there were there a pit without bottom, whose top surrounds it.

AUTARCH: My astronomers have long told me so.

PROPHET: Think on an apple rotten from the bud. Fair still without, until it collapses into foulness at last.

AUTARCH: Every man who finds himself still strong in the latter half of life has thought on that fruit.

PROPHET: So much then for the old sun. But what of its cancer? What know we of that, save that it deprives Urth of heat and light, and at last of life?

Sounds of struggle are heard offstage. There is a scream of pain, and a crash as though a large vase had been knocked from its pedestal.

AUTARCH: We will learn what that commotion is soon enough, Prophet. Continue.

PROPHET: We know it to be far more, for it is a discontinuity in our universe, a rent in its fabric bound by no law we know. From it nothing comes—all enters in, nought escapes. Yet from it anything may appear, for it alone of all the things we know is no slave to its own nature.

Enter NOD, bleeding, prodded by pikes held offstage.

AUTARCH: What is this miscreation?

PROPHET: The very proof of those portents I spoke to you. In future times, so it has long been said, the death of the old sun will destroy Urth. But from its grave will rise monsters, a new people, and the New Sun. Old Urth will flower then as a butterfly from its dry husk, and the New Urth shall be called Ushas.

AUTARCH: Yet all we know will be swept aside? This ancient house in which we stand? Yourself? Me?

NOD: I have no wisdom. Yet I heard a wise man—soon to be a relative of marriage—say not long ago that all that is for the best. We are but dreams, and dreams possess no life by their own right. See, I am wounded. (Holds out his hand.) When my wound heals, it will be gone. Should it with its bloody lips say it is sorry to heal? I am only trying to explain what another said, but that is what I think he meant.

Deep bells toll offstage.

AUTARCH: What's that? You, Prophet, go and see who's ordered that clamor, and why.

Exit PROPHET.

NOD: I feel sure your bells have begun the welcome of the New Sun. It is what I came to do myself. It is our custom, when an honored guest arrives, to roar and beat our chests, and pound the ground and the trunks of trees all about with gladness, and lift the greatest rocks we can, and send them down the gorges in honor of him. I will do that this morning, if you will set me free, and I feel sure Urth herself will join me. The very mountains will leap into the sea when the New Sun rises up today.

AUTARCH: And from where did you come? Tell me, and I'll release you.

NOD: Why, from my own country, to the east of Paradise.

AUTARCH: And where is that?

NOD points to the east.

AUTARCH: And where is Paradise? In the same direction?

NOD: Why, this is Paradise—we are in Paradise, or at least under it.

Enter the GENERALISSIMO, who marches to the throne and salutes.

GENERALISSIMO: Autarch, we have searched all the land above this House Absolute, as you ordered. The Contessa Carina has been found, and, her injuries not being serious, escorted to her apartments. We have also found the colossus you see before you, the bejeweled woman you described, and two merchants.

AUTARCH: What of the other two, the naked man and his wife?

GENERALISSIMO: There is no trace of them.

AUTARCH: Repeat your search, and this time look well.

GENERALISSIMO: (Salutes.) As my Autarch wills.

AUTARCH: And have the jeweled woman sent to me.

NOD begins to walk offstage, but is stopped by pikes. The GENERALISSIMO draws his pistol. 

NOD: Am I not free to leave?

GENERALISSIMO: By no means!

NOD: (To AUTARCH.) I told you where my country lies. Just east of here.

GENERALISSIMO: More than your country lies. I know that area well.

AUTARCH: (Fatigued.) He has told the truth as he knows it. Perhaps the only truth there is.

NOD: Then I am free to go.

AUTARCH: I think that he whom you came to welcome will arrive whether you are free or not. Yet there is a chance—and such creatures as you ca

NOD rushes from the stage, pursued by the GENERALISSIMO. Shots, screams, and crashes. The figures around the AUTARCH fade. In the midst of the uproar, the bells toll again. NOD reenters with a laser burn across one cheek. The AUTARCH strikes him with his scepter; each blow produces an explosion and a burst of sparks. NOD seizes the AUTARCH and is about to dash him to the stage when two DEMONS disguised as merchants enter, throw him down, and restore the AUTARCH to his throne.

AUTARCH: Thank you. You will be richly rewarded. I had given up hope of being rescued by my guards, and I see I thought rightly. May I ask who you are?

FIRST DEMON: Your guards are dead. That giant has smashed their skulls against your walls and broken their spines upon his knees.

SECOND DEMON: We are two traders merely. Your soldiers took us up.

AUTARCH: Would that they were traders, and in their places I had such soldiers as you! And yet, you are in appearance so slight I would think you incapable of even ordinary strength.